Upon a second screening of Coralie Fargeat’s incredible opus “The Substance,” there is one thing that stands out. It’s not Stanislas Reydellet’s stellar production design or the exquisite cinematography from Benjamin Kracun that half a dozen young filmmakers and commercial directors will rip off over the next 18 months.
Nor is it Emmanuelle Youchnovski’s runway-friendly costume design that will have everyone hunting for a bold yellow long coat for the Winter.
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