Guy Lodge Film CriticThe year is 1993, and Yugoslavia is dead. Long live the Federal Republic of Yugoslavia, though that, too, will only last another 10 years.
The Belgrade-based family at the heart of “Celts” doesn’t know that yet, though they kind of do: After years of political tumult that have left them all older, poorer and more cynical, they’ve learned to expect the worst of things while making the best of them.
Millennial-age Serbian filmmaker Milica Tomović grew up in this era of discontented limbo, and her frayed, funny, perceptive debut feature is vibrantly colored by that lived experience.
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