Michael Cieply Executive EditorWin, lose or draw, the frantic election cycle has already made one thing painfully clear: The movies will never catch up.
They are too slow. A collaborative, deliberative medium like cinema can never keep pace with events—or more properly, with perceptions of and fascinations with seeming events—that change almost hourly.In early March—was it just eight months ago?—I was wondering if Aaron Sorkin’s The Trial Of The Chicago 7, a Paramount/Amblin film about a 1968 political showdown, might connect with a potential convention battle between Joe Biden and Bernie Sanders.
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