Jessica Kiang The public, the private and the deeply personal run on parallel tracks in French director Alice Diop’s documentary “We,” a series of vignettes of life along the RER B, a railway line running through the suburbs and exurbs of Paris out to the surrounding countryside.
But as it gains momentum, this deceptively cunning documentary — which out of a lineup full of showier titles won the top prize in Berlin’s Encounters section — sees those parallel tracks converge and criss-cross unexpectedly, throwing off fascinating intellectual sparks of insight at the switching points.The lyrical prologue seems at first to belong to another world.
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