Those Who Remain Review: Scary and unnerving when its not frustrating and annoying

Sam Fender performed his single ‘Seventeen Going Under’ live at last night’s BRIT Awards (February 8) – you can watch his performance below.The North Shields singer/songwriter was one of the stand-out performers at last night’s ceremony at The O2 in London, where he also picked up the award for Alternative/Rock Act.During his acceptance speech, Fender dedicated his award in part to the North East Homeless centre, which provides support to those who are vulnerable and homeless in the north east of England.You can watch Fender’s BRITs acceptance speech below.Massive Congratulations to Sam Fender & the gang, We’re all so proud of yous. Thank You all so much for ya Support in…Posted by NEH North East Homeless on Wednesday, February 9, 2022The artist later performed ‘Seventeen Going Under’, the title track from his acclaimed second album – you can see footage of his performance below.Sam Fender performing 'Seventeen Going Under' at the #BRITs pic.twitter.com/NBluaL9vUE— sam fender files (@samfenderfiles) February 8, 2022Speaking to NME on the red carpet at the BRITs, Fender spoke about the “special experience” of attending this year’s ceremony with his bandmates in tow.“It’s such a special experience this time around because I’ve got the band with us,” he said.

When Valentine’s Day comes around, restaurants up and down the country can be seen bursting at the seams with tables of couples, wining and dining on their love for one another. But this year one eatery is breaking the mould as the world’s first restaurant designed for polyamorous couples is set to open its doors. Opening in London’s Shoreditch on 14 February, THROUPLE aims to break down the stigma surrounding non-monogamous romantic relationships.

A strangely provocative film balanced between social parable and psychological horror, Mark Jackson's This Teacher watches a woman having a breakdown in a world that insists on denying its own madness. Apparently the final part in a thematic trilogy about women in mental distress —its predecessor was 2014's Catherine Keener-led War Story —this one increases its protagonist's stress level by making her a Muslim visiting America for the first time.

London's landmarks will be urgently reviewed after protesters tore down a statue of slave trader Edward Colston in Bristol in a bid to ensure they reflect the capital's diversity.

Sharon Liese's documentary follows the contrasting trajectories of four transgender children in Kansas City with engrossing, sometimes surprising results.

Murderous escaped cons are no match for the wrath of a 13-year-old girl in this over-the-top yet effectively taut thriller.

It's too little too late in this tedious biopic of Anglo-Irish modernist designer Eileen Gray and her antagonist Swiss architect Le Corbusier.

Creating a genuinely disturbing atmosphere for a video game is an art, and Those Who Remain does a great job of doing just that.

Mrs Hinch makes sure her dog Henry feels like part of the family.

Got some space you’re not making the most of? Here’s how to convert it into a stylish room ready to cash in on once lockdown ends

Don Millar's documentary about Fernando Botero, one of the world's most popular living artists (the most popular, if you believe the film), proves similar to the many artworks it displays. While Botero proves an enjoyable and accessible primer about the octogenarian Colombian-born artist whose paintings and sculptures have delighted millions, it lacks the depth and context to make it more than an easily digestible tribute seemingly designed to be shown on an endless loop at the Museo Botero in Bogotá, Colombia.

By Caroline Framke

The Nintendo Switch never ceases to amaze with the seemingly impossible worlds it manages to pack inside a single cartridge. All with the ability to be played not only on the TV, but in the palm of our hands.

Wayne and Coleen Rooney certainly have their hands full during the coronavirus pandemic with their four small children to keep them occupied. 

Hannah Gadsby begins her new Netflix special, Douglas, with a proclamation seldom heard in stand-up sets. It isn't as radical as her vow to "quit comedy" in Nanette, the Australian comic's Emmy- and Peabody-winning 2018 meta-comedy special that deconstructed joke structures to explain how humor can prop up power imbalances.

When Hannah Gadsby's 2018 Netflix special Nanette captured the zeitgeist, some people got mad at her for doing "a lecture, a glorified TED Talk, a one-woman show," not a stand-up comedy special. In her new special, Douglas, Gadsby responds directly to the haters by giving an actual lecture, and also indirectly, because Douglas is a stand-up special. Haters said she didn't do stand-up, so she responded with very funny stand-up. Douglas has the thoughtful craft and righteous anti-patriarchy anger you'd expect from the person who made Nanette, but it has a lighter touch, a looser structure, and no moment like the climax of Nanette in which she doesn't tell jokes, only truth. Douglas is, by design, funny all the way through.   

A creative mum transformed her son’s room without spending a penny.

She shot to worldwide attention in her role as Cleo in Alfonso Cuarón’s semi-autobiographical movie Roma. And now  Yalitza Aparicio  is using her new-found fame to highlight the importance of art to bringing focus onto important issues in society. Writing an opinion piece in The New York Times, the Oaxaca, Mexico native explains how art “presents us with the amazing opportunity to give voice to the unheard, and visibility to the unseen.”

A dad has spent 28 days isolating in a cramped hospital room so he can be with his son while he undergoes life-saving chemotherapy.

For many of us, there’s going to have to be some belt tightening over the next couple of years.

A father has been isolating in a cramped hospital room for 28 days so he can be with his son while he undergoes life-saving chemotherapy.