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Ch-ch-ch-ch changes: How David Bowie went from ‘Starman’ to soul man on his classic ‘Young Americans’ album 50 years ago
David Bowie famously sang about “Changes” in 1971, and true to his word, he turned and faced the strange on his 1975 LP “Young Americans.”Making a galactic journey from glam-rock to his self-described “plastic soul,” the man who came from Mars as Ziggy Stardust landed in Philadelphia to record his game-changing classic that came out 50 years ago on March 7, 1975.But the rock star — who died at 69 from liver cancer in 2016 — wasn’t exactly greeted with brotherly love in the city.“We were going to the birthplace of so many hits,” Tony Visconti — the “Young Americans” producer who had worked with Bowie since 1968 — exclusively told The Post. “But [Kenny] Gamble and [Leon] Huff, they didn’t want to work with us.”Indeed, the Sound of Philadelphia architects behind such R&B greats as the O’Jays, Teddy Pendergrass, and Harold Melvin & the Blue Notes were not open to this Brit invading their territory.“They actually said, ‘We don’t want no white boy stealing our music’ or something like that,” said Visconti, 80.But Bowie was on a makeover mission that could not be stopped on “Young Americans,” assembling his own soul squad, including Sly & the Family Stone drummer Andrew Newmark, Donny Hathaway bassist Willie Weeks, James Brown saxophonist David Sanborn and an emerging background singer by the name of Luther Vandross at Sigma Sound — the Philly studio where many Gamble & Huff hits were made.There was also session guitar player Carlos Alomar licking it up on hits such as the title track and his co-written classic “Fame” — Bowie’s first No.
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Ingrid Andress felt like she was ‘America’s punching bag’ after drunk national anthem debacle
admitted she was drunk.“It only took, you know, global humiliation for me to be like ‘this is a problem,’” Andress said ron “The Viall Files” podcast Thursday.The songstress, known for booze-related hits like “Wishful Drinking” and “Waste of Lime,” admitted to walking out on the field that day “not caring” how her performance was going to go.In the daring display at Globe Life Field in Arlington, Texas, the vocalist gave a pitchy and slurry rendition of “The Star-Spangled Banner.”“I was so gone that afterward, I thought that I like, kind of nailed it,” the 33-year-old shared.When the songwriter woke up the following day, it was the first time she realized there was a serious problem.“I was like ‘okay, this is so unlike me, like, this is not okay,” she recalled.Before the botched performance, the Colorado native said she was drinking heavily for over three months following a series of events. “I didn’t realize how much I didn’t let myself process those emotions of grief,” Andress said, adding that her sister moved out of her house, she split with her first-ever manager and broke up with her “very serious boyfriend” all at once.Following the National Anthem ordeal, Andress released a statement without approval from her team.“I’m not gonna bulls–t y’all, I was drunk last night.
nypost.com
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Keeping us hangin’ on: Diana Ross tells fans ‘I’ll never retire’ ahead of 81st birthday
still “The Boss” at 80 — and, over six decades into her legendary career, she’s working on keeping up that title.“I’ll never retire,” Ross, who will turn 81 on March 26, told an audience of adoring fans at the second of two sold-out shows at Brooklyn’s Kings Theatre on Saturday. In a year that has seen the deaths of such other music legends as Roberta Flack, Marianne Faithfull and Sam Moore of Sam & Dave, it was a welcome reminder that we still have other eternal pop icons among us.Indeed, Ross’ shows at Kings Theatre, celebrating the 10th anniversary of the venue, came as other octogenarian all-timers are still making moves — from 82-year-old Paul McCartney’s string of club shows at NYC’s Bowery Ballroom to Paul Simon, 83, announcing that he was un-retiring from the road for his “A Quiet Celebration” tour starting April 4 to Mick Jagger, 81, rocking the Oscars with a surprise appearance to present the Best Original Song award on Sunday.If anything, Ross’ two-night stand was a reminder that we should appreciate this eternal goddess while she is still here, blessing us with her presence.While other divas of her generation have passed on — from Aretha Franklin and Tina Turner to, most recently, Flack — Ross is still flexing her “Muscles.”When she opened to “I’m Coming Out” — her 1980 anthem that continues to symbolize liberation and empowerment for both the LGBTQ community and anyone else who needs a feather-boa-lifting boost — Ross was a true living legend in red ruffles.

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