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Sunday night live: Dua Lipa gets Times Square levitating after hosting ‘SNL’

Dua Lipa had all that Mermaid Barbie training.The Grammy-winning songstress — who had a tail of a cameo in last summer’s “Barbie” blockbuster —needed all of her water-nymph powers as she presided over a rain-soaked Times Square on Sunday night in a surprise pop-up performance that still had fans braving the elements to dance the night away.It completed the Dua Lipa NYC takeover this weekend to launch her third album, “Radical Optimism,” which included her serving as host and musical guest on “Saturday Night Live.”And certainly, some “Radical Optimism” was needed to brighten up a cold, soggy Cinco de Mayo that felt more like Cinco de Marzo.Even the diva’s dad, Dukagjin Lipa, knew it — the former Kosovan crooner handed out $2 bills for good luck to guests as he was entering the VIP area.“New York!” the British-Albanian singer exclaimed as she took the stage inside of a trailer parked at the corner of 43rd Street and Seventh Avenue.Flipping her burgundy-tinted tresses like the former model she is — while safely covered from any hair-busting bursts from the skies — she launched into “Training Season” like a well-conditioned pro as her mammoth likeness took over the Nasdaq and Amex jumbotrons.Welcome to Dua Square.It was certainly a feat to get the crowd — which stretched all the way to 47th Street — levitating to any degree.“Thank you for braving the rain and the cold,” Lipa, 28, said.And for her next trick, Lipa performed “Houdini” — the first single from “Radical Optimism” — which possesses the same kind of dance-pop magic she has been crafting since her 2017 breakout hit “New Rules.”Then Lipa shifted into midtempo mode for the “Radical Optimism” closer “Happy for You,” which seems determined to prove that she can do more
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Usher on his upcoming tour: ‘I’m in your face! You have to put your phone down!’
what happens in Vegas, stays in Vegas.But apparently that doesn’t apply to Usher’s sold-out “My Way” residency, which led to him scoring the biggest gig in music — the headlining spot at the Super Bowl halftime show — at Allegiant Stadium in Las Vegas last Sunday.After his epic halftime show — featuring all-star support from special guests Alicia Keys, Ludacris, Lil Jon, H.E.R., will.i.am and Jermaine Dupri — Usher married longtime love Jennifer Goicoechea, and then said goodbye to Sin City, which had been their homebase since his residency started at the Dolby Live — Park MGM in 2022.But Usher is planning to bring the Vegas experience to his upcoming Past Present Future Tour, which kicks off Aug. 14 in Atlanta — the city that started it all for the 45-year-old superstar when he made his self-titled debut at 15 in 1994.“The reality is that, naturally, I want the rest of the world to have access to what people felt from these theater shows that I had here in Las Vegas,” Usher told The Post.“I’m going to curate it in a much different way because now I’m playing, obviously, bigger spaces, but I get a chance to immerse people in this experience and bring it live directly to you.”And even going from a theater to arenas — including four shows at Brooklyn’s Barclays Center on Sept.
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This is… what? Jennifer Lopez’s ‘This Is Me… Now’ proves that sometimes art and amor just don’t mix
Jennifer Lopez’s much-anticipated new album “This Is Me… Now” — the sequel to 2002’s “This Is Me… Then,” which drops on Friday — once again revolves around her Hollywood love affair with “Gigli” co-star Ben Affleck.But just like that much-maligned romantic comedy did in 2003, Lopez’s first studio album in 10 years — since 2014’s “A.K.A.” — proves yet again that sometimes art and amor just don’t mix.First off, like most sequels, it pales compared to the original.While it was hardly Janet Jackson’s “The Velvet Rope,” Rihanna’s “Anti” or Beyoncé’s anything, “This Is Me… Then” was probably J.Lo’s most “artistic” album.Yes, it had two hit hip-pop bops in “Jenny from the Block” — which infamously featured Affleck in its video — and the lip-licking LL Cool J collab “All I Have.” But Lopez’s third studio LP also found the singer-actress digging for more emotional depth than she had shown on either 1999’s “On the 6” or 2001’s “J.Lo.”But you know what? “On the 6” and “J.Lo” were ultimately better albums because Lopez played to her strengths with booty-shaking beats — the better to hoof it up in some killer couture — rather than heart-tugging feels.And “This Is Me… Now” leans even more into J.Lover rather than J.Lo.While the first single, “Can’t Get Enough” — another hip-pop bop that samples Alton Ellis’ ’60s reggae classic “I’m Still in Love with You” while nodding to Marcia Aitken’s 1977 version of the song— would’ve been a hit 20 years ago, the rest of Lopez’s ninth studio album finds the Bronx-born diva stuck in a romantic rut.
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Jennifer Lopez hints at retiring from music: ‘This might be my last album ever’
“This Is Me… Now.”But apparently, a better title for J.Lo’s first studio LP in 10 years — since 2014’s “A.K.A.” — might have been “This Is It.”“The truth is I don’t even know if I’ll ever make another album after this,” Lopez, 54, told “Entertainment Tonight” as she explained the different album covers that they did especially for the JLovers — as her faithful fans are known.“It’s such the kind of quintessential kind of Jennifer Lopez J.Lo project, and I really feel very fulfilled, so they really will be collector’s items at a certain point.”After hinting at her possible retirement from the recording studio, Lopez quipped, “Don’t tell Benny [Medina, her longtime manager] that that’s what I’m thinking — this might be my last album ever.”Lopez’s ninth studio album, “This Is Me… Now,” is a sequel to 2002’s “This Is Me… Then,” her third studio LP, which featured the hits “Jenny from the Block” and “All I Have.”Lopez’s now-husband, Ben Affleck, was infamously featured in the “Jenny from the Block” video, and the singer dedicated “Dear Ben” to him.Similarly, “This Is Me… Now,” led by the first single, “Can’t Get Enough,” will reflect their relationship today — two years after they finally got married after calling off their first engagement in 2004.“Our relationship crumbled under the weight of the pressure,” Lopez told Variety.“We lost a sense of ourselves, and we needed to separate because we didn’t know how to survive it.
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Welcome to the Rodeo-sance: Beyoncé goes country on 2 new surprise singles
Beyoncé is entering her Cowgirl Era.If you thought that Bey was just randomly rocking cowboy hats all of a sudden — from the promo pics for her “Renaissance” album and tour to merch and her Grammys look just over a week ago — then you don’t know Bey.And like the marketing queen that she is, she used the biggest audience possible — in a Super Bowl 2024 commercial for Verizon that ended with Beyoncé saying “Drop the new music” — to tease the arrival of two new surprise country singles: “Texas Hold ’Em” and “16 Carriages.”On a night that was supposed to belong to another pop superstar — Super Bowl LVIII halftime show headliner Usher — once again B was causing all the conversation.(We’re sure that Usher was all good with it — after his epic extravaganza at Allegiant Stadium in Las Vegas, he reportedly went ahead and got married to his longtime girlfriend, Jennifer Goicoechea.)But here we are beginning what is “Act II” of the “Renaissance” rollout, which began with “Act I” — a house-music manifesto led by her No. 1 hit “Break My Soul” — in 2022.But judging by “Texas Hold ’Em” and “16 Carriages,” Beyoncé is now taking us from the clubs to the country on “Act II,” which, thankfully — no surprises here — we know is due March 29.Welcome to the Rodeo-sance.It shouldn’t be a complete shock that the all-time Grammy winner can actually do country music.
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