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nypost.com
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This is… what? Jennifer Lopez’s ‘This Is Me… Now’ proves that sometimes art and amor just don’t mix
Jennifer Lopez’s much-anticipated new album “This Is Me… Now” — the sequel to 2002’s “This Is Me… Then,” which drops on Friday — once again revolves around her Hollywood love affair with “Gigli” co-star Ben Affleck.But just like that much-maligned romantic comedy did in 2003, Lopez’s first studio album in 10 years — since 2014’s “A.K.A.” — proves yet again that sometimes art and amor just don’t mix.First off, like most sequels, it pales compared to the original.While it was hardly Janet Jackson’s “The Velvet Rope,” Rihanna’s “Anti” or Beyoncé’s anything, “This Is Me… Then” was probably J.Lo’s most “artistic” album.Yes, it had two hit hip-pop bops in “Jenny from the Block” — which infamously featured Affleck in its video — and the lip-licking LL Cool J collab “All I Have.” But Lopez’s third studio LP also found the singer-actress digging for more emotional depth than she had shown on either 1999’s “On the 6” or 2001’s “J.Lo.”But you know what? “On the 6” and “J.Lo” were ultimately better albums because Lopez played to her strengths with booty-shaking beats — the better to hoof it up in some killer couture — rather than heart-tugging feels.And “This Is Me… Now” leans even more into J.Lover rather than J.Lo.While the first single, “Can’t Get Enough” — another hip-pop bop that samples Alton Ellis’ ’60s reggae classic “I’m Still in Love with You” while nodding to Marcia Aitken’s 1977 version of the song— would’ve been a hit 20 years ago, the rest of Lopez’s ninth studio album finds the Bronx-born diva stuck in a romantic rut.
metroweekly.com
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The Gay Education of Matt Bomer
Fellow Travelers, in which Bomer and Jonathan Bailey star as secret lovers who meet in McCarthy-era Washington.While a rapt audience inside the screening room enjoyed the series’ racy, ’70s-era Fire Island episode, Bomer, prompted by our discussion of whether actors are destined for certain roles, mused on his uncertain path to his SAG Award-nominated role as closeted WWII vet turned State Department official Hawkins Fuller.“It’s so interesting, because this came to me early on and I was so pessimistic about it,” he says. “I started out in this industry — I’ve been doing this almost 30 years — at a time when something like this just wouldn’t get made, period.”Still, throughout his career, the erstwhile White Collar lead has represented the LGBTQ community admirably offscreen, and in stage and screen revivals of The Boys in the Band, and his Golden Globe-winning portrayal of a writer with AIDS in HBO’s The Normal Heart.“We have seen this slow ebb of progress happening in Hollywood in our storytelling,” he says, citing Fellow Travelers creator Ron Nyswaner’s “beautiful scripts,” and the support of Showtime and Paramount for the show as prime examples of that progress.

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