comebacks: Last News

“The Greatest Love Story Never Told” when the Bronx-born diva questions just how much the public might care about her — and her much-hyped comeback album “This Is Me… Now” — in today’s pop landscape.After all, it has been 10 years since Lopez’s last studio LP, 2014’s “A.K.A.” — and a whole 22 years since 2002’s “This Is Me… Then” gave her two of her biggest hits in “Jenny from the Block” and “All I Have.” “I didn’t even have to make the record,” says Lopez, 54, in the doc, which premiered on Prime Video Monday night.“It’s not like anybody was clamoring for the next J.Lo record, you know what I mean?”Well, damn, she was sure right about that.Despite a major promotional campaign — including a star-studded short film, “This Is Me… Now: A Love Story,” that accompanied the album release — Lopez’s ninth studio LP made an absolutely abysmal debut on the Billboard 200 at No. 38.Just to put that into perspective, seven of the singer’s previous studio albums debuted in the Top 10 — with 2001’s “J.Lo” opening all the way up at No.

Justin Timberlake’s last studio album, 2018’s “Man of the Woods,” on which the pop superstar got his Americana on.But many of the fans who had rocked their bodies to his previous hit LPs — from 2002’s “Justified” to 2006’s “FutureSex/LoveSounds” to 2013’s “The 20/20 Experience” — weren’t feeling the flannel on JT.And, by his lofty standards, “Man of the Woods” was the first (relative) flop of his career. It was the first real misstep from a man who had seemed to have all the right moves as he smoothly grooved from curly haired boy-bander to sexy-MFing solo sensation.But on “Everything I Thought It Was,” Timberlake, now 43, is back to being a Man of the Dance Floor, a Man of the Bedroom and even, once again, a Man of the Boy Band.(Yup, *NSYNC is back!)Suffice to say, Chris Stapleton is nowhere to be found on this joint.Clearly, Timberlake is trying — almost desperately — to make up for lost time on his sixth solo LP, which stretches out to 77 minutes.And no, it’s not a double album.

what happens in Vegas, stays in Vegas.But apparently that doesn’t apply to Usher’s sold-out “My Way” residency, which led to him scoring the biggest gig in music — the headlining spot at the Super Bowl halftime show — at Allegiant Stadium in Las Vegas last Sunday.After his epic halftime show — featuring all-star support from special guests Alicia Keys, Ludacris, Lil Jon, H.E.R., will.i.am and Jermaine Dupri — Usher married longtime love Jennifer Goicoechea, and then said goodbye to Sin City, which had been their homebase since his residency started at the Dolby Live — Park MGM in 2022.But Usher is planning to bring the Vegas experience to his upcoming Past Present Future Tour, which kicks off Aug. 14 in Atlanta — the city that started it all for the 45-year-old superstar when he made his self-titled debut at 15 in 1994.“The reality is that, naturally, I want the rest of the world to have access to what people felt from these theater shows that I had here in Las Vegas,” Usher told The Post.“I’m going to curate it in a much different way because now I’m playing, obviously, bigger spaces, but I get a chance to immerse people in this experience and bring it live directly to you.”And even going from a theater to arenas — including four shows at Brooklyn’s Barclays Center on Sept.

a health scare in June that led the Queen of Pop to be hospitalized for several days — it will reportedly feature more than 40 songs encompassing her 40-plus years of getting into the groove. Here are 20 tunes from four decades of dance-floor domination that we hope she gives a twirl.1. “Substitute for Love/Drowned Love”What better way to begin her 40th anniversary concert than by diving into the raw, revealing emotions of the “Ray of Light” opener, on which M famously confessed, “I traded fame for love without a second thought.”2. “Music”Madonna’s last No.

new Paramount+ documentary, “Reinventing Elvis: The ’68 Comeback,” which takes viewers behind the curtain of the original NBC telecast through the eyes of Binder, 90, who shares candid, emotional, behind-the-scenes stories of working with Presley and with his notoriously iron-fisted, sketchy manager, Col. Tom Parker (identified here as “The Villain”), who’d relegated Elvis to a string of laughably bad movies throughout the 1960s to keep the gravy train rolling along.“Reinventing Elvis: The ’68 Comeback” is produced by Spencer Proffer (“The Day The Music Died: The Story of Don McLean’s ‘American Pie'”) and directed by John Scheinfeld(“The U.S.