John Scheinfeld: Last News

new Paramount+ documentary, “Reinventing Elvis: The ’68 Comeback,” which takes viewers behind the curtain of the original NBC telecast through the eyes of Binder, 90, who shares candid, emotional, behind-the-scenes stories of working with Presley and with his notoriously iron-fisted, sketchy manager, Col. Tom Parker (identified here as “The Villain”), who’d relegated Elvis to a string of laughably bad movies throughout the 1960s to keep the gravy train rolling along.“Reinventing Elvis: The ’68 Comeback” is produced by Spencer Proffer (“The Day The Music Died: The Story of Don McLean’s ‘American Pie'”) and directed by John Scheinfeld(“The U.S.

Sophia Scorziello editor Live Nation’s concert streaming platform Veeps has set its first-ever global film premiere with rock documentary “What the Hell Happened to Blood, Sweat & Tears?” The doc’s exclusive PVOD release on Veeps follows its March 2023 theatrical release, which was helmed by Abramorama. The exclusive Veeps screenings will take place on August 20 at 12 p.m. ET and 8 p.m. ET. Veeps is offering two tiers of tickets, the first going for $12.99 which gives access to the screening, and the second for $24.99, which includes screening access along with a CD copy of the documentary’s soundtrack. Both tickets provide audiences with a 3-day rewatch window. In addition, each of the two PVOD screenings will host a live Q&A with filmmaker John Scheinfeld and Blood, Swear and Tear’s band member Bobby Colomby.

Roy Trakin “What the Hell Happened to Blood Sweat & Tears?” is the question filmmaker John Scheinfeld (“Chasing ‘Trane,” “The U.S. vs. John Lennon”) asked the band’s co-founder and industry acolyte Bobby Colomby over lunch just two months before COVID. The story Colomby told him that day turned into a compelling documentary that serves as the perfect glimpse into the roots of today’s cancel culture in an incident that took place 53 years ago. It was a reasonable query about a band that, as the summer of 1970 approached, was the hottest entity in rock ‘n’ roll, with a self-titled sophomore album for Columbia Records that topped the chart for seven weeks, spawned three massive Top 5 hit singles (covers of Laura Nyro’s “And When I Die” and Brenda Holloway’s “You’ve Made Me So Very Happy” and the novelty-like “Spinning Wheel,” penned by the band’s newly minted vocalist David Clayton-Thomas), while taking home an album of the year Grammy over “Abbey Road,” “Crosby, Stills & Nash” and “Johnny Cash Live at San Quentin.”