albums: Last News

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Beyoncé’s ‘Cowboy Carter’ proves that we’re all living in Bey country: review

So decreed Queen B in a rare lengthy Instagram post about “Cowboy Carter,” which is “Act II” in her “Renaissance” trilogy that began with the underground house beats of her 2022 album that had us buzzing and bopping to “Break My Soul,” “Cuff It” and “Alien Superstar.”And while it may seem like a hair-whipping flip to take it from the ballroom to the barnyard on her latest, it is not as radical of a departure as it may seem for Bey herself, who hails from Houston, Texas, and is as Southern as any hummingbird could be.“They used to say I spoke ‘too country’/And the rejection came, said I wasn’t ‘country ’nough’/Said I wouldn’t saddle up/But if that ain’t country, tell me, what is?” she sings with a snarl in her twang on “Ameriican Requiem,” the autobiographical manifesto that opens the album.This is Bey unplugged, raw and rootsy, two-stepping across the color lines that took “Texas Hold ’Em” — the banjo-picking bluegrass stomper that previewed “Cowboy Carter” last month — all the way to No.
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Jennifer Lopez hints at retiring from music: ‘This might be my last album ever’
“This Is Me… Now.”But apparently, a better title for J.Lo’s first studio LP in 10 years — since 2014’s “A.K.A.” — might have been “This Is It.”“The truth is I don’t even know if I’ll ever make another album after this,” Lopez, 54, told “Entertainment Tonight” as she explained the different album covers that they did especially for the JLovers — as her faithful fans are known.“It’s such the kind of quintessential kind of Jennifer Lopez J.Lo project, and I really feel very fulfilled, so they really will be collector’s items at a certain point.”After hinting at her possible retirement from the recording studio, Lopez quipped, “Don’t tell Benny [Medina, her longtime manager] that that’s what I’m thinking — this might be my last album ever.”Lopez’s ninth studio album, “This Is Me… Now,” is a sequel to 2002’s “This Is Me… Then,” her third studio LP, which featured the hits “Jenny from the Block” and “All I Have.”Lopez’s now-husband, Ben Affleck, was infamously featured in the “Jenny from the Block” video, and the singer dedicated “Dear Ben” to him.Similarly, “This Is Me… Now,” led by the first single, “Can’t Get Enough,” will reflect their relationship today — two years after they finally got married after calling off their first engagement in 2004.“Our relationship crumbled under the weight of the pressure,” Lopez told Variety.“We lost a sense of ourselves, and we needed to separate because we didn’t know how to survive it.
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Rock on, Dolly! Parton gifts us with new music on her 78th birthday
Dolly Parton to give us gifts on her birthday?And if hearing the country queen rock out to “I Hate Myself for Loving You,” “Heart of Glass” and “Let It Be” — with help from Joan Jett & the Blackhearts, Debbie Harry and freaking Paul McCartney, respectively — on her “Rockstar” album released last November wasn’t enough, well, here’s more Dolly for your headbanging pleasure.“It’s my Birthday so I’m going to give you a present!” Parton announced on Instagram.“I’m releasing four never released songs for my birthday, to go with the Rockstar album, and a few others that you may have heard before that were not on the album.“I hope you enjoy them, and I hope you all have a happy birthday for me! LOL”And of course, the ever-gracious goddess signed it off with, “Thanks for everything, Dolly,” along with a rhinestone heart.The four previously unreleased tracks include Parton’s covers of the 1983 Eurythmics hit “Sweet Dreams (Are Made of This),” the 1974 Billy Joel gem “The Entertainer” and the 1970 Simon & Garfunkel classic “Bridge Over Troubled Water.”There’s also “Stay Out of My Bedroom,” a new version of the song that Parton previously released for the soundtrack of her 1984 film “Rhinestone” co-starring Sylvester Stallone.And in her ever-charitable spirit, Parton has also blessed us with five tracks that were only previously available on special (read: pricey) editions of “Rockstar,” which came on the heels of her 2022 Rock & Roll Hall of Fame induction.
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Federal court revives lawsuit against Nirvana over 1991 ‘Nevermind’ naked baby album cover
man who appeared naked as a 4-month-old on the cover of Nirvana’s 1991 album “Nevermind.”Spencer Elden’s lawsuit against the grunge rock group alleges that he has suffered “permanent harm” as the band and others profited from the image of him underwater in a swimming pool, appearing to grab for a dollar bill on a fish hook.The suit says the image violated federal laws on child sexual abuse material, although no criminal charges were ever sought.A federal judge in California threw out the lawsuit last year but allowed Elden to file a revised version, which the judge later dismissed on grounds that it was outside the 10-year statute of limitations of one of the laws used as a cause of action.Thursday’s decision by a three-judge panel of the Ninth US Circuit Court of Appeals in California reversed that ruling and sent the case back to the lower court.The appellate panel found that each republication of an image “may constitute a new personal injury” with a new deadline and cited the image’s appearance on a 30th-anniversary reissue of “Nevermind” in 2021.“The question whether the ‘Nevermind’ album cover meets the definition of child pornography is not at issue in this appeal,” the court wrote, according to the New York Times.In an email to The Associated Press, Nirvana attorney Bert Deixler called the ruling a “procedural setback.”“We will defend this meritless case with vigor and expect to prevail,” he wrote.The Associated Press does not typically name people who say they have been victims of sexual abuse unless they come forward publicly, as Elden has.
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That’s ruff: Drake seemingly ‘Dogs’ Rihanna on new album
not the way to take care of Rihanna.After Drake was long rumored to have an on-again, off-again relationship with Rihanna while the two superstars cozied on up the charts together for some iconic collabs — from 2010’s “What’s My Name?” and 2016’s “Work” to, most memorably (for this critic), 2011’s “Take Care” — Drizzy certain seems to be in his salty feelings on his new album “For All the Dogs.”Dropping at 6 a.m. Friday morning instead of the usual midnight (Note to Drake: Please don’t go all Kanye on us with this last-minute release shuffling), the 23-track, 85-minute epic — which would have been a damn triple LP back in the day — appears to address Ri-Ri on the already-viral cut “Fear of Heights.”And when we say “appears,” well, the trolling track packs all of the subtlety of his recent barretted-up hair-don’t that had him looking like Tempest Bleddsoe aka Vanessa Huxtable from “The Cosby Show.”Over a spooky groove to set it off, Drake — who was rumored to not be having it when Rihanna boo’d and then baby’d up with A$AP Rocky — sure sounds like a bitter ex when he opens with, “Why they make it sound like I’m still hung up on you?/That could never be/Gyal can’t be me/Better him than me/Better it’s not me.”The way that “gyal” appropriates Caribbean slang for “girl” leaves little doubt that he’s talking about the Barbadian beauty.
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