Punk: Last News

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All news where Punk is mentioned

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Watch Taking Back Sunday perform with ex-guitarist and singer Fred Mascherino for the first time in 17 years
Taking Back Sunday performed two shows over the weekend, and surprised fans by performing with Fred Mascherino for the first time in over a decade.The shows took place as part of their annual Holiday Spectacular, which was held at the Starland Ballroom in New Jersey on Saturday night (December 7).For the first gig, which was held in the afternoon, the band stripped things back with an acoustic set comprising five songs. This was a surprise for fans too, as it included a rare rendition of the 2004 track ‘Existentialism On Prom Night’ by guitarist and singer John Nolan’s band Straylight Run.Both bands are set to play When We Were Young Festival next year, and the event was confirmed as Straylight Run’s first show to be announced since they reunited in 2021.While all of that went down at the afternoon show, it was the gig later in the evening that saw another surprise lined up, as Taking Back Sunday brought out former singer and guitarist Fred Mascherino for the first time in 17 years.The musician appeared as part of the band back in their ‘Where You Want To Be’ and ‘Louder Now’ era, and his appearance at the New Jersey gig came as a surprise to fans as it marked his first time on stage with the band since he left the line-up in 2007.It was lovely to have @thecolorfred join in for Liar and MakeDamnSure last night at @starlandNJ .
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Sex Pistols’ Glen Matlock on being asked to play bass for “boring” Oasis and why he never found Johnny Rotten’s lyrics “sincere”
Sex Pistols bassist Glen Matlock has spoken to NME about once being invited to join Oasis, what the future holds for the punk icons with Frank Carter, and his thoughts on John Lydon‘s lyrics and pro-Trump stance.Matlock is currently touring the UK to promote his 2023 solo album ‘Consequences Coming’. Speaking to NME, the 68-year-old discussed his part in Blondie’s “heavy” and “atonal” new album and reflected on the Sex Pistols’ recent UK reunion tour, which featured himself, original members Steve Jones (guitar) and Paul Cook (drums), with guest vocalist Frank Carter in place of the estranged Lydon.Check out our full interview below, where he alo expressed annoyance at the ongoing veneration of “likeable nitwit” Sid Vicious, who replaced him as the Pistols’ bassist in 1977, and explained his dissatisfaction with Danny Boyle’s 2022 Pistol TV biopic, which was adapted from Jones’ memoir Lonely Boy.NME: Hi Glen! You’ve always had eclectic music tastes. Is that something you wanted to convey with ‘Consequences Coming’, which features rock’n’roll and doo-wop?Glen Matlock: “Yeah, I’d like to not just be known as the punk rocker bloke from a long time ago – there’s an element of that.
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Watch Adam Hills attempt to bleep out Amyl & The Sniffers’ swear words on live TV
Amyl & The Sniffers‘ recently appeared on The Last Leg and gave Adam Hills a run for his money as he tried to censor them.In their stint on the late night show, The Aussie punk band performed ‘Jerkin‘ from their third studio album, ‘Cartoon Darkness’, which they had previewed with a string of singles: ‘Big Dreams’, ‘Chewing Gum’, ‘U Should Not Be Doing That’.With the strong opening line of: “You’re a dumb c*nt, you’re an asshole / Every time you talk, you mumble, grumbles / Need to wipe your mouth after you speak / ‘Cause it’s an asshole, bum hole, dumb c*nt,” host Adam Hills joked ‘Jerkin’ wasn’t written about anyone in particular.“It also won’t surprise you know there is some very strong language in this song,” he joked, before explaining he’d try and bleep it out, which he did with varying levels of success throughout their performance – watch footage below.Watch back @amylandsniffers performing on @TheLastLeg now –https://t.co/ImPdiXCM5c pic.twitter.com/g0139xxlHr— Rough Trade Records (@RoughTradeRecs) November 13, 2024 ♬ original sound – adamhillscomedy During a recent interview with NME, Amyl & The Sniffers spoke about recording the follow-up to 2021’s ‘Comfort To Me’ at Foo Fighters‘ Studio 606 in Los Angeles, California. They used the soundboard that spawned both Nirvana’s ‘Nevermind’ and Fleetwood Mac’s ‘Rumours’.“It was cheap and open,” laughed bassist Gus Romer.

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