This season's many awards possibilities directed by women are as different as Nomadland, Chloé Zhao's expansive view of itinerant Americans today, and One Night in Miami, Regina King's tightly focused drama about soon-to-be Black icons in the 1960s.
But within that range, one especially eye-opening trend has emerged. Several women writer-directors have used bold aesthetics to reveal heroines grappling with the life-altering issues of abortion and sexual abuse.
Eliza Hittman's subtle, eloquent Never Rarely Sometime Always, Kitty Green's taut The Assistant and Emerald Fennell's mordant dark comedy Promising Young Woman use sophisticated points of view and unusual, revealing camera choices to show us their heroines from the outside and also.
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