Marta Balaga During a seminar at EnergaCamerimage Film Festival on Friday, described as “the best event of the festival” by one of the participants, Oscar-winning French cinematographer Philippe Rousselot shared his thoughts on working alongside a camera operator. “Philosophically, I hate the idea of power, command, obedience.
It’s not in my DNA. But when I think of my attitude on set, I have to remind myself that I have been very dictatorial, almost tyrannical.
This contradiction is the origin of this conversation,” he said. Rousselot, who also celebrated a retrospective at the Polish event, shot seven films with operator-turned-cinematographer Anastas N.
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