Woody Harrelson: Last News

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Ted Danson says sorry to Kelsey Grammer for “getting angry” with him on ‘Cheers’ set: “It’s my bad”

Kelsey Grammer for an argument in which he got angry with him on the set of Cheers, admitting it was “his bad”.The two former co-stars, who played bartender Sam Malone and psychiatrist Frasier Crane respectively on the legendary sitcom, have appeared together on the Where Everybody Knows Your Name podcast, co-hosted by Danson and Woody Harrelson.While reminiscing on their time together while filming the NBC show, they began to talk about their relationship off screen, causing Danson to open up about a particular regret he has.“I feel like I got stuck a little bit with you during the Cheers years,” he told Grammer. “I have a memory of getting angry at you once.”“Yeah, you came and told me that one day,” replied Grammer, without giving away the subject of the dispute.“It’s stuck in both of our memories,” added Danson.
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‘Champions’ Review: Woody Harrelson Stars in What Probably Could’ve Been the Feel-Good Film of 1993
Peter Debruge Chief Film Critic While Peter Farrelly was off winning Oscars for “Green Book,” younger brother Bobby has been largely absent from feature directing. It’s been nearly a decade since the siblings shared credit — the last time being 2014’s “Dumb and Dumber To.” Now, rather than competing with Peter at the respectability game, Bobby sticks to what he knows with “Champions,” in which Woody Harrelson plays a minor-league basketball coach court-ordered to assist a Special Olympics team for 90 days — just long enough to take the team from bumbling incompetents to national finalists. There are zero surprises in “Champions,” unless you count the not-inconsiderable shock that such a movie exists at all. A remake of 2018 Spanish box office sensation “Campeones,” this awkward (if presumably well-intentioned) comedy might have felt enlightened 25 years ago — back when “Forrest Gump” was an Oscar favorite — but today makes for a patronizing portrayal of people with intellectual disabilities. That’s still better than no portrayal at all, I suppose, and there’s some satisfaction to be had in watching Harrelson’s character overcome his prejudices — reflected by using the “boo-boo word” that starts with “R” — and grow to see these amateur athletes for more than their limitations. But did the film (little more than a “Role Models” redux) have to paint its players as such extreme incompetents from the outset?
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