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22.01.2022 / 03:29

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Oscar’s Foreign Accent Dates Back to the Birth of Cinema

Tim Gray Senior Vice PresidentThe public considers the Academy Awards as a Hollywood event. True, the Academy of Motion Picture Arts & Sciences is headquartered in Southern California, and most of the best pic contenders are American and/or in the English language.

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Oscar’s Déjà Vu: Remakes Like ‘Dune’ and ‘CODA’ Spice Up Awards Race

Tim Gray Senior Vice PresidentWhen Steven Spielberg’s “West Side Story” screened for industry audiences in late November, Oscar pundits were rapturous but immediately worried: “It’s great, but could a remake win best picture?”The answer, of course, is yes. (Pundits like to either predict the Oscar outcome five months in advance or else predict dire scenarios, nothing in between.)This year, there are some terrific remakes.

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Guillermo del Toro on the Crafts of ‘Nightmare Alley’

Tim Gray Senior Vice PresidentGuillermo del Toro’s “Nightmare Alley” is physically stunning, which the director says “sustains the darkness of the movie by keeping the audience almost hypnotized by those textures. If you make a beautiful movie that’s not telling a story or defining a character, it’s just decorative. That’s the difference between eye protein and eye candy.”Every worker behind the camera on the Searchlight film was “first-rate,” says del Toro, who also singled out several key artisans.

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George Clooney on Working with Ben Affleck in ‘Tender Bar,’ Inspiration for Role and Political Activism

Tim Gray Senior Vice PresidentAmazon’s “The Tender Bar” is George Clooney’s eighth film as director, with William Monahan scripting from J.R. Moehinger’s book about a family that spans the years, with Daniel Ranieri, then Tye Sheridan as J.R.

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Marlee Matlin Says Her Film ‘CODA’ ‘Has Ignited a Fire’ About Authentic Casting

Tim Gray Senior Vice President“CODA” may be the most radical Oscar contender this year.Writer-director Sian Heder tells Variety, “We told a simple story about family dynamics. I was trying to portray a complicated family that felt real.”She’s right: The structure is straightforward and the story is indeed simple, about a hearing daughter from a deaf family who wants to pursue her own career.But the film is revolutionary because it centers on a deaf family.

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A 40-Year Variety Show: Reflections on Decades of Constant Change

Tim Gray Senior Vice PresidentThis month marks the 40th anniversary of my joining Variety, which sets off a number of thoughts.The first is a realization: 40 years? I’m old! (This is startling, because for many years I wasn’t.)The second reaction is how much things have changed. Occasionally, people will say, “Wow, 40 years at one place!” And I think, well, yes, but that requires a few footnotes.

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How Daniel Craig Became the Longest-Reigning James Bond After a Brutal Start

Tim Gray Senior Vice PresidentWhen Daniel Craig signed on as James Bond in 2005, he found himself under attack by snipers more vicious than any 007 had ever faced: the media.The naysayers immediately lamented the “blond Bond” and criticized his blue eyes. The London Daily Mirror on Oct.

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Mae West: The Sex-Positive Old Hollywood Icon Who Was Far Ahead of Her Time

Tim Gray Senior Vice PresidentThere weren’t many other figures of old Hollywood like Mae West, a bold comic performer who was at least 50 years head of her time in terms of her material and command of her career.She was born August 17, probably in 1893, though accounts differ. Variety covered her vaudeville appearances starting in 1911, describing her as a “cyclonic young singer” in shows like “Big Gaiety Review.” In 1912, Variety tried to discreetly describe her specialty act in Philadelphia, which was called “A Muscle Dance in a Sitting Position.” The PR stated: “It is all in the way she does it, and her way is all her own.”That doesn’t provide a lot of clues, but the phrase “her way is all her own” sums up her style and her work.

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‘Nomadland’ and ‘Queen’s Gambit’ Win USC Scripter Awards

Tim Gray Senior Vice PresidentTop prizes at the USC Scripter event Saturday went to screenwriter Chloé Zhao and author Jessica Bruder for “Nomadland” as well as scripter Scott Frank and novelist Walter Tevis for Netflix’s “The Queen’s Gambit.”As in past years, the award goes to both the scriptwriter(s) as well as the writer(s) of the original material.Searchlight Pictures’ “Nomadland” is based on the nonfiction book “Nomadland: Surviving America in the Twenty-First Century.” Zhao thanked Bruder, the cast and crew of the film and Searchlight, concluding, “I feel so lucky to be able to tell stories for a living.” Bruder added that she had been reporting in 2014 for a magazine article that turned into the book and “It has been one hell of a

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‘Soul’ 101: Pete Doctor Breaks Down the Team that Brought the Complex Animation to Life

Tim Gray Senior Vice PresidentPete Docter, director and co-writer of Pixar’s “Soul,” appraised his co-workers by saying, “This team is crazy good.”The film entailed four years of production and hundreds of workers. “I think most of the team were excited to stretch outside the box of what people might expect from an animated movie.

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‘Judas and the Black Messiah’ Counters Decades of Lies About Black Panthers

Tim Gray Senior Vice PresidentAside from being well-made and effective as a movie, Warner Bros.’ “Judas and the Black Messiah” has a goal: to counter decades of government lies about the Black Panther Party.The party was founded by Huey Newton and Bobby Seale in 1966, and ceased operations in 1982. The film, which started streaming Feb.

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2020 Oscar Hopefuls Dig Into Issues of Past 18 Months

Tim Gray Senior Vice PresidentFilmmakers need to be a bit psychic. They work on projects for years, not knowing if the fickle audience will connect with the themes and topics when the film eventually opens.

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Morgan Freeman Salutes Cicely Tyson as an ‘Icon’ and ‘Pioneer’ at AFI Awards

Tim Gray Senior Vice PresidentIn a video toast, Morgan Freeman praises Cicely Tyson as an “icon, a pioneer whose life and work tell the story of America, bravely and boldly.”His tribute was part of AFI’s 21-day salute to the best film and TV work of 2020, with the build-up starting Feb. 5.

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‘The Father’ Production Designer Peter Francis on Using Set Design to Reflect Memory Loss

Tim Gray Senior Vice PresidentSony Classics awards contender “The Father” takes place inside a London apartment, and production designer Peter Francis says, “We weren’t just designing a set; it was an integral part of the storyline.”When Florian Zeller began adapting his 2014 play into a film, he resisted suggestions to “open up” the work by moving some scenes outdoors.Zeller tells Variety, “While I was writing the script, I drew a layout of the apartment, as if it was a main character. When I first met Peter Francis, I asked him, ‘What would be the apartment in your vision?’ He showed me a drawing he did.

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