Paolo Sorrentino - celebsbar.com

EXCLUSIVE: Here’s a big one in the European M&A world. Beta Film has taken a stake in Number 9 TV, a new small screen subsidiary of Carol and Living producer Number 9 Films.

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Sofia Coppola Feted by American Academy in Rome During Gala Attended by Eternal City Glitterati: ‘Our World Needs’ Her ‘Feminine Art’

Nick Vivarelli International Correspondent The Eternal City’s glitterati celebrated Sofia Coppola on Wednesday at an American Academy in Rome gala in the 17th century Villa Aurelia on Janiculum Hill. The Oscar-winning director of “Lost in Translation,” “Marie Antoinette,” “Bling Ring” and, most recently, “Priscilla” was honored with a McKim Medal that “marks the profound relationship between Italy and the United States and recognizes the works of individuals who have contributed to the intense artistic and humanistic dialogue between the two nations,” as a statement put it.

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Cannes Film Festival Winners Announced – Updating Live

Refresh for latest…: The 77th Cannes Film Festival draws to a close this evening with the prize ceremony about to kick off inside the Grand Théâtre Lumière. The past 10 days have been building to this moment after a somewhat muted start that arrived under gloomy skies. The clouds have since cleared and several films have emerged as potential winners tonight. Scroll down for the list of laureates which is being updated as awards are announced.

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Guillermo Del Toro told Alfonso Cuarón he was “an arrogant asshole” for considering passing on Harry Potter

Harry Potter And The Prisoner Of Azkaban.In an interview with Total Film, published today in their May 23 issue, Cuarón recalls his hesitance over the offer made to him by producer David Heyman.At the time, Cuarón was fresh off the acclaim that followed his 2001 drama Y tu mamá también. Unlike his friend and fellow Mexican filmmaker Guillermo Del Toro, he was relatively unfamiliar with the book and film property.

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Gary Oldman Clarifies ‘Harry Potter’ Comments Where He Called His Acting ‘Mediocre’: I’m ‘Always Hypercritical’ and if I Was ‘Satisfied, That Would Be the Death of Me’

Ellise Shafer Gary Oldman took the opportunity to clarify his comments about his acting in the “Harry Potter” franchise during the Cannes press conference for his new film, “Parthenope,” on Wednesday. When asked about a prior comment in which he disses his performance as Sirius Black as “mediocre,” Oldman said he didn’t mean to “disparage anyone out there who are fans of ‘Harry Potter’ and the films and the character who I think is much beloved.” “What I meant by that is, as any artist or any actor or painter, you are always hypercritical of your own work,” he continued. “If you’re not, and you’re satisfied with what you’re doing, that would be death to me.

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Gary Oldman and Paolo Sorrentino Embrace as ‘Parthenope’ Gets 9.5-Minute Standing Ovation at Cannes Film Festival

Paolo Sorrentino embraced the stars of his latest film “Parthenope,” including Gary Oldman, Celeste Della Porta and Stefania Sandrelli, as the film received a 9.5-minute standing ovation at Cannes Film Festival on Tuesday night. Tears streamed down the face of Della Porta, who plays the title character, and Sorrentino looked visibly moved as he addressed the crowd. “For me, this movie is a celebration of the journey of my life,” he said.

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Paolo Sorrentino’s ‘Parthenope’ World Premiere Draws Nine-Minute Standing Ovation – Cannes Film Festival

Oscar winner Paolo Sorrentino ascended the red carpet here this evening for his latest Cannes competition entry, Parthenope, which was welcomed by a nine-minute standing ovation.

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‘Parthenope’ Review: Paolo Sorrentino’s Love Affair With Naples Continues But This Time Through The Eyes Of A Woman – Cannes Film Festival

Paolo Sorrentino has done a wide range of films but until his most personal, The Hand Of God two years ago (a prize winner in Venice) he had not returned to Naples, the land of his youth except for the very first feature he made, 2001’s One Man Up. Since then though he has been to Cannes with his films 6 times, and his impressive list of movies have included The Consequences Of Love, Il Divo, Loro, and his Oscar winning The Great Beauty. There have been more mixed reactions for his starry English language films as well like Youth and This Must Be The Place, but Italy seems to drive his creative mojo and may be closest to his heart is the current phase of his filmmaking career when he has found new inspiration by going back to his youth, first in The Hand Of God which closely reflected his own coming of age in Naples, and now his latest, Parthenope which reflects the youth he wished he had experienced. Instead he moved away to a whole new career in film (that was indicated at the end of Hand Of God). It had its World Premiere at the Cannes Film Festival Tuesday night.

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‘Parthenope’ Review: Paolo Sorrentino Crafts an Exquisite Treatise on Cinematic Beauty

Siddhant Adlakha A decades-spanning drama about a young woman born in Naples — the hometown of writer-director Paolo Sorrentino — “Parthenope” is an exquisite treatise on cinematic beauty. Chronicling her birth, her youthful teenage summers and the years she spends adrift as a young adult, the film is an intoxicating reflection on the way people and places are seen, and the way they see themselves.

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Paolo Sorrentino’s ‘Parthenope’ Sells Around The World For Pathé Ahead Of Cannes Film Festival Premiere

EXCLUSIVE: Paolo Sorrentino‘s anticipated new movie Parthenope has sold around the world for Pathé here in Cannes where the film is playing in Competition.

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New Italian Label PiperFilm Launches With Paolo Sorrentino’s ‘Parthenope’ and Post-Theatrical Window Deal With Netflix (EXCLUSIVE)

Nick Vivarelli International Correspondent A new Italian distribution and international sales company called PiperFilm is launching in Cannes, having scored rights for Italy to Paolo Sorrentino’s Cannes competition title “Parthenope.” Former Vision Distribution managing director Massimiliano Orfei is president of PiperFilm, while Luisa Borella, who is also a former top-level Vision Distribution executive, serves as the new media company’s COO. PiperFilm is adopting an innovative distribution model by striking an agreement with Netflix under which the streaming giant will have the first exclusive post-theatrical window for Italy on their titles, while Warner Bros.

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Paolo Sorrentino on Making His First ‘Feminine Epic’ With Cannes Film ‘Parthenope’ and Directing Gary Oldman: He’s ‘One of the Top Five Actors in the World’ (EXCLUSIVE)

Nick Vivarelli International Correspondent Paolo Sorrentino is back in Cannes for the seventh time with “Parthenope,” a love letter to his native Naples but also, as he puts it, a film about his “missed youth” that comes as a natural follow-up to his autobiographical “The Hand of God.” Perhaps more significantly, “Parthenope” – an epic spanning several decades – is Sorrentino’s first female-centric film. Why? “In thinking of a modern hero, it came naturally to me that it would be a heroine, not a man,” he tells Variety. Let’s start with the film’s titular protagonist, Parthenope. Of course, Neapolitans in Italy are also known as “Parthenopeans.” My impression is that, after returning from Rome to Naples to make “The Hand of God,’ your native city drew you further back into its fold. It’s a bit more complex, actually, not necessarily just linked to Naples.

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Logical Pictures Launches Africa Venture, Creates Investment Fund to Spur Fast-Growing Market (EXCLUSIVE)

Christopher Vourlias Logical Pictures is launching a new Africa venture that will see the production, financing and distribution outfit expand its global footprint into the fast-growing African market. According to the group’s head, Frédéric Fiore, the move will help position Logical Pictures as the preferred financing partner on the continent for the international industry and the leading production company of African content with global ambitions.

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Italian Buzz Titles Include Films by Paolo Sorrentino, Luca Guadagnino

Nick Vivarelli International Correspondent The persistent vibrancy of Italian cinema, despite increasing financing difficulties, is undisputable if you look at the range of the country’s current output and what’s percolating in the pipeline. It spans from highly sophisticated new works by maestros such as Paolo Sorrentino and Luca Guadagnino to crassly commercial global megahits like Netflix Italy original “The Tearsmith” and promising fresh fare from Cinema Italiano’s next generation.

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Italian Film Business Lashes Out at Political Delay

Nick Vivarelli International Correspondent Italy’s film industry is fighting to stay vibrant amid disruption caused both by politics and market forces.After reaping the rewards of a protracted growth spurt, local producers are facing a forced slowdown as the country’s right-wing government dithers with modifications they plan to make to several key regulations, most significantly to the country’s currently stalled tax incentives for film and TV production. At a packed protest event held in early April at Rome’s Cinema Adriano multiplex, industry figures from all sectors – including producers, writers, actors and big-name directors such as Paolo Sorrentino and Marco Bellocchio – lashed out against having to wait endlessly for the culture ministry to approve new guidelines so production companies can apply for the 40% tax credits that basically drive the business.

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Paolo Sorrentino’s ‘Parthenope’ Gets Snapped Up By A24 Ahead Of Cannes Film Festival World Premiere

EXCLUSIVE: A24 has acquired North American rights to Parthenope, the new film from Oscar winning filmmaker Paolo Sorrentino, ahead of its world premiere at the 77th Festival de Cannes.

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Cannes Film Festival Jury: Lily Gladstone, Eva Green, Omar Sy and More Join President Greta Gerwig

Ellise Shafer The full Cannes Film Festival competition jury has been revealed. Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.” The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides” by Jia Zhang-Ke; Jacques Audiard’s “Emilia Perez” with Zoe Saldaña and Selena Gomez; “The Girl With the Needle” by Magnus von Horn; Miguel Gomes’ “Grand Tour,” Yorgos Lanthimos’ “Kinds of Kindness,” starring “Poor Things” actors Emma Stone and Willem Dafoe; “Beating Hearts” by Gilles Lellouche; “Limonov: The Ballad” by Kirill Serebrennikov; “Marcello Mio” by Christophe Honoré; Francis Ford Coppola’s epic passion project “Megalopolis,” starring Adam Driver; “Motel Destino” by Karim Aïnouz; Paul Schrader’s “Oh, Canada,” led by Richard Gere and Jacob Elordi; Paolo Sorrentino’s “Parthenope” with Gary Oldman; David Cronenberg’s “The Shrouds”; Coralie Fargeat’s body horror “The Substance”; and “Wild Diamond” from Agathe Riedinger.

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Italy’s Right-Wing Government Dithers and Delays Production Tax Incentives, Prompting Industry Uproar

Nick Vivarelli International Correspondent After reaping the rewards of a protracted growth spurt, Italy‘s film industry is facing a forced slowdown as the country’s right-wing government dithers with modifications they plan to make to several key regulations, most significantly to the country’s now stalled tax incentives for film and TV production. At a packed protest event held earlier this month in Rome’s Cinema Adriano multiplex, industry figures from all sectors – including producers, writers, actors and big-name directors such as Paolo Sorrentino and Marco Bellocchio – lashed out against having to wait endlessly for the government to approve new guidelines so production companies can apply for the 40% tax credits that basically drive the business.

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International Insider: Bonjour Cannes Film Fest, Au Revoir MIPTV; Southeast Asia Deep Dive; Believe In ‘Bluey’

Good afternoon Insiders, thanks for always sticking with us. Max Goldbart here talking you through a packed week in the global entertainment world. Read on, and sign up here.

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Cannes Analysis: Five Talking Points From Another Sizzling Lineup Featuring TEN English-Language Movies In Competition

The Cannes Film Festival has just revealed (another) a dazzling lineup for its 77th edition.

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‘Immortals’ Producer Gianni Nunnari and Simon Horsman’s Euro Gang Partner With Italy’s Alfred Film on Movie, TV Slate (EXCLUSIVE)

Nick Vivarelli International Correspondent Euro Gang Entertainment, the company launched last year by Hollywood veterans Gianni Nunnari (“300,” “Immortals”) and Simon Horsman (“Legacy: The True Story of the L.A. Lakers”) is ramping up operations in Italy through a partnership with Rome-based Alfred Film, the young shingle co-founded by experienced producers Roberto Amoroso and Maria Theresia Braun.

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