Kaouther Ben-Hania - celebsbar.com

Manori Ravindran Executive Editor of International Audrey Diwan, director of the 2021 Venice Golden Lion winner “Happening,” has been named jury president of the 62nd annual Cannes’ Critics Week. Other jury members include Portuguese director of photography Rui Poças; German actor, choreographer and dancer Franz Rogowski; Indian journalist, curator and Berlinale programming advisor Meenakshi Shedde; and Sundance programming director Kim Yutani. Diwan, a former journalist, made her debut with “Losing It” in 2019. The filmmaker took home the Venice Film Festival’s top prize for her sophomore feature, the searing abortion drama “Happening.” She became only the second woman (after 2020’s Chloe Zhao) to win the Golden Lion since Agnès Varda, who won in 1985 for “Vagabond.”

Chloe Zhao Venice Golden Agnes Varda Manori Ravindran Kaouther Ben-Hania Kim Yutani Franz Rogowski Audrey Diwan Rui Poças India Germany Portugal Tunisia film president actor photography man Audrey

Saudi Arabia’s Red Sea Fund Backs New Films By Haifaa Al-Mansour, Abderrahmane Sissako, Annemarie Jacir & Cherien Dabis

Saudi Arabia’s Red Sea Film Fund has unveiled its latest round of feature film grantees from the Arab world and Africa.

Johnny Depp Kaouther Ben-Hania Saudi Arabia city Jeddah film stage stars

Red Sea Film Festival Winners: ‘Hanging Gardens’ By Ahmed Yassin Al Daradji Takes Best Film Award

Iraqi filmmaker Ahmed Yassin Al Daradji picked up the Golden Yusr for Best Feature Film at the Red Sea Film Festival with his debut feature Hanging Gardens.

Oliver Stone Kaouther Ben-Hania Jemima Khan Mohammed Al-Turki Nelly Karim Jomana Al-Rashid USA Saudi Arabia Egypt Iraq city Baghdad Tunisia Palestine city Jeddah film actor awards

Jackie Chan, Spike Lee, Nadine Labaki Head To Saudi Arabia’s Red Sea Fest For High-Profile In-Conversation Line-up

Saudi Arabia’s Red Sea International Film Festival has unveiled a star-studded In-Conversations program as the second edition gets underway in the port city of Jeddah today.

Guy Ritchie Spike Lee Luca Guadagnino Lily James Jackie Chan Andrew Dominik Andy Garcia Nadine Labaki Gaspar Noe Kaouther Ben-Hania Jemima Khan Mohammed Al-Turki Nelly Karim Saudi Arabia city Jeddah film actor voice

Saudi Arabia’s Red Sea Film Festival Unveils Jury; Warner Bros. Discovery Appoints China President & Western Pacific Commercial Boss; Screen Scotland Hire – Global Briefs

Saudi Arabia’s Red Sea Film Festival Unveils Jury

Oliver Stone Warner Bros Kaouther Ben-Hania Nelly Karim Australia Britain Scotland New Zealand China Ireland Japan Saudi Arabia Egypt Tunisia Palestine film stars president

Cannes’ Critics’ Week Unveils Prizes for ‘La Jauria,’ ‘Aftersun,’ ‘Love According to Dalva’

Elsa Keslassy International CorrespondentAndres Ramirez Pulido’s “La Jauria” won the Grand Prize at Critics’ Week, the Cannes Film Festival’s sidebar dedicated to first and second features. The Colombian film also won the SACD prize.

Jesse Eisenberg Paul Mescal Charles Tesson Kaouther Ben-Hania Ariane Labed Ava Cahen Benedikt Erlingsson Emmanuelle Nicot France Iceland South Korea Belgium Colombia Greece county Wells Tunisia city Busan Charlotte, county Wells film stars country

Cannes’ Critics Week Unveils Jury for 2022 Edition (EXCLUSIVE)

Elsa Keslassy International CorrespondentCritics Week (or La Semaine de la Critique), the selection dedicated to first and second films running alongside the Cannes Film Festival, will boast a jury presided over by Tunisian director Kaouther Ben Hania (“The Man who Sold his Skin”). Ben Hania has directed four features, including “Beauty and the Dogs” which competed in Un Certain Regard in 2017, and “The Man who Sold his Skin” which played at Venice in 2020 and was the first Tunisian film nominated for the Oscars’ international feature film race.

Kaouther Ben-Hania Ariane Labed Benedikt Erlingsson France Iceland South Korea Belgium Greece Tunisia city Busan film president man

Miu Miu Women’s Tales at Venice Days Unveiled –– Watch ‘I and The Stupid Boy’ by Kaouther Ben Hania

Nick Vivarelli International CorrespondentTunisian director Kaouther Ben Hania’s “I and the Stupid Boy,” the new title in the Prada-commissioned Miu Miu Women’s Tales short film series directed by women, was unveiled Sept. 4 at the Venice Film Festival’s independently run Venice Days section.The short by Ben Hania, who directed the Oscar-nominated “The Man Who Sold His Skin,” is a tale of male-female power, sexuality and shame — with a biting, feminist twist. In “I and the Stupid Boy,” the protagonist, Nora, is a striking young woman, newly in love.

Nick Vivarelli Kaouther Ben-Hania county Day city Venice, county Day film gossips Love and

‘The Man Who Sold His Skin’ Inked With Mix Of Art, Dark Comedy And Social Commentary – Contenders Film: The Nominees

Certainly one of the most original and unusual movies to be nominated in any category at the Oscars this year is International Film contender The Man Who Sold His Skin from Tunisia. The film merges the world of Syrian refugees and the tony world of high art in a unique mix of drama, comedy, thriller and social issues.

Kaouther Ben-Hania Belgium Syria Tunisia film art actor Commentary and

Samuel Goldwyn Films Acquires Tunisia Oscar Contender ‘The Man Who Sold His Skin’

Samuel Goldwyn Films has acquired the U.S. distribution rights for Kaouther Ben Hania’s The Man Who Sold His Skin, Tunisia’s short-listed entry for Best International Film for the 93rd Academy Awards.

Monica Bellucci Kaouther Ben-Hania Syria Tunisia Lebanon city Tunisia film stars Oscar

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07.09.2020 / 05:47

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'The Man Who Sold His Skin' ('L'Homme qui a vendu sa peau'): Film Review | Venice 2020

A Syrian man desirous to get to Europe accepts to become a canvas for a controversial contemporary artist in The Man Who Sold His Skin (L’homme qui a vendu sa peau). This is the second fiction feature from Tunisian female director Kaouther Ben Hania after Cannes 2017 Un Certain Regard title Beauty and the Dogs, and as in that smaller-scale but similarly ambitious project, she combines a sociopolitical hot potato — in this case the refugee crisis and underlying human rights issues — with a certain formalist verve.

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