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26.02.2024 / 16:47

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‘Catch Me a Killer,’ with ‘Game of Thrones’’ Charlotte Hope, Sells Widely as Abacus Media Rights Rolls Out Its Crime Drama Slate (EXCLUSIVE)

John Hopewell Chief International Correspondent Underscoring the enduring popularity of crime drama, Abacus Media Rights (AMR), an Amcomri Entertainment company, has announced a slew of sales on two titles, led by Showmax Original “Catch Me a Killer,” a true crime drama with “Game of Thrones’” Charlotte Hope playing South Africa’s first and most famous serial killer profiler. Hope also headed “The Spanish Princess,” as Catherine of Aragon. AMR has moreover closed further deals on fiction drama “Scrublands,” a scripted drama about the real reasons for a country town massacre.

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Sony Pictures Television Announces ‘La Academia,’ Its First Spanish-Language Spain-Produced Series (EXCLUSIVE)

John Hopewell Chief International Correspondent In a milestone move, Sony Pictures Television has unveiled “La Academia,” its first Spanish-language scripted series filmed in Spain for Prime Video and 3Cat. “La Academia” is produced for Sony by Brutal Media, commissioned out of Sony Pictures Television’s international production group.

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Series Mania Forum Unveils Co-Pro Projects, Expands to Japan with ‘A True Novel,’ and Manga-Inspired ‘Issak’

John Hopewell Chief International Correspondent “A True Novel,” directed by Kiyoshi Kurosawa, manga-inspired “Issak,” written by Itaru Mizuno (“Double Booking”) and “4 Blocks” Richard Kropf, look like potential highlights at this year’s Co-Pro Pitching Sessions, the centerpiece at Series Mania’s Forum, as its projects expand ever more their geographic compass, here welcoming their first titles co-produced by Japan. They are joined by titles from around the world such as Argentinean Daniel Burman’s “Witness 36,” which won the Series Mania Award at the Berlinale Series Market on Tuesday, and a slice of Vatican noir and which reunites the team of “De Grace,”and The Forum runs March 19-21 during Series Mania, Europe’s biggest dedicated TV festival, which will unspool this year over March 15-22 in Lille, Northern France.

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‘30 Days of Lust,’ Where a Young Couple Tests 30 Days of Free Love, Swooped on by Beta Film Before Series Mania World Premiere (EXCLUSIVE)

John Hopewell Chief International Correspondent In early Series Mania business, Europe’s Beta Film has pounced on international distribution rights to “30 Days of Lust,” a half-hour dramedy from Munich’s Trimafilm, in which a couple, high-school sweethearts but now knocking 30, experiment with 30 days of free sex. Beta Film has also shared in exclusivity with Variety a first clip from the eight-part series which world premieres in International Panorama Competition at next month’s Series Mania, a section whose value is rising fast as companies seek to leverage TV festival selection as a sign of distinction in a still hugely crowded fiction TV marketplace. In the clip, from the early going of Ep.

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Latido Films, ‘Ane’ Director David Perez Sanudo Clinch Two-Picture Deal (EXCLUSIVE)

John Hopewell Chief International Correspondent In a coup for the Madrid-based sales agency, Latido Films has cliched a two picture deal with David Pérez Sañudo whose debut feature, “Ane,” repped by Latido, swept three Spanish Academy Goya Awards in 2021. Latido will take world sales rights on both titles. The move comes as Spanish sales companies battle to retain top-flight talent, increasingly in the crosshairs of international counterparts.

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Spanish TV Biz Eyes Bigger Global Platform, Via Co-Production, and Drawing on Talents From a New Creative Generation

John Hopewell Chief International Correspondent This year, Spain has more titles at the Berlinale’s two TV showcases, Co-Pro Series and Berlinale Market Selects, than any other country in the world— a total of four shows, beating the U.S. with one, and even Germany, which has three. On top of that, running Feb.

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Antonia Nava, Liliana Bravo Launch Neo Art International, Bow First Slate (EXCLUSIVE)

John Hopewell Chief International Correspondent Antonia Nava, producer and sales chief on Brad Anderson’s “The Machinist” and “Transsiberian” when she headed up Filmax Intl. for over 10 years, is returning to the sales arena, joining forces with Spain-based sales agent Liliana Bravo to launch Neo Art Intl., a new division of Nava’s Barcelona-based Neo Arte Producciones.

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Spanish Cinema Embraces Opportunity with Co-Production

John Hopewell Chief International Correspondent A new film industry superclass is emerging in Spain: movies powered or co-backed by its streaming giants. Perhaps the biggest example, Netflix Spain’s Andes flight disaster “Society of the Snow,” scored two Academy Award nominations last month. Now, in the run-up to Berlin, London-based Film Constellation has acquired most world sales rights to “The Captive,” from Oscar winner Alejandro Amenábar (“The Sea Inside”) and Mod Producciones, a $15 million period adventure epic on the literary makings of “Quixote”author Miguel de Cervantes, held to ransom in a Moorish corsair jail.

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FilmSharks Inks ‘The Bus of Life,’ from ‘Robot Dreams’ Producer Arcadia (EXCLUSIVE)

John Hopewell Chief International Correspondent FilmSharks has taken world sales rights outside Spain to “The Bus of Life,” next up from Arcadia Motion Pictures, producer of Rodrigo Sorogoyen’s Cesar and Goya winner “The Beasts” and Neon U.S. pick-up “Robot Dreams,” nominated last month for a best animated feature Academy Award.

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Jim Sheridan Inks With Latido on ‘Re-creation,’ Starring Vicky Krieps (EXCLUSIVE)

John Hopewell Chief International Correspondent Upscale crossover sales agent Latido Films has acquired international sales rights to “Re-creation,” directed by legendary Irish filmmaker Jim Sheridan, whose “In the Name of the Father” won a Berlin Golden Bear in 1994. Starring Vicky Krieps, a Cannes’ Un Certain Regard winner for “Corsage,” the docu-drama is co-written and co-directed by Irish artist and filmmaker David Merriman (“Rock Against Homelessness”). It will be unveiled to buyers at the European Film Market.

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Beatriz Campos Appointed Anonymous Content España Managing Director (EXCLUSIVE)

John Hopewell Chief International Correspondent Anonymous Content and Spain’s Morena Films, behind box office breakouts “Cell 211” and Champions, have named former Studiocanal executive Beatriz Campos as the managing director of their Spain-based film-TV production venture Anonymous Content España. Campos will oversee the company’s day-to-day operations working closely with David Davoli, Anonymous Content’s president of international, and Morena Films CEO Pilar Benito, Anonymous Content and Morena Films announced Monday.

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Spain’s Goya Awards: J.A. Bayona’s ‘Society of the Snow’ Wins Best Picture, Director as Sigourney Weaver Receives an International Goya

John Hopewell Chief International Correspondent Netflix Original “The Society of the Snow” won best picture and director for J.A. Bayona at Saturday night’s 38th Spanish Academy Goya Awards. Those plaudits were two of a total 12 prizes, the third-highest kudos count for any title in the Goyas’ near 40-year history.

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‘Queen of the South’ Showrunner Ben Lobato Boards Fabula-Fremantle Mexico Project ‘Hot Sur’ (EXCLUSIVE)

John Hopewell Chief International Correspondent Ben Lobato, co-showrunner of Alice Braga-starrer “Queen of the South,” a top-three Nielsen ratings performer for USA Network, has boarded “Hot Sur,” a fast-moving thriller set up at Pablo and Juan de Dios Larraín’s Fabula and at Fremantle Mexico, the burgeoning Mexican production hub of the global production-distribution giant. Lobato will showrun the TV series, which will be helmed by Gabriel Ripstein, writer-director of acclaimed Mexican Amazon Original “An Unknown Enemy.” Shaping up as one of the biggest new projects being brought on the market at Content Americas, “Hot Sur” will be presented at Content Americas Copro Pitch on Tuesday, one of the TV market and forum’s industry centerpieces. In it, Maria Paz, an undocumented Mexican immigrant looking after her bipolar sister, becomes a fugitive after being falsely accused of murder.

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Content Americas Copro Pitch: Smart Social-Issue Thrillers, High Concept Docs and a Political Epic, From Mediapro, Fabula-Fremantle, iZen and More

John Hopewell Chief International Correspondent Fabula–Fremantle’s “Hot Sur,” The Mediapro Studio’s “El Mal” and “Two Nights in Lisbon,” from Portugal’s Hop Films and the U.K’s Heroes Films, look like potential standouts at next week’s Content Americas Copro Pitch 2024, one of its industry centerpieces. These series projects will be joined by crime mystery thriller “Delito,” from Barcelona’s Grup Focus TV & Films, behind banner Amazon Original “Reina Roja,” “Iron Woman,” a tumultuous political saga from Brazil-based Jarsom Wayans, two high concept doc series – Argentina’s “Climate Migrants” and Brazil’s “Mystery of the Megafauna” – and bio doc feature “Farraquito, a Flamenco Story,” profiling the famed flamenco bailaor.

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Netflix Oscar Contender ‘Society of the Snow’ Proves One of Its Biggest Non-English Movie Hits Ever

John Hopewell Chief International Correspondent After dropping on Netflix on Jan. 4 to the U.S. streaming giant’s second-biggest bow ever for a non-English language movie in hours watched, Spaniard J.A.

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Malaga’s MAFF: Abner Benaim, Nerea Barros, Storyboard Media, Yanillys Perez Set for Fest’s Centerpiece Project Competition

John Hopewell Chief International Correspondent “The Simple Life,” the sixth movie of Oscar-shortlisted Abner Benaim, and “The Coast,” the directorial feature debut of “The Gypsy Bride” star Nerea Barros, both make their market debut at next March’s Malaga Festival Fund & Co-Production Event (MAFF), one of the top forums for arthouse projects in the Spanish-speaking world. Proving the possibility to carve out an international film career based out of Panama, “The Simple Life” (“La Vida Simple”) marks the sixth feature from Benaim, Oscar shortlisted for “Plaza Catedral.” Marking a departure, “The Simple Life” looks like a more personal turn, about a film director, sans camera and crew, in Panama, compelled by unforeseen circumstances to live the very movie he’s longed to capture on film, suffering existential crisis.

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