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21.01.2025 / 18:03

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How the Seven Deadly Sins Got Writer Leslye Headland to Broadway

Gordon Cox Theater Editor For Leslye Headland, the well-received Broadway play “Cult of Love” (pictured above) serves as a turning point and a culmination. Listen to this week’s “Stagecraft” podcast below: For the last 15 years or so, the writer — who co-created Netflix’s “Russian Doll” and also created the “Star Wars” series “The Acolyte” on Disney+ — has been at work on a series of seven plays, one for each of the seven deadly sins.

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Playwright August Wilson’s Broadway Legacy Topped With a Posthumous Star on the Hollywood Walk of Fame

Gordon Cox Theater Editor On Jan. 7, August Wilson gets a star on the Hollywood Walk of Fame — a fitting tribute for a Pulitzer Prize and Tony Award-winning playwright who is one of the most celebrated and important American storytellers of the last 50 years. But there’s a touch of irony to that Hollywood setting because in his daily life, the late Wilson wasn’t much of movie guy.

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How Joy Woods Became a ‘Gypsy’ Superfan

Gordon Cox Theater Editor The actor Joy Woods never thought much about “Gypsy” — at least not until she was cast in the show opposite Audra McDonald in one of the buzziest Broadway revivals of the season. Listen to this week’s “Stagecraft” podcast below: “You see all the iterations of the show and you don’t see anybody that looks like you, and so I disregarded it as something that I will be so excited to see when it comes back, but I’ll never be a part of,” Woods said on the new episode of “Stagecraft,” Variety‘s theater podcast.

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How The Shed Brought Kenneth Branagh, Stephen Sondheim and Ralph Fiennes All Under One Roof

Gordon Cox Theater Editor The Shed isn’t a Broadway theater, but in the relatively short time the venue has been in operation, it’s hosted some of New York City’s starriest stage endeavors—from Stephen Sondheim’s final musical, to a play about Robert Moses headlined by Ralph Fiennes, to its current offering, a staging of “King Lear” co-directed by and starring Kenneth Branagh. Listen to this week’s “Stagecraft” podcast below: “It’s been 10 years in the making,” said the Shed’s artistic director, Alex Poots, of “Lear,” which is wrapping up its sold-run later this month.

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Why ‘The Great Gatsby’ Parties On From Page to Stage, 100 Years After Publication

Gordon Cox Theater Editor A century after the novel first hit shelves, “The Great Gatsby” is the bee’s knees all over again. Just take a look at the New York theater scene, where adaptations of F. Scott Fitzgerald’s 1925 classic have started to multiply.

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How Broadway’s ‘Maybe Happy Ending’ Star Darren Criss Makes Robots Human by Embracing the ‘Beep-o-Boop-Bop’

Gordon Cox Theater Editor In his latest Broadway project, Emmy winner Darren Criss (“The Assassination of Gianni Versace: American Crime Story”) and his co-star, Helen J. Shen, play retired, robotic “helperbots” in the near-future love story “Maybe Happy Ending.” And although it might seem like a challenge to find the emotion in an android, Criss is finding that more he plays with the artifice of it, the more relatable his robot becomes.

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New York Audiences Are Noisy — and Nicole Scherzinger Wouldn’t Have It Any Other Way: Hear the Stars Dish at Variety’s Business of Broadway

Gordon Cox Theater Editor Back during Nicole Scherzinger‘s run in the West End revival of “Sunset Boulevard”—the show that won her an Olivier Award and has now brought her to Broadway to reprise her performance—she never had a problem recognizing the Gothamites in the crowd. “I could always tell when the New Yorkers came across the pond to the U.K. because they were so loud!” she said at Variety’s Business of Broadway breakfast earlier this month.

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How Sam Mendes and Jez Butterworth Brought a New and Improved Version of “The Hills of California” to Broadway

Gordon Cox Theater Editor The playwright Jez Butterworth recently had perhaps the most eventful recording session in the history of “Stagecraft,” Variety’s theater podcast. Listen to this week’s “Stagecraft” podcast below: “In the course of this call, I have returned one dog to its owner and seen four foxes,” Butterworth said during a conversation with director Sam Mendes about their latest Broadway project, “The Hills of California.” With Mendes recording from New York, where “Hills” opened Sept.

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Auli’i Cravalho, Glenn Davis and Jen Silverman Among Variety’s 10 Broadway Stars to Watch for 2024

Gordon Cox Theater Editor Each new Broadway season brings an exciting group of fresh talents to the spotlight — and this season is no exception. Variety is proud to announce the 2024 edition of its annual 10 Broadway Stars to Watch, with this year’s roster of standouts set to be honored at our annual Business of Broadway Breakfast, hosted by Cole Escola of Broadway’s summertime smash “Oh, Mary!” At the event, Variety will celebrate the fall season with exclusive conversations with Nicole Scherzinger of “Sunset Boulevard,” Daniel Dae Kim and David Henry Hwang of “Yellow Face,” and Jim Parsons, Zoey Deutch, Michelle Wilson, and Ephraim Sykes of “Our Town.” Attendees will also toast the rising cohort of artists, creators, producers and agents set to light up the coming season.

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How Daniel Dae Kim Finds the Funny in Broadway’s ‘Yellow Face’

Gordon Cox Theater Editor A little-known fact about Daniel Dae Kim: He’s really, really into “Saturday Night Live.” “I’m a super fan,” says the actor just a few days before starting performances for the revival of David Henry Hwang’s 2007 play “Yellow Face” on Broadway. Speaking on the latest episode of “Stagecraft,” Variety’s theater podcast, he added, “I have not missed a single episode since probably 1980.” That trivia tidbit may come as a surprise to those who know Kim best for the super-serious characters he plays on TV, like the loyal survivor Jin-Soo Kwon on “Lost” or the upstanding detective Chin Ho Kelly on “Hawaii Five-0.” But now this “SNL” enthusiast is subverting his own morally upright persona in Hwang’s play, in which he stars as a comically flawed version of the Tony-winning playwright.

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Nicole Scherzinger, Jim Parsons, Daniel Dae Kim, and Zoey Deutch to Keynote at Variety’s Business of Broadway Breakfast

William Earl Variety has announced programming for its annual Business of Broadway Breakfast, presented by City National Bank, on September 30 in New York. The event, hosted by Cole Escola of “Oh, Mary!,” will celebrate the upcoming season of Broadway with conversations from cast members and directors of “Sunset Boulevard,” “Yellow Face,” and “Our Town.” The Business of Broadway Breakfast will feature a keynote conversation with Nicole Scherzinger and Jamie Lloyd of “Sunset Boulevard” that will be moderated by contributing theater editor Gordon Cox.

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Football, Meet Broadway: Inside the Making of Peyton and Eli’s Star-Studded ‘ManningCast the Musical’ Short

Gordon Cox Theater Editor They don’t give out Tony Awards for Most Comically Elaborate Broadway-Themed Promotional Announcement of a Football Telecast Series. But if they did, “ManningCast the Musical” would be a shoo-in.

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How a Tony-Winning Musical Theater Composer Makes Opera

Gordon Cox Theater Editor If you’re a musical theater composer, Broadway might get you a Tony Award — but it won’t get you 50 voices singing onstage. For that kind of scale, Jeanine Tesori, the Tony-winning composer of “Kimberly Akimbo” and “Fun Home,” turns to opera: Her latest, “Grounded,” has an orchestra of 80 and a cast of 60.

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How an ‘Ivy League Witch’ Brought Broadway to Tarot Cards

Gordon Cox Theater Editor Broadway fans often talk about theater as a spiritual experience — but most of them aren’t thinking of tarot cards when they say it. That could change thanks to a new tarot deck that’s a surprising mashup of Broadway and theater, reimagining the traditional imagery of tarot with the artwork of the famous theater caricaturist Al Hirschfeld. Listen to this week’s “Stagecraft” podcast below: The Hirschfeld Broadway Tarot is the brainchild of Emily McGill, a former Broadway publicist who worked with the Al Hirschfeld Foundation to create the new deck that’s set to be released Sept.

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How Sutton Foster Brings an ‘Unhinged Version of Myself’ to Broadway’s ‘Once Upon a Mattress’

Gordon Cox Theater Editor Optimistic, curious, adventurous. Also: Zero complexity.

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‘The Queen of Versailles’ Review: Kristin Chenoweth Shines in a Lavish New Musical With a Social Satire Bite

Gordon Cox Theater Editor “The Queen of Versailles,” the much-anticipated reunion of “Wicked” collaborators Kristin Chenoweth and Stephen Schwartz, offers the diva her richest opportunity to date to flex her dramatic muscles, while inspiring the composer-lyricist to the most emotionally affecting score, bar none, of his long career. This true-life riches-to-rags-to-rebirth saga, chronicled in Lauren Greenfield’s 2012 documentary of the same title, offers more in the way of sociopolitical critique than is usual for a mass-market entertainment.

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‘Moulin Rouge!’ at 5: How The Broadway Musical Overcame the COVID Lockdown and Went Global in Record Time

Gordon Cox Theater Editor The fifth-anniversary Broadway performance of “Moulin Rouge!” didn’t exactly go as planned. A technical issue with the set delayed the July 25 curtain by some 45 minutes and required certain pivotal scenes to be played farther upstage than usual. By intermission a featured actor had injured his foot, and another performer replaced him for Act 2.

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