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variety.com
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Hulu’s ‘UnPrisoned’ Tells a Post-Prison Family Story With Genuine Heart: TV Review
Daniel D'Addario Chief TV Critic As a performer, Kerry Washington is particularly adept at conveying uptightness — her crispness of bearing and her rat-a-tat delivery suggest a certain passion for organization, for rigor. This was the ingredient that helped elevate “Scandal,” and the emotionally chaotic but professionally fastidious character of Olivia Pope. (And, incidentally, it’s the aspect that made Washington’s work as a free-spirited artist in “Little Fires Everywhere” ring somewhat false.) Now, on the Hulu sitcom “UnPrisoned,” Washington’s back to the angle that suits her best — and at the heart of a sweetly intended show of disarming quality. Here, Washington plays Paige, a relationship therapist whom viewers may not be shocked to learn hasn’t quite got herself figured out. Her tendency to dispense advice about fixing romantic partnerships (both to her patients and, we see, on social media) rubs up against the fact that she makes poor choices. We learn, gradually, about the role model she’s emulating in her own way: Her father, Edwin, newly released from prison, is at once astoundingly charismatic (no surprise, given that he’s played by Delroy Lindo) and someone with an entangled personal life. He moves in with her and her teenage son (​​Faly Rakotohavana), kicking off what will be a major reckoning for both parties. Soon enough, Paige’s desire for order — her need to project a sense of having it all together, even as that’s not quite true — becomes an impossibility.
variety.com
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‘The Vow, Part Two’ Is a Riveting NXIVM Legal Saga, and an Improvement on Season 1: TV Review
Daniel D'Addario Chief TV Critic In late summer 2020, “The Vow” emerged as a creepily potent hit docuseries, which grew virally as it rolled out. Plunging deep within little-understood “self-help group”-turned-cult NXIVM to examine the hold leader Keith Raniere had over his acolytes, the documentary series excelled when depicted sympathetic people in situations the average viewer likely could not imagine. How had these women allowed things to get so out of control that they’d agreed to be branded, or to starve themselves, or to voluntarily hand over compromising materials for potential blackmail? “The Vow” had no hard answers, but it was exacting and thorough in posing the questions. Almost too thorough, perhaps: Its new follow-up, “The Vow, Part Two,” is three episodes shorter, and has a tighter focus that benefits its storytelling. Having established NXIVM’s methods of exerting control over women in the first go-round, director Jehane Noujaim (without Karin Amer this time) examines the legal repercussions for Raniere, who was charged with crimes including sex trafficking and conspiracy in a 2019 trial. The process of trying Raniere brings new revelations about NXIVM methods to light, and spurs testimony to Noujaim’s camera from sources including co-founder Nancy Salzman and various ardent Raniere defenders. As storytelling, this is crisper and cleaner than “The Vow’s” first iteration; as psychological portrait, little in the nonfiction space of late matches its acuity.
variety.com
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‘East New York’ Sets a New Course for the Broadcast Cop Drama: TV Review
Daniel D'Addario Chief TV Critic “East New York” fits neatly into CBS’ battery of dramas about law enforcement, from “The Equalizer” to the “CSI” revival. But credit it with this much: In its roundabout way, it has more on its mind than one might expect at first blush. Set in a Brooklyn neighborhood where the beginnings of gentrification rub up uncomfortably against families who’ve lived there for generations, “East New York” is relatively careful in its presentation of cops and policing as flawed tools in need of rethinking, and boasts a charismatic lead who can make you believe, for an hour of primetime, that such change might be possible. We meet Regina Haywood (Amanda Warren of “The Leftovers” and “Dickinson”) as she’s getting a manicure; the robbery of a dollar van outside gets her attention, and draws her out to the street. She’s very early in her tenure as precinct chief, and this comes as a wake-up call of sorts; Regina is, soon enough, working to reduce quotas for arrests on petty crime and chicanery in the interrogation room, all with a single-minded focus on addressing major crime’s root causes. Her long-term goal is for the cops she oversees to live in the neighborhood they defend; she’s willing to start with placing an eager underling, Officer Brandy Quinlan (Olivia Luccardi), in an apartment procured by city housing.

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