Allen Hughes: Last News

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FX’s ‘Dear Mama’ Is a Poignant, Passionate Portrait of Tupac and Afeni Shakur From Director Allen Hughes: TV Review
Joshua Alston Director Allen Hughes has evolved into a deft and imaginative documentarian, just the latest pleasant surprise in a long, eclectic career. His best-known films are the scripted fare he co-directed with his twin brother Albert, including “Menace II Society” and “Dead Presidents,” which dove deep into the lives of young, disaffected Black men. The brothers dabbled in documentary with 1999’s “American Pimp,” another film about Black men thriving (and suffering, and causing suffering) in a brutal subculture, but the film’s insights were mostly washed out by its prurience. Since then, the Hugheses have pursued solo projects, but Allen found new traction with “The Defiant Ones,” the HBO docuseries chronicling the durable and fruitful partnership between Dr. Dre and Interscope Records founder Jimmy Iovine. The brilliance of that show, which earned a Grammy and five Emmy nods, was in its format and structure. Hughes plots the key points of their professional and personal journeys, from their initial meeting to their eventual $3 billion sale of Beats Audio. Because the hip hop producer and music executive affected so many aspects of their industry at the time, an exploration of their friendship became a microcosmic portrait of a seminal period for American music. 
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