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‘Ovid and the Art of Love’: Film Review
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variety.comEsmé von Hoffman's reimagining of the ancient Roman poet as a Detroit lothario has plenty of ideas, but no clear audience in mind for them.
By Guy Lodge Film Critic Making the classics hip for a new generation is by now a storytelling tradition as embedded as the classics themselves: Screens and stages have been so flooded over the decades with updated, dressed-down interpretations of Shakespeare plays, or sundry Greek and Roman myths, that it’s tempting to label traditionalism the new revisionism.
Even within this heavily tilled field, however, Esmé von Hoffman’s debut feature “Ovid and the Art of Love” feels eccentric and ambitious.
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