Peter Debruge Chief Film CriticThe world is one big carnival, and we’re all just suckers — or “marks,” in the parlance of the traveling grifters so effective at fleecing those poor rubes who are not with it — in Guillermo del Toro’s “Nightmare Alley.” A perfect match of material to auteur, William Lindsay Gresham’s pulpy 1946 novel and the shockingly dark studio picture it inspired give the helmer, hot off his Oscar win for “The Shape of Water,” a chance to go full-film noir, resulting in a gorgeous, fantastically sinister moral fable about the cruel predictability of human nature and the way entire systems — from carnies and con men to shrinks and Sunday preachers — are engineered to exploit it.
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