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18.07.2024 / 14:45

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Independent Distributor Room 8 Launches In U.S. With Slate Of Movies From Venice, Busan & Toronto

EXCLUSIVE: Good news for arthouse filmmakers and companies overseas with the launch of a new U.S. distributor for international movies: Room 8 Films.

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San Sebastian: Nick Robinson & Bel Powley Sci-Fi Romance ‘Turn Me On’ Among Lineup For New Directors Strand

Eleven filmmakers from Argentina, China, France, Georgia, Spain, Thailand, Turkey and the USA will show their first and second films in the San Sebastian Festival’s (Sep 20-28) New Directors section.

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China Box Office: Malaysian Crime Thriller ‘A Place Called Silence’ Makes $50 Million Debut

Patrick Frater Asia Bureau Chief “A Place Called Silence,” a Malaysian crime thriller that debuted at the Busan film festival in 2022, kicked off its commercial career in mainland China with a $50 million theatrical debut. The film earned RMB290 million ($40.9 million) between Friday and Sunday, according to data from consultancy firm Artisan Gateway. It was given an early start on Wednesday and over its full-five day opening run amassed $52.8 million.

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Zhang Lu to Head Busan Film Festival’s Academy – Global Bulletin

Patrick Frater Asia Bureau Chief Zhang Lu, the Chinese Korean director, has been appointed as dean of the Chanel x BIFF Asian Film Academy, part of the Busan International Film Festival. Zhang has been making feature films since 2004, when his “Tang Poetry” won acclaim at the Locarno and Vancouver festivals. He has since made titles including “Grain in Ear” (2005), which won the New Currents Award at Busan, “Desert Dream” and the recent “The Shadowless Tower.” He was also a professor at Yonsei University for eight years.

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Singapore Airlines Turbulence Doc Sells Around The World; Busan Fund; SkyShowtime Partners With Prime – Global Briefs

Singapore Turbulence Doc Sells Around The World

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India’s Manohara Evolves From Award-Winning Child Actor to Director of Shanghai-Selected Film on Albinism ‘Bird of a Different Feather’

Naman Ramachandran Indian actor and filmmaker Manohara has had an inspirational journey. Hailing from humble circumstances in Bengaluru, southern India, Manohara was picked out of school and cast by filmmaker Prithvi Konanur in “Railway Children” (2016), which won him best child actor at India’s National Film Awards. Manohara went on to act in supporting roles in Konanur’s Busan and Hainan selection “Where Is Pinki?” (2020) and Busan, Hong Kong and Goa title “Seventeeners,” on which he also assisted.

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Indian Documentaries Ride Global Wave as Local Funding and Distribution Concerns Remain

Naman Ramachandran Far from the bright lights of Bollywood, the indomitable Indian documentary filmmaking industry has been making waves globally. The recent past has several examples of India‘s international success.

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‘Train To Busan’ Director Yeon Sang-ho And Appian Way Team On Action-Horror Pic ’35th Street’ At TriStar

EXCLUSIVE: Train To Busan director Yeon Sang-ho has found his first major studio pic as he is set to direct and write TriStar Pictures’ 35th Street, along with writer Ryu Yong-jae. The pic will be produced by Appian Way and WOW POINT. The project is in development and marks the director’s first English-language project. While plot details are being kept under wraps, it’s being described as an action/horror film.

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‘Dear Jassi,’ ‘Mrs’ to Bookend New York Indian Film Festival, Lineup Includes Mira Nair, Shabana Azmi Conversation

Naman Ramachandran Tarsem Singh Dhandwar’s “Dear Jassi” and Arati Kadav’s “Mrs” will open and close this year’s New York Indian Film Festival. Punjabi and English-language “Dear Jassi,” a tale of star-crossed lovers based on a true story, arrives in New York after a glittering festival run that began in 2023, at Toronto, where it won the Platform Prize.

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Conflict, Cuts And Identity Crises: How Film Festivals Are Navigating Choppy Waters

Rarely in recent decades has the festival circuit been as disrupted as it has in the past 12 months. A confluence of local and global issues — from war to inflation, political unrest to societal shifts — have created a perfect storm for many of these vital cultural platforms, leading to funding shortfalls, staff losses, major PR headaches and in some cases cancellation. Amid shifts in consumer and industry behavior, there are also broader existential questions being asked about the role and potency of festivals.

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Asian and European Film Associations Seek Common Ground at Cannes – Global Bulletin

Patrick Frater Asia Bureau Chief The 27-member European Film Agency Directors Association and the Asian Film Alliance Network, which was established this time last year and currently has seven members, have agreed to work together on topics of common interest and to jointly develop a better world film ecosystem. At a meeting this week held on the sidelines of the Cannes Film Festival, EFAD and AFAN promised to enhance understanding and collaboration between Asian and European national film agencies. Topics included: dialog on policy and regulations; the development of the film industry in both regions; and addressing new media and challenges ahead. Separately, the founding AFAN members convened for a closed-door roundtable discussion on May 16.

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Here’s a list of music festivals taking place in Asia in 2024

Dates: May 23-26Location: Busan, South KoreaFind tickets and more info hereIt’s The Ship takes to the high seas once again. Its 2024 Korea edition charts a course for Busan-Nagasaki-Busan in May. This cruise festival will feature at least two stages and over 50 DJs.

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Japanese Genre-Meister Miike Takashi Signs With CAA (EXCLUSIVE)

Naman Ramachandran Japanese director Miike Takashi, who is known for slasher film “Ichi the Killer” and stomach-churning “Audition,” has signed with CAA for representation. Miike who is also a film producer and screenwriter, is one of Japan’s most prolific and bold directors, with more than 100 feature film credits, spanning genres, including horror, comedy and action. “Ichi The Killer” and “Audition” enjoy cult followings globally.

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