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Japanese Genre-Meister Miike Takashi Signs With CAA (EXCLUSIVE)

Naman Ramachandran Japanese director Miike Takashi, who is known for slasher film “Ichi the Killer” and stomach-churning “Audition,” has signed with CAA for representation. Miike who is also a film producer and screenwriter, is one of Japan’s most prolific and bold directors, with more than 100 feature film credits, spanning genres, including horror, comedy and action. “Ichi The Killer” and “Audition” enjoy cult followings globally.
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Busan Film Festival Competition Showcases Mori Tatsuya’s Feature Debut, Choi Ji’s Exploration of Hong Kong, Bangladesh Trio
Patrick Frater Asia Bureau Chief The main competition section of the Busan International Film Festival is set to showcase two new features from Bangladeshi directors, the feature debut of Japanese documentary maker Mori Tatsuya and ruminations on Hong Kong by mainland Chinese director Choi Ji. The festival on Wednesday unveiled its New Currents competition section, reserved for films by directors making their first or second works of fiction, as well as its Jiseok section, a showcase for somewhat more established Asian auteurs. In addition to the Bangladesh duo, New Currents includes two films from Japan, two from Korea and one each from China, Thailand, Malaysia and India. From Bangladesh, Iqbal H. Chowdhury’s “The Wrestler” sees an old fisherman challenge a wrestling champion to combat, and in “The Stranger” Biplob Sarkar tells a coming-of-age, gender-identity tale. From Japan, Mori recounts the events of the Great Kanto earthquake in “September 1923,” while Yamamoto Akira delves into profound and shocking love in “After the Fever.” New Currents’ Korean contributions come from Lee Jong-su, whose “Heritage” tracks a man who opts out of military service and his supervisor, and Sohn Hyun-lok, whose “That Summer’s Lie” blurs truth and fiction in memories of a past romance. India’s Rajesh S.
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