Rarely in recent decades has the festival circuit been as disrupted as it has in the past 12 months. A confluence of local and global issues — from war to inflation, political unrest to societal shifts — have created a perfect storm for many of these vital cultural platforms, leading to funding shortfalls, staff losses, major PR headaches and in some cases cancellation.
Amid shifts in consumer and industry behavior, there are also broader existential questions being asked about the role and potency of festivals.
Since last year’s Cannes, we’ve seen flashpoints or upheaval at Sundance, Berlin, Hot Docs, Thessaloniki, IDFA, El Gouna, Cairo, Busan, Odessa and others.
Questions have been hanging over the likes of Venice and Toronto but both have made positive announcements in recent weeks: the former by re-upping Alberto Barbera, the latter by confirming a cash injection to bolster its market.
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