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08.11.2024 / 06:03

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Tony Leung’s ‘Hidden Blade,’ Qui Jiongjiong Retrospective Set at Japanese Festival of Chinese Cinema (EXCLUSIVE)

Chinese Cinema Today is set to launch in Japan, featuring 15 Chinese films including four Japanese premieres. The program, running Nov. 22-Dec.

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How Japanese & Italian Producers Are Leveraging The New Japan-Italy Co-Production Agreement

The Japanese and Italian film industries are set to enter a new era of collaborations, after the Japan–Italy film co-production agreement officially came into effect on August 9.

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‘Pachinko’s Soji Arai Joins Indie Thriller ‘Penthouse’ From Director Stepan Burnashev

EXCLUSIVE: Soji Arai, star of the recent series Pachinko and Tokyo Vice, is set for the lead role in Penthouse, an indie thriller from Yakutian filmmaker Stepan Burnashev. Starring opposite him is Irina Mikhailova, an actress also from the Russian republic of Yakutia, who led Burnashev’s previous film Our Winter.

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TCCF: Volos Films Unveils Co-Production Slate as Taiwan Goes Global

Naman Ramachandran Taiwan-Italy production outfit Volos Films has unveiled a diverse slate of features and documentaries at the Taiwan Creative Content Fest (TCCF). The feature film lineup includes “Polaris,” directed by Yamanaka Yoko, whose “Desert of Namibia” screened at Cannes’ Directors’ Fortnight. Set in a Tokyo bar, the film follows women from different backgrounds whose lives intersect.

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India’s Film Bazaar Sets Six Features for Work-in-Progress Lab

Naman Ramachandran National Film Development Corporation (NFDC) Indian project market Film Bazaar has selected six features for its 2024 Work-in-Progress Lab, with five debut directors making the cut for the program running Nov. 20-24.

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‘All We Imagine as Light,’ ‘Pooja, Sir’ to Bookend as India’s Dharamshala Film Festival Sets Robust Slate With Female Directors in Focus

Naman Ramachandran India’s Dharamshala International Film Festival (DIFF) has unveiled its lineup for its 13th edition, with female filmmakers helming more than half of the feature selections. The festival, running Nov. 7-10, will screen over 80 films from 28 countries.

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Tokyo Takeaways: Five Themes From the Film Festival and Market

Tokyo International Film Festival and its accompanying TIFFCOM industry event might have been forgiven for being a little soggy. But spirits were rarely dampened.

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‘Godzilla Minus One’ Stomps Back Into Theaters – Specialty Preview

It’s suddenly been, if not an embarrassment, then for sure a nice flush of riches in the indie film space as high-profile festival and well-reviewed fare continues releasing into awards season. This week we’ve got a return guest with wide re-release of Godzilla Minus One.

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Kurosawa Kiyoshi, Japan’s Prolific Genre Auteur, Is Still Experimenting: ‘I Keep Scripts Bare Minimum to Allow for Interpretation’

Patrick Frater Asia Bureau Chief Earlier this year, when he was guest of honor at the Asian Film Awards, Kurosawa Kiyoshi was in determined mood as he spoke about his craft, his influences and a need to keep reinventing himself. Six months and several accolades later, he is just as resolute. “I turned 68 last year.

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Cappu Films Launches Busan Prize-Winner ‘Waterdrop’ and Competition Title ‘So It Goes’ at Tokyo Market (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Hong Kong-based sales firm Cappu Films will use TIFFCOM, the rights market attached to the Tokyo International Film Festival, to launch world sales activities on two films that were recently at the Busan festival. Psychological thriller “Waterdrop,” was winner of two awards at the Busan festival earlier this month while crime comedy “So It Goes” was competitor in the Jiseok Award section. Cappu was founded by independent filmmaker Janice Woo in 2018 and has offices in Hong Kong, Beijing and Los Angeles. It focuses on rising filmmakers and genre films and television with global appeal and has activities that that span international sales and distribution.

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Tokyo Film Festival Is Re-Discovering a Discovery Role, Says Artistic Director Ichiyama Shozo

Patrick Frater Asia Bureau Chief With strong accents on mainland Chinese directors, Japan’s next generation of filmmaking talent and a new women’s empowerment section, this week’s Tokyo International Film Festival can lay reasonable claim to being a discovery festival – as well as one catering to a large public in the Japanese capital. “We have a strong Chinese-language presence in the competition section, three mid-career Japanese directors in competition, a really super World Focus section and a new Women’s section,” Ichiyama Shozo, the festival’s programming director, told Variety.

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‘Orang Ikan’ Trailer: WW2 Monster Film Reveals Unlikely Bond Between British POW & Japanese Soldier

EXCLUSIVE: The trailer for Mike Wiluan’s historical monster film, Orang Ikan, has been unveiled, ahead of its world premiere in the Tokyo International Film Festival’s Gala section.

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‘No Other Land,’ ‘Queendom,’ ‘Black Box Diaries,’ ‘Sugarcane’ & More Make IDA’s Shortlist Of Year’s Top Documentaries

The International Documentary Association today released its shortlist of contenders for Best Feature Documentary and Best Short Documentary, a possible harbinger of Oscar success.

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Kurosawa Kiyoshi’s ‘Cloud’ and ‘Directors’ Factory Philippines’ Omnibus Set to Anchor QCinema Festival

Naman Ramachandran The Philippines‘ QCinema International Film Festival has locked its 12th edition lineup, with Kiyoshi Kurosawa’s “Cloud” — Japan’s submission for the 97th Academy Awards — set to close the November event. The festival opens with “Directors’ Factory Philippines,” an eight-filmmaker omnibus collaboration with Cannes Directors’ Fortnight that pairs Filipino directors with counterparts from across Asia.

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Sharmila Tagore Confronts Fading Memories in Mumbai Selection ‘The Ancient’ (EXCLUSIVE)

Naman Ramachandran Indian cinema icon Sharmila Tagore embraces a challenging role in Suman Ghosh‘s “The Ancient” (Puratawn), which has its India premiere at the MAMI Mumbai Film Festival. The veteran actor portrays a woman grappling with memory loss in director Suman Ghosh’s Bengali-language drama. In “The Ancient,” Ritika (Rituparna Sengupta) and her husband Rajeev (Indraneil Sengupta) return to her ancestral home in West Bengal to celebrate her mother’s (Tagore) 80th birthday.

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Anurag Kashyap Boards Venice, Busan, Mumbai Title ‘Pooja, Sir’ as Executive Producer, Channel 4 Buys for U.K. and Ireland (EXCLUSIVE)

Naman Ramachandran Indian auteur Anurag Kashyap has boarded Deepak Rauniyar‘s “Pooja, Sir” as an executive producer, while Channel 4 has snapped up the film for the U.K. and Ireland. The film debuted in the Venice Film Festival‘s Horizons strand competition earlier this year, and has subsequently played Hamburg and Busan, with the MAMI Mumbai Film Festival up next.

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‘All Of Us Are Dead’ Creator Talks Webtoon Business, Netflix’s Second Season & 11-Year Adaptation Journey

EXCLUSIVE: When webtoon artist Joo Dong-geun published All of Us Are Dead on Korean platform Naver in 2011, he never expected that it would take 11 years for his zombie story to be turned into a series — one that also became the first Korean show to rank number one on its global top 10 list after Squid Game achieved the feat.

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