Ben Croll Israeli multi-hyphenate Dani Rosenberg marks his feature debut with “The Death of Cinema and my Father Too,” a self-reflexive hybrid film that mixes fact, fiction and autobiography as it grapples with the big questions.Presented under the Cannes 2020 label and sold internationally by Films Boutique, the film follows a rising director as he tracks his father’s final days, camera in hand, telling a story culled from Rosenberg’s experience and interspersed with footage from his own life.“I prefer to call it a fiction film that crashes into the walls of reality,” says Rosenberg. “The narrative itself is fictional, and I used documentary elements from my life to create parallels with this story.”“I started to make a film with my.
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