Tomris Laffly “’You are one of the few designers that can open a movie,’” costumer Mona May recalls Happy Madison co-founder Jack Giarraputo once telling her.
Perhaps no appraisal can sum up the fashion-design-trained May’s auteur-like contribution to cinema as succinctly. Her bold colors, unapologetically soft silhouettes and feathery boas — signature touches that at once highlight comedy, beauty and authenticity — helped define a genre of film.
Read more on variety.com