If you have been wondering why the trailers for Christopher Nolan’s “Oppenheimer” feature color and black-and-white footage, join the club.
While audiences can recognize this as an artistic choice Nolan has made before, it was hard to say what Nolan would be doing with color in his latest release.
But thanks to a new round of interviews, it now looks like Nolan can confirm that he is returning to a process he refined in “Memento” to anchor his latest movie in the objective and the subjective natures of memory.
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