Netflix, he evolves from a cold and methodical arithmetic wonk to a compassionate listener who’s willing to change.But the writing in Max Borenstein’s script continuously eschews subtlety for static melodrama.
You hear the same lines repeated ad nauseam, only slightly tweaked and louder and angrier every time.Feinberg’s nemesis is Charles Wolf (a noncommittal Stanley Tucci), a man whose wife died in the World Trade Center attacks and then created a popular blog called “Fix the Fund!” Wolf tries to shift Feinberg’s formulaic thinking with confrontational pressure, but Feinberg’s change of heart begins when he steps out from behind his desk and interviews wives and other loved ones of the dead.Those confessionals can and should deliver an.
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