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‘White Noise’ Review: Noah Baumbach Crafts An Callow, But Clever & Satirical Museum Of Pre-Millennial Neurosis [Venice]

Noah Baumbach Greta Gerwig Don Cheadle Adam Driver USA city Venice

01.09.2022 - 15:47

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Man, the 20th century really thought it was something, didn’t it? Thankfully, in the middle of the 1980s, just when Western (read: American) culture was fully losing the run of itself in a frenzy of gum-snapping consumerism and prescription narcotics, Don DeLillo‘s “White Noise” appeared — you might almost say manifested — as a mischievous, mindbending 326-page reminder to the century that it wasn’t, in fact, all that.

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Don DeLillo’s post modernist 1985 novel, White Noise has been long desired by filmmakers trying to crack the nut of how to bring the complex dark comedy to the screen. Barry Levinson made an attempt that didn’t come to fruition in 2004. Director Michael Almereyda was announced in 2016, also going nowhere. James L. Brooks’ Gracie Films had it optioned at one point. But it seems entirely appropriate that it should finally land into the hands of Noah Baumbach, a self-professed mega fan of the book he read first in college in the late 80’s and saw it as a very satiric yet accurate account of the sad state of affairs of the world at that time. However by 2021 when he got around to adapting and directing the first of his own films he didn’t write as an original screenplay, the multiple themes running though the book not only were still relevant, they seem more of this time then the 37 years since the book’s publication.

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