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'Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend': TV Review

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hollywoodreporter.com

When Netflix rolled out its first interactive special, 2018's Black Mirror: Bandersnatch, it inspired the kind of pessimism that the anthology series was known for peddling about other technologies.

In a New York Times interview, Netflix exec Todd Yellin argued that viewers would be more invested in a story if they had more involvement in which direction it headed.

But many critics saw Netflix's interactive capabilities less as a storytelling device than the site's latest version of A/B testing.

It didn't help that Bandersnatch, for which series creator Charlie Brooker wrote eight different endings, was a thoroughly middling episode of Black Mirror, with half-baked meta-commentary about the illusion of free will.

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