It’s been a fun year for posters, hasn’t it? From the major marketing fail of the poster for “The Northman” that simply forgot the title to the optical illusions of “Nope” and the inexplicable vintage flair of “Confess Fletch,” those fearing that the art of poster design as exactly that, an art, can and should rest easy.
There is, as always, a war between contractual obligations that demand certain actors to have a certain amount of pixel space and the desires of innovative artists to do more than just get bums on seats.
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