Miss Americana, Taylor Swift’s recent Netflix documentary, the musician noted: “The female artists I know of have to remake themselves, like, 20 times more than the male artists, or else you’re out of a job. ” It’s a concept she had internalised to the extent she felt the need to “attack” a previous incarnation “in order to create the next thing”.
But on her second surprise release of 2020, the world’s biggest pop star coolly refuses to reconfigure herself on demand. “I can’t face reinvention/ I haven’t met the new me yet,” she sings on an album that finds her wandering deeper into the lovely, lo-fi, indie dreamscape she began exploring on Folklore.
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