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‘Hamilton’ director Tommy Kail reveals hopes for new Holocaust mini-series ‘We Were the Lucky Ones’

Tommy Kail knew all about the book “We Were the Lucky Ones” by Georgia Hunter years before it became a best-selling novel.“I met Georgia in 1999 before I graduated college,” he told the NY Post in an exclusive interview, “and she married one of my best friends.”The New York Times bestselling book is inspired by the unbelievable true story of Hunter’s Jewish family who were living in Radom, Poland at the onset of World War II.Somehow, despite being flung all over the globe and facing unbelievable hardships and danger, they managed to survive.The sweeping epic is now a Hulu mini-series, starring Joey King, Logan Lerman, “The Marvelous Mrs. Maisel” star Marin Hinkle and several Israeli actors including Ido Samuel, Michael Aloni and Amit Rahav.Kail directed two of the episodes and is also an executive producer.He shared that he “supported” Hunter as “she was going through the process of researching it and then deciding to turn it into a book proposal, and when it was finally published even conducted a Barnes & Noble interview on the Upper West Side.“I obviously read the book and it just stayed with me,” he shared.
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High fashion clashes with Nazi collaborators in the Apple TV+ series ‘The New Look’
Apple TV+ series traces the modern French fashion world through the eyes of acclaimed haute couture designers Christian Dior (Ben Mendelsohn) and Coco Chanel (Juliette Binoche) amid Nazi-occupied Paris and how each of them, and their compatriots, dealt with that adversity with different shadings of complicity.Created by Todd Kessler (“Bloodline”), “The New Look” co-stars John Malkovich as Lucien Lelong, Dior’s first boss; Maisie Williams as Dior’s French-resistance fighter sister, Catherine; Claes Bang as Nazi operator Spatz, with whom Chanel consorts; Emily Mortimer as Chanel’s sketchy friend Elsa Lombardi; and Glenn Close as powerful Harper’s Bazaar Editor-in-Chief Carmel Snow. Mendelsohn, Binoche and Malkovich spoke to The Post about their characters’ motivations.When we first meet Dior, he’s happy working for Lelong and somewhat ambiguous about the Nazis, designing ball gowns for officers’ wives but refusing to meet with any of them in person. But when Catherine is taken prisoner by the Nazis — and sent to Ravensbrück, a deadly work camp — Dior’s attitude toward the war changes.Mendelsohn: “[Getting Catherine back] becomes his absolute raison d’etre from that point on.
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