Max Ernst: Last News

EXCLUSIVE: Art becomes fiction as René Magritte, Salvador Dalí and their peers give the whodunnit genre a surreal makeover in This is Not A Murder Mystery. Deadline can share an exclusive new image from the series, which is produced by Belgium-based indie Panenka.

Owen Gleiberman Chief Film Critic If you want to know how the definition of “scandal” has changed with the decades, you couldn’t do much better than to see “Taking Venice,” Amei Wallach’s highly enjoyable and revealing documentary about a legendary uproar in the art world. The film chronicles what happened at the 1964 Venice Biennale — the exhibition of contemporary art, held every two years, that culminates in the awarding of an esteemed grand prize. At the time, the Biennale was considered to be a kind of art-world equivalent of the Olympic Games.

Live drip painting artist Mark Rios, known as Mr. Dripping, will be the subject of a new docuseries being produced by Uri Singer’s Passage Pictures.

Aramide Tinubu Piecing together pivotal historical events in a limited series in order to create a compelling narrative is a tall task. However, creator and writer Anna Winger is no stranger to this work. Her 2020 adaptation of Deborah Feldman’s 2012 autobiography, “Unorthodox,” which followed one Jewish woman’s liberation from her Hasidic community, received critical acclaim. With her latest series, “Transatlantic,” an adaptation of Julie Orringer’s novel “The Flight Portfolio,” Winger is again centering real-life figures fighting against oppression. From 1940 to 1941, literary journalist Varian Fry and American heiress Mary Jayne Gold were instrumental in helping pivotal Jewish writers and artists flee France amid the Nazi occupation. However, while Esty Shapiro’s personal journey to freedom in the contemporary setting of “Unorthodox” was sharp and captivating, “Transatlantic” lacks the same sense of urgency and precision.

Netflix series premiering April 7.“I had the chance to have such an amazing mother, who named me after Ralph Ellison,” said Amousso, 33, born in Paris and raised in West Africa. “I read ‘The Invisible Man’ I don’t know how many times.