Live: Last News

+610

All news where Live is mentioned

deadline.com
48%
738
Remembering William Friedkin: ’70s Maverick’s Death Defying Tales Making ‘The French Connection,’ ‘The Exorcist,’ ‘Sorcerer,’ To Live & Die In LA’ & Others In No Holds Barred Q&A
EDITOR’S NOTE: William Friedkin’s passing is a gutting experience for anyone lucky enough to have sat as he reminisced over his classic movies, with measures of regret for the recklessness, humor, and keen observations of why Hollywood’s Auteur Era gave way to the global blockbuster, and whatever it is we have today as two guilds strike seeking transparency, and residuals for writers and actors. This interview was originally published August 6, 2015 under the title ’70s Maverick Revisits A Golden Era With Tales Of Glory And Reckless Abandon. I am feeling a bit gutted by Friedkin’s passing. I looked forward to a long interview with him for his Venice-bound Showtime remake of The Caine Mutiny Court-Martial. After spending time with Billy and his elegant wife Sherry Lansing at Peter Bart’s 90th birthday where the back and forth between them proved the highlight of the evening, I wanted them to write a column for Deadline. On anything. None of that can happen now, and Deadline can only offer condolences to Sherry. And to Deadline readers who are Friedkin fans, a replay of this bracingly honest look at his career, done as he got a reissue of Sorcerer, the adaptation of the Georges Arnaud novel that first was filmed as 1953’s The Wages of Fear. The whole interview is presented as originally published nearly a decade ago. 
nme.com
64%
845
Watch Billie Eilish give ‘Barbie’ track ‘What Was I Made For?’ live debut at Lollapalooza
Billie Eilish headlined Lollapalooza in Chicago last night (August 3) – watch her give Barbie track ‘What Was I Made For?’ its live debut.The singer recently shared the Finneas-produced melancholic piano-led ballad for the blockbuster film’s accompanying album, appearing alongside Dua Lipa, Charli XCX, Sam Smith and more.At Lollapalooza on Thursday, the track got its live debut during a headline set featuring songs from across Eilish’s catalogue.See footage of the live debut of ‘What Was I Made For?’ and her full Lollapalooza setlist below.The lovely @billieeilish singing ‘What Was I Made For’ tonight, closing out @lollapalooza pic.twitter.com/gVAij301BU— NME (@NME) August 4, 2023‘Bury A Friend’‘I Didn’t Change My Number’‘NDA’‘Therefore I Am’‘My Strange Addiction’‘idontwannabeyouanymore’‘Lovely’‘You Should See Me In A Crown’‘GOLDWING’‘What Was I Made For?’‘Oxytocin’‘ilomilo’‘I Love You’‘Your Power’‘TV’‘Bellyache’‘Ocean Eyes‘Lost Cause’‘Never Felt So Alone’ (Labrinth cover)‘When The Party’s Over’‘All The Good Girls Go To Hell’‘Everything I Wanted’‘Bad Guy’‘Happier Than Ever’In a pioneering move, Eilish’s Lollapalooza set was partially solar-powered by intelligent, zero-emission battery systems.The pop singer shared that the climate-friendly performance is part of the Music Decarbonization Project co-founded by Eilish herself in partnership with the environmental non-profit REVERB.According to a press release, the zero-emissions battery systems that will power her set will be supplied and managed by Overdrive Energy Solutions and will be charged via a temporary onsite “solar farm”.The use of these battery systems will serve as a powerful demonstration of clean energy technologies that can drastically reduce live music’s
nme.com
50%
532
Tina Knowles responds to claim Beyoncé intentionally skipped Lizzo’s name from ‘Break My Soul’ live performance
Beyoncé – has spoken out about the singer leaving out Lizzo’s name during a live rendition of ‘Break My Soul’, saying that the decision has nothing to do with recent allegations.Rumours about Beyoncé drawing reference to the recent controversy surrounding Lizzo arose earlier this week, when the ‘Single Ladies’ singer chose to omit the latter’s name from one of her performances.Performing at Foxborough, Massachusetts on Tuesday (August 1) as part of her hit ‘Renaissance’ tour, Beyoncé played ‘Break My Soul (The Queens Remix)’, which sees her begin to list off a number of iconic and boundary-breaking Black female artists.While the original lyric reads: “Rosetta Tharpe, Santigold, (Vogue) Bessie Smith, Nina Simone (Vogue), Betty Davis, Solange Knowles. Badu, Lizzo, Kelly Rowl”, fan-captured footage shows the singer skim over Lizzo’s name and instead repeat Erykah Badu’s name four times.Following the set, fans were quick to speculate that this was related to the recent allegations raised against Lizzo that same day – which see her accused of sexual harassment and a hostile work environment.The ‘About Damn Time’ singer is being sued by three of her former dancers, who recall her pressuring a co-worker to touch a naked performer in an Amsterdam club and subjecting dancers to “excruciating” auditions.

Popular Questions Regarding Live

What is Live and why is it relevant?

Live is a hot topic that attracts attention. On our website, we regularly publish features covering this topic.

Where can I find the latest updates about Live?

All latest articles on Live can be found in our special coverage area. We update information regularly.

How can I verify the accuracy of information about Live?

We consult experts to ensure that all information related to Live is reliable and informative for our readers.

What are the most talked-about moments related to Live?

From viral moments to social media trends, Live has been involved in events that sparked discussions around the world.

Where can I read a full biography of Live?

You can explore a detailed biography of Live in our dedicated section, which includes key facts and verified background information.

DMCA