Action-adventure: Last News

Steven Spielberg warned Antonio Banderas of the imminent rise of CGI back on the set of 1998 film The Mask of Zorro.Celebrating the 25th anniversary in a recent interview, Banderas reflected on the Martin Campbell-directed action-adventure film – which was produced by Spielberg’s Amblin Entertainment – and how the latter told him that “things are going to change”.“Steven Spielberg said to me once when we were shooting, ‘This is probably going to be one of the last Westerns shot in the way the Westerns were shot in the old days, with real scenes with real horses, where everything is real, [real] sword fighting, no CGI.’ Everything was [practical],” Banderas told Yahoo Entertainment.“And he said, ‘But things are going to change. They’re going to change and they’re gonna change fast.

Rebecca Rubin Film and Media Reporter “Mission: Impossible – Dead Reckoning Part One” topped domestic box office charts while falling short of initial expectations. Tom Cruise’s latest blockbuster collected $56.2 million between Friday and Sunday, a lackluster start for a movie that cost nearly $300 million before marketing. Heading into the weekend, Paramount and Skydance’s action-adventure was projected to set a new franchise record with $60 million or more. Instead, ticket sales landed behind 2018’s “Mission: Impossible – Fallout” ($61 million) and 2000’s “Mission: Impossible II” ($57.8 million), which remain as the top openings in the 27-year-old series.

Rebecca Rubin Film and Media Reporter “Mission: Impossible – Dead Reckoning Part One” ignited to $7 million on Tuesday previews, a solid start before the film opens nationwide on Wednesday. Comparisons are difficult because “Dead Reckoning Part One” is the first installment in the long-running series to debut on a Wednesday rather than a Friday. But 2018’s “Mission: Impossible – Fallout,” the most recent adventure anchored by Tom Cruise’s teflon operative Ethan Hunt, picked up $6 million in previews before launching to $61 million, a franchise record. For another point of reference, Disney’s “Indiana Jones and the Dial of Destiny” landed $7.2 million in Thursday previews when it opened in advance of July 4th. The action-adventure, starring Harrison Ford, went on to earn $60 million over the traditional weekend and $83.5 million through the five-day holiday frame.

Rebecca Rubin Film and Media Reporter Tom Cruise’s mission, should he choose to accept it, is to save the summer box office… again. After a lackluster start to popcorn season (“The Flash,” “Indiana Jones” and “Elemental,” we’re looking at you), Paramount’s action-adventure “Mission: Impossible – Dead Reckoning Part One” is hoping to bring people back to movie theaters across the globe. The big-budget tentpole is projected to collect at least $60 million between Friday and Sunday. Anything more than that would cement a new opening weekend benchmark for the long-running, globe-trotting spy series. “Mission: Impossible – Fallout” currently holds the record with $61 million, followed by 2000’s “Mission: Impossible II” with $57.8 million.

Todd Spangler NY Digital Editor The first major game centered on Marvel’s Black Panther will let you unfurl your claws and assume the mantle of Wakanda’s superhero protector… in a few years. Electronic Arts announced Cliffhanger Games, its new triple-A development studio based in Seattle, is working on a third-person, single-player Black Panther game in collaboration with Marvel Games. EA doesn’t have an expected release date for the title at this point, saying “we’re still early in development with a long road ahead.” “If you’re looking to take on an incredible next career move, we invite you to join our team, which we will be building over the next few years,” EA said in a blog post announcing Cliffhanger.

Rebecca Rubin Film and Media Reporter Indiana Jones had a short-lived box office reign. Disney’s action-adventure “Indiana Jones and the Dial of Destiny” dropped to the No. 2 spot in its second weekend of release, earning $26.5 million from 4,600 North American theaters. It was dethroned by Sony’s horror-thriller “Insidious: The Red Door,” which beat expectations with its $32.6 million debut from 3,188 venues. Ticket sales for “Indiana Jones,” the fifth and final installment to star Harrison Ford’s swashbuckling adventurer, declined by 56% from its $60 million opening weekend, continuing the theatrical misfortunes for the nearly $300 million-budgeted movie. “Dial of Destiny” added $31.8 million at the international box office, bringing worldwide ticket sales to $247.9 million. It has a long and winding journey to get out of the red, at least in its box office run.

Rebecca Rubin Film and Media Reporter “Indiana Jones and the Dial of Destiny” is stumbling in its box office debut, generating $70 million internationally and $130 million globally to start. Those ticket sales wouldn’t be bad for a film aimed at older audiences, except for the fact that Disney and Lucasfilm spent $295 million before marketing to bring the fifth and final action-adventure, starring Harrison Ford, to the big screen. “Dial of Destiny” is posting similar numbers to Warner Bros. and DC’s misfire “The Flash,” which opened to $75 million internationally and $139 million globally but cost $100 million less to make. Both tentpoles are expected to lose money in their theatrical runs.

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” lassoed the top spot on domestic box office charts, collecting an underwhelming $60 million in its opening weekend. That’s a decent amount of money for a tentpole that’s aimed at older audiences, but “Indiana Jones 5,” one of the most expensive movies ever, cost $295 million before marketing. It’ll take a heroic feat, one that would test even an enduring legend like Indiana Jones, for the fifth installment in the decades-old franchise to become profitable in its theatrical run. It was a disappointing weekend at the box office as “Ruby Gillman, Teenage Kraken,” a $70 million-budgeted family film from DreamWorks and Universal, cratered in its sixth-place debut with $5.2 million. In addition to “Dial of Destiny” and “Ruby Gillman,” the DC superhero adventure “The Flash” tumbled to the No. 8 spot in its third weekend of release with $5 million, another embarrassing 67% drop. It has yet to cross $100 million domestically, with ticket sales at $99.2 million to date.

J. Kim Murphy Indiana Jones has begun his last box office crusade, with the fifth franchise entry earning $24 million on its opening day from 4,600 theaters. It’s a figure that includes $7.2 million in previews in Thursday previews. The action-adventure film from Disney and Lucasfilm is expected to debut near the bottom of projections, projecting a three-day opening of $60 million or so. It’ll be more than enough for the Harrison Ford finale to land in the top spot on domestic charts, setting itself up to draw crowds through the Fourth of July holiday — but it’s not exactly the victorious tone-setter for one of the 20 or so most expensive blockbusters ever made. With a whopping $295 million production budget, “Indiana Jones 5” faces quite the trek to theatrical profitability.

Rebecca Rubin Film and Media Reporter “Indiana Jones and the Dial of Destiny” is gunning for the top spot on box office charts. The fifth and final adventure to star Harrison Ford as the legendary, globe-trotting explorer is targeting at least $65 million from 4,500 North American theaters in its opening weekend. The latest Indy installment is also debuting day-and-date at the international box office, where it’s aiming to add $80 million for a global start of $145 million to $150 million. Those ticket sales are decent, especially for the fourth sequel to a decades-old property that’s aimed at older audiences. But Disney spent a mind-boggling $295 million to bring the action-adventure to life. That’s not including marketing costs, such as a no-expense-spared premiere and afterparty at the Cannes Film Festival where much champagne was tippled. Even in the best circumstances, it’ll take a heroic feat — and a lot of nostalgia from long-time fans of the series — for “Indiana Jones 5” to turn a profit in its theatrical run.

Harrison Ford has confirmed that he has no plans to retire from acting just yet.The actor – who is stepping back from his iconic role as the titular character in the Indiana Jones franchise after the fifth and final instalment, Dial of Destiny – has shared that retiring altogether is not a prospect for him.“I don’t,” Ford replied to CNN in a new interviews after being asked if he had plans to retire. “I don’t do well when I don’t have work. I love to work.

Please note: the screening and panel took place on April 28, before the start of the WGA Strike.

Elsa Keslassy International Correspondent While at the Annecy Animation Film Festival, Mediawan Kids & Family unveiled a raft of new youth-centric shows, including “Karters” and “Witch Detectives,” on top of a licensing pact with DeAPlaneta Entertainment. Spearheaded by animation veteran Julien Borde, Mediawan Kids & Family is a division of the international film and TV powerhouse Mediawan whose recent acquisitions include Brad Pitt’s Plan B. Mediawan Kids & Family is partnering up with Warner Bros. Discovery EMEA on the production and distribution of its animated series “Karters” for the linear and non-linear services of Warner Bros. Discovery. The action-packed series will premiere on Cartoonito for EMEA, and will be distributed by Mediawan Kids & Family Distribution worldwide except Latin America.

EXCLUSIVE: Apple Original Films and Skydance are continuing to build on their strong ties with another star-studded project as sources tell Deadline the two are partnering on the action-adventure tentpole Mayday with Ryan Reynolds and Kenneth Branagh starring and Jonathan Goldstein and John Francis Daley directing. Sources tell Deadline the script has been done for some time, well before the Writers Strike started.

John Wick: Chapter 4 crashes straight in at Number 1 on the Official Film Chart.

Rebecca Rubin Film and Media Reporter Disney’s “The Little Mermaid” is poised to make a box office splash over Memorial Day weekend. The big-budget remake is projected to earn a mighty $100 million from 4,300 North American theaters in its first three days of release and $120 million to $125 million by Monday’s holiday. Based on those estimates, it’ll be the fourth movie (and third from Disney) this year to clear the $100 million mark in its debut, following “The Super Mario Bros. Movie” ($146 million), “Guardians of the Galaxy Vol. 3” ($118 million) and “Ant-Man and the Wasp: Quantumania” ($106 million). Rob Marshall directed “The Little Mermaid,” which looks like it’ll be one of Disney’s more successful live-action adaptations. The studio has revisited classics like “The Lion King,” “Beauty and the Beast” and “Aladdin,” — all of which cracked $1 billion globally — as well as the less commercially embraced “Mulan” and “Dumbo,” to varying degrees of box office glory.

Rebecca Rubin Film and Media Reporter “Fast X,” the 10th installment in Universal’s high-octane franchise, powered to $320 million worldwide, including an uninspired $67.5 million in its domestic debut. It secured the second-biggest global opening weekend of the year following another Universal title, “The Super Mario Bros. Movie” ($377 million). Even though “Fast X” arrived on the higher end of projections, the action-adventure saga has been experiencing diminishing returns in North America. In terms of opening weekend ticket sales, the 10th chapter landed behind the latest entry, 2021’s “F9: The Fast Saga,” which kicked off to $70 million. And that was at a time when COVID era restrictions meant only 80% of theaters were open and attendance hadn’t yet rebounded. Pre-pandemic “Fast” installments were far bigger in their starts, including 2017’s “The Fate of the Furious” ($98 million debut), 2015’s “Furious 7” (a series-high $148 million debut) and 2013’s “Fast and Furious 6” ($97 million debut).

Ellise Shafer John Cena is reflecting on his WWE feud with Dwayne Johnson, admitting to being “short-sighted and selfish” in the situation. On the May 18 episode of the Happy Sad Confused podcast, Cena said he “really messed up” by feuding with Johnson between 2011 and 2013 when he returned to WWE after leaving nearly a decade earlier to pursue a full-time acting career. Of course, now both Cena and Johnson are major Hollywood stars, with Cena playing the brother of Vin Diesel’s Dom Toretto in the newly-released “Fast X” and Johnson headlining the upcoming action-adventure film “Red One” alongside Chris Evans. “I got selfish, and me living WWE at the point and not having any concept of growth or someone else’s perspective, I took Dwayne’s comments as not genuine,” Cena said. “My view was, if you love something, be there everyday. What a hypocrite I am, because I still love WWE and I can’t go all the time. And I just didn’t see that, I was so selfish.”

Rebecca Rubin Film and Media Reporter “Indiana Jones and the Dial of Destiny” stars Harrison Ford in his final performance as the swashbuckling fedora-wearing adventurer, a legendary role he’s played in five films across 40 years. But he says he is officially ready to retire the character. “Is it not evident?” the 80-year-old actor joked at the Cannes Film Festival on Friday’s press conference for the action-adventure. “I need to sit down and rest a little bit.” In returning to the character for one last time, Ford expressed a desire to see “a completion of the five films.” He added, “I wanted to see the weight of life on him. I wanted to see him require reinvention. I wanted him to have a relationship that wasn’t a flirty movie relationship.

Private Division has announced a new partnership with Pokémon developer Game Freak for “a brand-new action-adventure IP.”Codenamed Project Bloom, the title is an “ambitious” title and is in early development but is expected to launch during Take-Two‘s fiscal year 2026.Not much has been shared about the upcoming game, but the publisher and developer revealed the first piece of concept art showing a character carrying katana in a lush forest. You can take a look at the artwork in the Tweet below.We’re thrilled to announce we're partnering with Game Freak on an upcoming action-adventure game, codenamed #ProjectBloom.We can't reveal too much yet… But for now, we're excited to share the first piece of concept art for the game: pic.twitter.com/LarOpBXdsy— Private Division (@PrivateDivision) May 9, 2023“We’re thrilled to have the opportunity to create new IP that is bold and tonally different from our prior work,” said Kota Furushima, director at Game Freak.

It’s one month at Number 1 for Avatar: The Way of Water which floats into its fourth week at the top.