‘She Loved Blossoms More’ Review: Grief Takes Audaciously Bizarro Shape In Greek Weird Wave Horror Oddity [Tribeca]
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theplaylist.netInspired in part by 1970s experimental filmmaker Nikos Nikolaidis and jumpstarted in earnest in 2009 by Yorgos Lanthimos with “Dogtooth,” and perhaps to a lesser extent Panos H.
Koutras’ “A Woman’s Way,” the so-called Greek Weird Wave movement quickly spread like wildfire in the country. “Attenberg” soon followed in 2010, and the proliferating genre soon gave everyone in the country permission— maybe even actively encouraged all filmmakers—to fly their freak flag.
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