See the ‘Invisible Man’ deleted scene called “Butt Chug”

Emilia Wickstead) on several occasions.But they’re not the only royals with congruent tastes. Queen Letizia of Spain may be more daring, but she also loves classics as her foundation. Like Kate, Mary and Princess Victoria of Sweden, (not a blonde amongst this quarter) she has a wardrobe of heeled courts.There’s a reason for the overlap: they’ve learned what kind of outfits withstand intense scrutiny.

Hardly Ever Worn It, a high-end resale site based in London, 15 per cent of their 200,000 registered users now make some, or part, of their living playing the bag market.The secondary (or as it used to be called, before it co-opted terminology from the auction houses, second-hand) bag market is now one of the most dynamic sections of the luxury market.At Christie’s, a diamond pavé, white crocodile Hermes Birkin (229 diamond sprinkles in all, totalling 9.3 carats) set a new record for the auction house last November when it sold for 4 million Hong Kong dollars (£379,000). It hadn’t been worn by anyone famous and it wasn’t even vintage, merely dating from 2021.

New York Fashion Week this season, newer labels Saint Sintra and LaQuan Smith seized their opportunity to shine. Proenza Schouler, Khaite and Ulla Johnson dug in with reliable brilliance and elsewhere, statement ensembles starring big sleeves, long trains and sequins made a racket.

Manchester United on their way to a crucial win. The superstar had endured a run of six games without a goal in all competitions heading into the Premier League clash, which the Red Devils needed to win to keep pace in the race for the top four.

jellyfish-like creatures which have been washed up on British beaches.The Portuguese man o' war has been spotted washed up on beaches in Devon and the South West.The jellyfish-like animals tends to be blown into UK seas by windy conditions from the west and are often found on the west coast.David Bailey, a Coastguard volunteer, spotted the deadly animals while walking on Slapton Sands in Devon on Sunday.He said the creatures are not commonly seen on the British coastlines during this time of year.The Portuguese man o' war is not a jellyfish but in fact a marine hydrozoan that's partially filled with carbon monoxide.David said that their vicious sting can be "very, very painful" and sometimes "fatal" to dogs if ingested.The Dartmouth Coastguard Rescue Team issued a warning after the marine creatures were spotted at two different beaches in Brighton over the weekend.The warning advised beachgoers to keep their dogs on leads as the sting can be "toxic" and deadly.The Coastguard team said: "These give a very nasty sting that lingers. It can sting even when dead on the beach."The harmful animal inhabits warmer climates in the Atlantic Ocean.

The Invisible Man have boarded Ryan Gosling‘s new werewolf film.The La La Land star was cast as the lead in Universal’s The Wolfman remake last month (June 2020) and now the project is on the fast track with director Leigh Whannell in talks to oversee the project with bosses at Jason Blum’s Blumhouse signing on to produce.Whannell and Blumhouse found a winning formula with Elisabeth Moss‘ The Invisible Man, despite the fact the movie was released just before the coronavirus lockdown in March (2020).Made for $7 million, the film has grossed $124 million worldwide, thanks mainly to video-on-demand views.According to Deadline sources, Whannell will also be writing The Wolfman’s treatment, inspired by the 1941 film The Wolf Man, starring Lon

THE Handmaid’s Tale’s Elisabeth Moss has revealed how coronavirus derailed her directing debut in season four. The 37-year-old actress plays lead character Offred/June Osborne in the hit Hulu series, as well as serving as an executive producer.

We're stuck at home bored out of our minds because of the quarantine period due to the coronavirus pandemic. For most of us, we have almost forgotten what the outside world looks like as we're stationed indoors for months now. Hence, the consumption of pure entertainment has peaked up incredulously as people all over the world want to remain distracted from the harsh reality that everyone now knows is life in itself. Whether it be romantic comedies or even mysterious thrillers, it's time to catch up on movies and tv shows that we have missed due to our busy lives.

Elisabeth Moss has yet another big-time project in the works. After a 2020 that has pretty great for the actress, highlighted by show-stopping performances in films such as “The Invisible Man” and “Shirley,” it appears that Moss isn’t slowing down anytime soon with a brand-new series in development, titled “Candy.” READ MORE: ‘Run Rabbit Run’: Elisabeth Moss To Star In New Film From ‘Handmaid’s Tale’ Director Daina Reid According to THR, Moss is signed on to star in “Candy,” produced by Universal Content Productions and written by “Mad Men” and “The Act” scribe, Robin Veith, who will also executive produce alongside Nick Antosca.

Universal Pictures is planning a huge watch party for The Invisible Man on Saturday 28th March. The film was available for viewing on digital platforms early, and fans all over the world can get involved with a viewing experience with fans of the flick all over the world.

“Parks & Recreation” actress Retta will be on hosting duties for a Twitter “Watch Party,” i.e. a communal film viewing conducted on social media, of Universal’s horror pic “The Invisible Man” this weekend.

By Tom Grater

THE Handmaid’s Tale's O.T. Fagbenle has claimed season four will "blow fans away" as Elisabeth Moss makes her directing debut.

“The Handmaid’s Tale” has now joined numerous other TV shows and movies in shutting down production amid the ongoing coronavirus crisis.

In today’s film news roundup, “The Invisible Man” hits a milestone; “Kajillionaire,” “Come Play” and “Green Rush” get release dates; and Jack Eve’s romantic drama “Open” wraps shooting.

When Benjamin Wallfisch learned that he was going to compose the score for the 2020 reboot of “The Invisible Man,” he deliberately stayed away from rewatching the 1933 original. The goal, he says, was “to keep the sound as fresh as possible.”

One of the first conversations production designer Alex Holmes had with “The Invisible Man” director Leigh Whannell was about grounding the film in reality and treating it like a psychological thriller, rather than a horror or science-fiction movie.

The Invisible Man revamp has spooked its way to the top of the North American box office.

The Invisible Man has gone down as a hit with both critics and the box office, making over $29 million (€26,148,575) in the US over the weekend.

A woman-in-peril movie is a not a new thing (just think of “Wait Until Dark,” “Eyes of Laura Mars,” or “Panic Room”), and neither is a woman-in-peril movie in which the heroine, after being stalked and terrorized, takes charges and fights back. That was the scenario, 30 years ago, in “Sleeping with the Enemy,” a grindingly effective but rather reductive B-movie that became a success in the summer of 1991, mostly because it was the first film designed as a dramatic showcase for Julia Roberts after “Pretty Woman.”

By Nancy Tartaglione