Retta to host ‘The Invisible Man’ watch party Saturday on Twitter

The ninth annual Make-Up Artists & Hair Stylists Guild Awards are being applied Saturday night at the Beverly Hilton, and Deadline is updating the winners list live.

upcoming movie, “The Batman.” Broadcaster Brian Anderson appeared to be calling a regular transition to a commercial break when the video board outside Rocket Mortgage FieldHouse in Cleveland advertising the All-Star Game began showing an assortment of clips before eventually changing to green text saying “unmask the truth.” A digital version of the Caped Crusader showed up on the roof with the Bat-Signal in the ominous red sky behind him. In disbelief, Anderson gave play-by-play of the scene.“You guys getting this in the truck? Something’s happening outside.” Anderson said during the promo.

Paul Dano is opening up about his transformation into the Riddler for The Batman.

The man who played Lyle in the Jared Hess film Napoleon Dynamite died Friday at the age of 92. According to Dale Critchlow’s family, the man passed away at the MorningStar Senior Living facility in Idaho Falls, Idaho. He leaves behind four children

A Volkswagen Golf has been seized - after it was allegedly spotted 'weaving through traffic at high speed in bad weather' - on Mancunian Way on Saturday night.

Niall Horan has revealed he fell 'extremely ill' on a flight forcing him to cancel a TV appearance.The former One Direction singer thanked British Airways staff who "took such good care of me" while on board a flight to the US.The 28-year-old was due to appear on Ireland's Late Late Show to chat with host Ryan Tubridy from his Los Angeles home.However, due to falling ill the star pulled out of his appearance.He took to social media to share his gratitude and news: "Thank you to the staff on that @British_Airways flight. I was extremely ill and they took such good care of me."The official Twitter account for the show announced said: "We’re deva! Unfortunately @NiallOfficial won’t be able to make tonight’s show".The show later shared a statement from Niall's spokesperson: ""He’s very poorly & is so disappointed that he couldn’t be on the #LateLate tonight.

Jasmine Kennedie has come out as transgender.

The Invisible Man have boarded Ryan Gosling‘s new werewolf film.The La La Land star was cast as the lead in Universal’s The Wolfman remake last month (June 2020) and now the project is on the fast track with director Leigh Whannell in talks to oversee the project with bosses at Jason Blum’s Blumhouse signing on to produce.Whannell and Blumhouse found a winning formula with Elisabeth Moss‘ The Invisible Man, despite the fact the movie was released just before the coronavirus lockdown in March (2020).Made for $7 million, the film has grossed $124 million worldwide, thanks mainly to video-on-demand views.According to Deadline sources, Whannell will also be writing The Wolfman’s treatment, inspired by the 1941 film The Wolf Man, starring Lon

We're stuck at home bored out of our minds because of the quarantine period due to the coronavirus pandemic. For most of us, we have almost forgotten what the outside world looks like as we're stationed indoors for months now. Hence, the consumption of pure entertainment has peaked up incredulously as people all over the world want to remain distracted from the harsh reality that everyone now knows is life in itself. Whether it be romantic comedies or even mysterious thrillers, it's time to catch up on movies and tv shows that we have missed due to our busy lives.

Elisabeth Moss has yet another big-time project in the works. After a 2020 that has pretty great for the actress, highlighted by show-stopping performances in films such as “The Invisible Man” and “Shirley,” it appears that Moss isn’t slowing down anytime soon with a brand-new series in development, titled “Candy.” READ MORE: ‘Run Rabbit Run’: Elisabeth Moss To Star In New Film From ‘Handmaid’s Tale’ Director Daina Reid According to THR, Moss is signed on to star in “Candy,” produced by Universal Content Productions and written by “Mad Men” and “The Act” scribe, Robin Veith, who will also executive produce alongside Nick Antosca.

Scenes get deleted from films all the time.

By Ellise Shafer

By Tom Grater

In today’s film news roundup, “The Invisible Man” hits a milestone; “Kajillionaire,” “Come Play” and “Green Rush” get release dates; and Jack Eve’s romantic drama “Open” wraps shooting.

As a high-profile celeb, Elisabeth Moss is more than aware of some of the wild stories written about her, including one that entailed she was engaged to Mission Impossible actor Tom Cruise, 57! During her March 2 guest appearance on Watch What Happens Live with Andy Cohen, The Invisible Man actress, 37, revealed exactly what she thought of those fabricated stories. “I actually was confused and also mainly got texts from people being, like, ‘I didn’t know, why didn’t you tell me…’ and just confusion from my friends,” she shared with the talk show host and her The Invisible Man co-star, Aldis Hodge. Ever the professional, though, Elisabeth took the gossip in stride and even found ways to make fun of the whole situation!

When Benjamin Wallfisch learned that he was going to compose the score for the 2020 reboot of “The Invisible Man,” he deliberately stayed away from rewatching the 1933 original. The goal, he says, was “to keep the sound as fresh as possible.”

One of the first conversations production designer Alex Holmes had with “The Invisible Man” director Leigh Whannell was about grounding the film in reality and treating it like a psychological thriller, rather than a horror or science-fiction movie.

The Invisible Man revamp has spooked its way to the top of the North American box office.

The Invisible Man has gone down as a hit with both critics and the box office, making over $29 million (€26,148,575) in the US over the weekend.

A woman-in-peril movie is a not a new thing (just think of “Wait Until Dark,” “Eyes of Laura Mars,” or “Panic Room”), and neither is a woman-in-peril movie in which the heroine, after being stalked and terrorized, takes charges and fights back. That was the scenario, 30 years ago, in “Sleeping with the Enemy,” a grindingly effective but rather reductive B-movie that became a success in the summer of 1991, mostly because it was the first film designed as a dramatic showcase for Julia Roberts after “Pretty Woman.”

By Nancy Tartaglione