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Former Decal and Neon executive Ayo Kepher-Maat has joined the IFC Films in the new role of vice president of acquisitions and productions at the AMC Networks division to help build a diverse slate of “iconic, noisy and genre-bending titles” across the fiction, non-fiction and international categories, the company said.

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IFC Films And Shudder Aquire ‘Forbidden Fruits’ Staring Lili Reinhart, Lola Tung, Victoria Pedretti, Alexandra Shipp And Emma Chamberlain

EXCLUSIVE: IFC Films and AMC Networks’ horror streamer Shudder have acquired the U.S. and Canadian rights to Meredith Alloway’s feature debut Forbidden Fruits, co-written by Alloway and Lily Houghton.

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Oscar-Nominated ‘Memoir Of A Snail’ Back In Theaters For One-Night Event

IFC Films‘ Memoir of a Snail, nominated in what’s shaped up to be among the most competitive categories of this Academy Awards, is back in more than 500 theaters nationwide Tuesday night.

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Will Las Vegas Make or Break the American Film Market?

AFM has had a bumpy ride over the last few years, weakened by the pandemic, double Hollywood strikes, hospitality issues and prohibitive participation costs. But it has now relocated to Vegas, taking place amid slot machines and roulette tables, and is hoping to justify its importance for the film business — and, for many international guests, justify a connecting flight. “Last year was not their shining moment, and for a lot of reasons, this is an opportunity for the AFM to show that we need a film market in America, and that we need one the first week in November.

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IFC Films, Sapan Studios Buy Game Show Thriller ‘The Luckiest Man in America’ Following Toronto Film Festival Debut (EXCLUSIVE)

Brent Lang Executive Editor IFC Films and Sapan Studio have acquired the U.S. rights to “The Luckiest Man in America,” a true-life drama about a man who figured out the secret to a popular game show. The deal follows the film’s premiere at this month’s Toronto International Film Festival.

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San Sebastian’s 3rd Creative Investors’ Conference Draws the Contours of a Post-Covid Film-TV Landscape

John Hopewell Chief International Correspondent SAN SEBASTIAN — Running Sept. 24-25, San Sebastian’s 3rd Creative Investors Conference, organized in collaboration with CAA Media Finance, proved the most intense yet as panel after panel described in detail and nuance the ever more visible contours of a post-COVID film and TV landscape. One conclusion, however, is that such contours could change yet again.

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Leaning Into Genre, Big Stars for Dramas and Shooting Abroad a La ‘The Brutalist’: What American Execs Believe Will Help Make Industry Sustainable

Rafa Sales Ross Guest Contributor Is the film business currently sustainable in the United States? The answer, according to American industry leads, is a conditional yes. This year’s Creative Investors’ Conference at the San Sebastián Film Festival kicked things off with a panel taking the temperature of the U.S.

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‘In A Violent Nature’ Scares Up IFC’s Biggest Opening Since Spring Horror Hit ‘Late Night With The Devil’ – Specialty Box Office

In A Violent Nature, an undead murderous monster’s slow striding through the woods, has generated IFC Films’ second-best opening ever since its indie horror hit Late Night With The Devil in March.

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‘Late Night With The Devil’ Possesses Week 2; Duo Of Indian Films Hits Top Ten – Specialty Box Office

IFC Films’ Late Night With The Devil topped the specialty market in its second week, as a Tollywood and a Bollywood film both made the top ten in a rare occurrence. Strong horror and Indian fare have helped buoy the box office since Covid. They continue to fill in the top ten, including this week, which boasts a monstrous hit in Godzilla x Kong: The New Empire — but is a neighborhood with fewer overall wide release due to Hollywood strikes.

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‘Late Night With The Devil’ makes $666,666 in opening weekend

Horror film Late Night With The Devil has made an apt figure of $666,666 in just one day over the weekend.The new film – which comes from directors Colin and Cameron Cairnes – stars David Dastmalchian as a late night talk show host who invites an apparently possessed girl onto his TV show.The film debuted in US cinemas over the weekend, and according to Variety made the coincidentally devilish number of $666,666 (£527,452) on Sunday (March 24), with an overall haul of $2.8million (£2.22million).“This weekend’s release of Late Night With the Devil set fire to our old opening record,” said Scott Shooman, head of AMC Networks Films, which includes the film’s distributor IFC Films.

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‘Late Night With The Devil’ Summons Big Opening Weekend For IFC Films – Specialty Box Office

IFC’s Late Night With The Devil has scared up the distributor’s largest opening weekend ever with an estimated $2.8+ million on 1.043 screens, coming in at no. 6 at the domestic box office.

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China’s ‘Yolo’ Busts Out Oscar Weekend, With ‘Love Lies Bleeding’; ‘The Taste of Things’ At $2.7M – Specialty Box Office

Chinese comedy drama YOLO from Sony Pictures International had a yodeling good domestic debut, grossing $840k on 200 screens, making no. 9 on the weekend top 10. Directed and produced by and starring China’s top grossing female helmer, Jia Ling, it’s earned close to $482 million in China since opening Feb. 10 — and was the highest-grossing film over the Lunar New Year holiday.

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Caitlin Cronenberg’s Feature Debut ‘Humane’ Sets Theatrical Release Through IFC Films and Shudder; Director Teases Her ‘Violent, Bloody Fantasy’ (EXCLUSIVE)

William Earl administrator Artist and photographer Caitlin Cronenberg‘s feature directorial debut “Humane” has found a home fitting its dark vision. IFC Films and horror streamer Shudder have acquired the U.S.

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European Film Market Sees Dealmaking Rebound Post-Strikes for Splashy U.S. Packages and Select International Titles: ‘Everyone Needs Movies Again’

Elsa Keslassy International Correspondent As the European Film Market starts to unwind, the verdict is already in: Even if global economics are rocky, buyers are back and on the lookout. This week, dealmaking has been happening on both star-driven packages as well as arthouse and foreign-language movies.

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‘The Taste Of Things’ Savors Sweet Limited Opening; ‘Out Of Darkness’, ‘Perfect Days’ Debut; ‘American Fiction’, ‘Poor Things’ Hold In Top 10 – Specialty Box Office

The Taste Of Things, a meditation on turn-of-the-century French cooking — no chicken wings or nachos in sight — is stirring up a nice weekend for IFC Films with $126k and the best per-theater opening of the year so far on Super Bowl weekend.

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Charades Picks Up Shudder’s Sundance-Bound Slasher ‘In a Violent Nature’ (EXCLUSIVE)

Alex Ritman Paris-based sales house Charades has acquired international sales rights to “In a Violent Nature,” the debut feature film from writer and director Chris Nash that is set to premiere in Sundance‘s Midnight Section on Jan. 22.

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Trace Lysette and Patricia Clarkson on the Joys and Challenges of Making ‘Monica’: ‘The Work Has Already Changed People’s Lives’

Trace Lysette in the title role and Patricia Clarkson, who portrays her mother, Eugenia. Still, it wasn’t until November when IFC Films, whose parent company is AMC Networks, picked up North American distribution rights. “‘Monica’ is a terrifically textured film anchored by multiple riveting performances,” says Scott Shooman, head of AMC Networks Film Group.

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Post-AFM, Deals Have Yet to Trickle in as Indie Industry Awaits End of SAG-AFTRA Strike

Elsa Keslassy International Correspondent A few days after AFM wrapped in Santa Monica, the dearth of substantial deals trickling in is pointing to a weakened film sales market which is grappling with structural changes and the reverberations of the SAG-AFTRA strike. Global industry players came into the AFM with reasonable hopes of dealmaking after a quiet Toronto festival, even if many packages were held back due to the strike.

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IFC Films Buys Psychological Thriller ‘Stopmotion’ Ahead of Fantastic Fest Debut (EXCLUSIVE)

Brent Lang Executive Editor IFC Films has acquired North American and select International rights to “Stopmotion,” a psychological horror film that will have its world premiere at Fantastic Fest this September. The indie distributor will release the movie in theaters in 2024, followed by a streaming debut on Shudder, AMC Networks’ streaming service for horror, thrillers and other films about the supernatural.

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With Actors on Strike, Will Movies Still Score Big Deals at the Toronto Film Festival?

Lee” to the Michael Keaton-directed thriller “Knox Goes Away”) given the uncertainty about what has been agreed to. Still, buyers seem impressed with what’s available to purchase.

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TIFF Midnight Madness Entry ‘When Evil Lurks’ Sets Release With Shudder & IFC Films As AMC Studios Eyes TV Expansion

EXCLUSIVE: AMC Networks‘ genre streamer Shudder and indie distributor IFC Films have firmed up release plans for the Argentinian horror When Evil Lurks, ahead of its world premiere in the Midnight Madness section of the 2023 Toronto Film Festival. The second feature from Demián Rugna, on the heels of his Fantastic Fest prize winner Terrified, will hit theaters via IFC Films on October 6th and debut on Shudder on Oct. 27th.

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