Cameron Cairnes: Last News

Nick Vivarelli International CorrespondentImage Nation Abu Dhabi and low-budget Australian genre label Spooky Pictures have announced “Late Night With the Devil,” the second title under their multi-picture deal following Chloe Okuno’s  “Watcher,” which made a splash at Sundance.“Late Night With the Devil” will be helmed by writing/directing duo Colin and Cameron Cairns (“100 Bloody Acres,” “Scare Campaign”) and is set to start shooting in Australia later this year.Cinetic is handling the U.S./North American rights to the film. Stuart Ford’s AGC Intl.

Rotten Tomatoes has pulled together the critical consensus on every horror movie released since January 1, and the film topping the poll is Late Night With The Devil, Colin and Cameron Cairnes’ found footage supernatural horror set on a late night chat show on Halloween 1977.The film stars David Dastmalchian (Prisoners, Blade Runner 2049) as Jack Delroy, the host of the show in question, as he attempts to boost ratings by inviting an allegedly possessed girl onto the show.The film made headlines on its opening weekend in March when it drew exactly $666,666 on its first Sunday of release, contributing to an overall weekend haul of $2.8million (£2.2million). It tops Rotten Tomatoes’ list with a very strong 97 per cent critics score, and is available to stream on Shudder or to rent or buy.The Irish film Oddity makes it into second place with 96 per cent.

Late Night With The Devil has been named the best horror film of 2024.The movie, which came out in March, comes from directors Colin and Cameron Cairnes and stars David Dastmalchian as a late night talk show host who invites an apparently possessed girl onto his TV show.It topped review aggregator Rotten Tomatoes‘ best horror movies of the year so far list with a 97 per cent approval rating.It was closely followed in second place by Oddity from Irish writer/director Damian McCarthy, who previously wrote and directed 2020’s Caveat. Critics hailed the independent film which tells the story of a blind medium (Carolyn Bracken) grieving the death of her twin sister Dani (also Bracken, in a dual role) and attempting to uncover how she was murdered, earlier this summer. It has now come in with a 96 per cent approval rating.In third place came French horror film Infested while A Quiet Place: Day One rounded out the top 10.You can check out the top 10 list below.1. Late Night With The Devil 2. Oddity 3. Infested 4. Strange Darling 5. In Flames 6. New Life 7. The Substance 8. Stopmotion 9. The Devil’s Bath 10. A Quiet Place: Day OneElsewhere the likes of Alien: Romulus came in at 17 while the Nicolas Cage starring Arcadian came in at 20 followed by Beetlejuice Beetlejuice at 21.Earlier this year, Late Night With The Devil made an apt figure of $666,666 (£507,266) in just one day over its opening weekend.While it drew acclaim from critics, it has also sparked controversy over the use of AI in creating a few images used in the film, with many sharing criticism on social media.The Cairnes brothers responded to the backlash in a statement via Variety at the time, saying: “In conjunction with our amazing graphics and production design

IFC Films’ Late Night With The Devil topped the specialty market in its second week, as a Tollywood and a Bollywood film both made the top ten in a rare occurrence. Strong horror and Indian fare have helped buoy the box office since Covid. They continue to fill in the top ten, including this week, which boasts a monstrous hit in Godzilla x Kong: The New Empire — but is a neighborhood with fewer overall wide release due to Hollywood strikes.

Horror film Late Night With The Devil has made an apt figure of $666,666 in just one day over the weekend.The new film – which comes from directors Colin and Cameron Cairnes – stars David Dastmalchian as a late night talk show host who invites an apparently possessed girl onto his TV show.The film debuted in US cinemas over the weekend, and according to Variety made the coincidentally devilish number of $666,666 (£527,452) on Sunday (March 24), with an overall haul of $2.8million (£2.22million).“This weekend’s release of Late Night With the Devil set fire to our old opening record,” said Scott Shooman, head of AMC Networks Films, which includes the film’s distributor IFC Films.

IFC’s Late Night With The Devil has scared up the distributor’s largest opening weekend ever with an estimated $2.8+ million on 1.043 screens, coming in at no. 6 at the domestic box office.

Dennis Harvey Film Critic Found-footage horror — that thing you never want to see again, until once every couple years someone finds a fresh angle — meets “The King of Comedy,” of all things, in “Late Night With the Devil.” The third feature from enterprising Aussie siblings Colin and Cameron Cairnes kicks up a notch their flair for bringing novel twists to familiar genre tropes, by positing occult mayhem during a live broadcast of a 1970s network talk show.  The resulting mix of vintage Me Decade showbiz cheese and “Exorcist”-y demonic doings is distinctive, not to mention deftly handled by the brothers as both writers and directors. Well-received at its SXSW premiere, this clever high-concept gambit should raise its makers’ profile, likely inviting some Hollywood offers — which one suspects they’d be open to, given this is their first project set (though not produced) in the U.S. rather than on home turf. 

EXCLUSIVE: Prolific character actor David Dastmalchian has today announced the launch of his genre-focused production company, Good Fiend Films, which will look to produce character-driven projects across horror, sci-fi and fantasy for film, television, audio and publishing.  

Nick Vivarelli International CorrespondentU.S. actor David Dastmalchian (“Dune,” “The Suicide Squad”) is attached to star as the host of a late-night talk show that goes horribly wrong in upcoming indie chiller “Late Night With the Devil,” which is currently shooting in Australia.Directed by Australian writing-directing duo Colin and Cameron Cairnes (“100 Bloody Acres,” “Scare Campaign”), “Late Night” is the second title spawned by a multi-picture deal between low-budget U.S.