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Peter Caranicas Deputy Editor Atlanta continues its steady expansion in content production with the launch of a new production hub, Electric Owl Studios, set to open on June 8. The new complex, described as “the greenest studio on earth,” Electric Owl Studios is a purpose-built film and television studio located in DeKalb County, just south of Decatur, Ga., co-founded by former Third Rail Studios executives Dan Rosenfelt and Michael Hahn. The 312,000-square-foot production campus says it’s the world’s first ground-up LEED (Leadership in Energy and Environmental Design) gold-certified facility, making it “the greenest studio on earth.” It aims to minimize its environmental impact by taking measures to reduce its carbon footprint and generate clean energy by including LED lighting, 48 EV charging stations, solar panels, living walls, high-efficiency HVAC, carbon-negative concrete, food dehydrators for landscaping reuse, solar golf carts, water refill stations and more.

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Greenberg Traurig Bolsters Entertainment and Media Practice With Four Promotions

Peter Caranicas Deputy Editor Global law firm Greenberg Traurig has elevated attorneys Ann Brigid Clark, Paul Sarker and Jared S. Welsh to shareholder in its Entertainment and Media Practice, and promoted Alana C. Kirkland to of counsel.

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‘Lost’ and ‘Watchmen’ Showrunner Damon Lindelof and Fuzzy Door Productions President Erica Huggins Keynote Variety’s Power of Law Breakfast

Peter Caranicas Deputy Editor This year, Variety’s Power of Law breakfast at The Maybourne Beverly Hills on April 19 is treating attendees to not one but two keynote conversations with industry players: showrunner Damon Lindelof, interviewed by Variety Co-Editor-in-Chief Cynthia Littleton, and executive Erica Huggins, interviewed by Variety Chief Production Officer Claudia Eller. At the Power of Law event – where City National Bank is the presenting partner and Signature Resolution is an official partner – the pair will offer their insights into the rapidly evolving entertainment landscape to an audience of invited attorneys who form this year’s Legal Impact Report honorees.

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Ascent Studios Breaks Ground in North Carolina

Peter Caranicas Deputy Editor Filmmakers Robert Rippberger and Devin Keaton have teamed with industrial contractor Nathan Edwards to break ground for Ascent Studios in North Carolina. The facility will be located on 200 acres in Spring Hope, a short drive from Raleigh, and will include five production stages totaling 170,000 square feet, making it the largest film studio in the state upon completion in late 2023. Productions that utilize Ascent Studios will receive a 25% tax rebate on qualifying expenses and purchases funded by the North Carolina Film and Entertainment Grant. In addition to offering interior space and new technology for every kind of production, Ascent will sit on a landscape that provides picturesque exteriors of fields, forests and lakes.

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Netflix Launches ‘Maestro in Blue,’ Its First Pick-Up of a TV Series From Greece

Peter Caranicas Deputy Editor Continuing its global territorial expansion, Netflix picked up and is now streaming Greek TV series “Maestro in Blue,” its first-ever exclusive worldwide distribution deal for a Greek scripted series. Created for Greek broadcaster Mega TV by multihyphenate Christoforos Papakaliatis, “Maestro” was launched on the platform internationally on March 17 and this week hit the global top 10 of the most-watched shows on Netflix. “Maestro” debuted on Greek linear TV last October. Season 1, consisting of nine episodes, premiered on Netflix in Greece and Cyprus in December before expanding to audiences around the world.

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Cowan, DeBaets, Abrahams & Sheppard Names New Co-Head of Entertainment, New L.A. Office Heads, and Promotes Partner

Peter Caranicas Deputy Editor Things are moving fast at Cowan, DeBaets, Abrahams & Sheppard. The bicoastal law firm has announced a new co-head of its entertainment practice, new co-heads in the Los Angeles office, a partner promotion, and further development of its art law group.   Caitlin S. DiMotta (above right) has joined Frederick P. Bimbler (above left) in heading up the firm’s entertainment practice. Based in Los Angeles, DiMotta joined the firm in 2021 and works with clients in all areas of development and publishing in the television, literary, comic book/graphic novel, and motion picture industries. With almost 30 years’ experience in entertainment law, Bimbler has long advised clients in the areas of motion picture, television, theater, and performance art. His portfolio includes clients on both coasts, and he will co-head management of the firm’s Los Angeles office with partner Sarah Conley Odenkirk.

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Law Firm Cowan DeBaets Names New Co-Head of Entertainment, New L.A. Office Heads, and Promotes Partner

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Lawrence Pitkethly, Producer of Documentary Series ‘American Cinema’ and ‘Voices and Visions,’ Dies at 79

Peter Caranicas Deputy Editor Lawrence Pitkethly, who produced and directed multiple documentary series shown on PBS and other broadcasters, died Feb. 24 at Albany Medical Center near his home in Hudson, N.Y., of cardiopulmonary arrest linked to complications from Parkinson’s. He was 79. Pitkethly is best known for “American Cinema” (1995), a 10-part, $7 million series for PBS, BBC and Canal Plus covering U.S. filmmaking that he produced, co-wrote and co-directed. It examined film genres, the rise and fall of the studio system, the creation of stars and other aspects of American movies through interviews with Steven Spielberg, Martin Scorsese, Clint Eastwood, Sydney Pollack, George Lucas, Quentin Tarantino, Spike Lee, Joel Coen and other major players. John Lithgow served as host; Matthew Modine, Kathleen Turner and Cliff Robertson narrated.

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Screen Auteur and Palme d’Or Winner Theo Angelopoulos Remembered in Retrospective at Hammer Museum in Los Angeles

Peter Caranicas Deputy Editor The films of legendary Greek writer-director Theo Angelopoulos – whose “Eternity and a Day” won the Palme d’Or in Cannes in 1998 – are being screened at a two-month tribute in the Hammer Museum’s Billy Wilder Theater near the UCLA campus in Westwood. The career retrospective opened on October 14 and will continue through December 18. Called Landscapes of Time: The Films of Theo Angelopoulos, the tribute includes all the director’s feature films and a selection of shorts. Angelopoulos was a major force in the Greek film industry from the mid-1970s until his death in 2012. Drawing on his own experiences with the tumultuous events taking place in Greece, his films often center on characters whose personal journeys become intertwined with the tides of history.

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Los Angeles Greek Film Festival Aims to Become North American Hub for Greek Film Initiatives

Peter Caranicas Deputy Editor Moving in parallel with the recent upsurge of film production in Greece, the Los Angeles Greek Film Festival (LAGFF), an annual showcase for new works from Greek filmmakers worldwide, plans to expand its activities on an international scale. The fest, now in its 17th year, is launching the Global Greek Film Initiative (GGFI), an umbrella program to advance cultural exchange between Greece, the U.S. and the Greek diaspora, provide opportunities for employment and economic growth within Greece, and serve as the North American hub for Greek film programs and initiatives. Lia Bozonelis, a Greek-American writer-producer and LAGFF Board Member who conceived the idea of the year-round multifaceted program, said that “Greece is experiencing a hard-won opportunity with the amount of international production pouring in.”

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Timely Refugee and Expat Dramas To Anchor Los Angeles Greek Film Festival

Peter Caranicas Deputy Editor“Smyrna My Beloved,” a tale weaving together tragic refugee stories of the past and present on the island of Lesbos, and “Holy Emi,” portraying the lives of two Filipino sisters living in Athens who are beset by mysterious forces (pictured above), will serve, respectively, as opening and closing night presentations at the 16th Los Angeles Greek Film Festival (LAGFF), set to unspool on May 9-15.LAGFF returns live this year following a pandemic hiatus in 2021 and 2020. “We’re thrilled to physically welcome back filmgoers and filmmakers,” says artistic and festival director Aristotle Katopodis.

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