Marie De-La-Fuente: Last News

Anna Marie de la Fuente Encouraged by the generous tax breaks on offer in Spain, Mexican producer Christopher Hool of Bazooka Films has launched new company Studio 33 Films, with outposts in both Mexico City and Madrid. His Spanish producing partner Pablo Gonzalez, with extensive experience in providing production services, will run Studio 33 Films Spain, Hool said at Iberseries & Platino Industria on Thursday.

Anna Marie de la Fuente In the lead up to its January theatrical release in Scandinavia and in Italy next Spring, Finnish adventure comedy “Snot & Splash: The Mystery of Disappearing Holes” (“Räkä ja Roiskis”) is sharing its trailer exclusively in Variety. FilmSharks CEO Guido Rud, who picked up world sales rights to the children’s film at the Locarno Film Festival in August, said: “Finnish cinema is known for having a high level of creativity, but a fantasy/adventure film like this one with a super refreshing plot is bound to be well received in cinemas, platforms and festivals, some of which have already booked the film from summer to the fall.” The family film from director Teemu Nikki is produced by It’s Alive Films, founded by Nikki and Jani Pösö, and displays the dark, witty humor of his previous films, including “The Player,” “The Blind Man Who Did Not Want to See Titanic,” “Nimby,” sci-fi comedy “LoveMilla” and “Euthanizer,” Finland’s Oscar submission in 2019. Poland’s Orka and Post Control Helsinki are co-producers.

Anna Marie de la Fuente In more news emerging from Spain’s San Sebastian Festival, Clara Larraín’s Clara Films has boarded Lucía Lalor’s docu-fiction hybrid “Mam” from Argentina’s Gale Cine. Described as a “thought-provoking autobiographical hybrid documentary that explores how it is to grow up with a ghost mother,” it follows a millennial in her thirties and her fantasies about her dead mother.

Anna Marie de la Fuente Underscoring its historical importance, a further production marking the 50th death anniversary of Chile’s socialist president Salvador Allende could well be in the works. The historical drama, provisionally titled “The Meeting,” details a historical encounter between the doomed president, whose downfall heralded the rise of the infamous military dictatorship of General Augusto Pinochet in 1973.

Anna Marie de la Fuente Not long after the Miami episode of Netflix’s hit show “’Street Food: USA” dropped, its Emmy-nominated director Mariano Carranza received an Instagram message. It was from Gastón Acurio, Peru’s preeminent chef-restaurateur of Astrid & Gastón fame, but Carranza thought it was a prank.

Anna Marie de la Fuente Barcelona-born director Carla Simón, whose sophomore film “Alcarràs” clinched the 72nd Berlinale Golden Bear last year, received the 2023 National Cinematography Award, one of the highest honors bestowed by Spain’s Ministry of Culture. On hand to present the award in a ceremony held at the San Sebastian Film Festival was Miguel Iceta, Spain’s Minister of Culture and Sports, who first addressed Simón in Catalan before switching to Spanish: “With only two feature films, you have left your mark on the recent history of cinema in our country: a short but undisputed trajectory in terms of its strength and personality, recognized both nationally and internationally.

Anna Marie de la Fuente Speaking at the press conference announcing the Monterrey Film Festival’s 2023 edition, Lorena Villarreal, the festival’s president of the board, hailed the event’s ambitions for its @Nuevo León industry section, “which will undoubtedly be an important hub connecting Mexican and global cinema,” she said. With newly hired Diana Cadavid, a seasoned programmer at TIFF and artistic director-programmer of the LALIFF and Cali film festivals managing the section, Ficmonterrey has signaled its intent to become a new, unmissable appointment for the international entertainment industry.

Anna Marie de la Fuente As one of five intriguing titles selected by the Madrid Film School’s ECAM Incubator, now on its sixth year, Charli Bujosa Cortés’ feature debut “¿Es usted secuestrable?” (“Are You Kidnappable?”) offers a hybrid of sorts. He describes it as non-binary, just like him.

Anna Marie de la Fuente A sardonic view of Popular Unity, the left-wing alliance once led by the assassinated Chilean socialist president Salvador Allende, Raul Ruiz’s docu-fiction hybrid, “Socialist Realism,” world premiered at the San Sebastian Film Festival on Sept 23, 50 years after the prolific filmmaker was forced to abandon it. It finally unspools after his widow, filmmaker-editor Valeria Sarmiento, with the backing of actress-helmer Chamila Rodríguez’s Poetastros production company, rescued and reconstructed the film.

Anna Marie de la Fuente In one of the first deals to emerge from the San Sebastian Film Festival, powerhouse indie studio, Filmax, which celebrates its 70th anniversary at San Sebastian Festival, has snapped up international rights to LGBTQ+ dramedy “Norbert(a)” from Imposible Films, the producers of hits “Truman,” “The People Upstairs” and “Stories not to be Told.” Directed by newcomers Sonia Escolano, who also penned the script, and Belén López Albert, it is toplined by Luis Bermejo (“Magical Girl”), Adriana Ozores (“Alba”), Mariona Terés (“The Girls at the Back”) and María Romanillos. Norbert(a) follows Norberto and María, who’ve been married for decades and live what seems like an ordinary life in their working-class neighborhood.

Anna Marie de la Fuente Some of Colombia’s most prominent producers have banded together to form PI, a new association of independent producers led by Cristina Gallego, behind Oscar-nominated “Embrace of the Serpent” and “Birds of Passage,” who is an official jury member at this year’s 71stSan Sebastian Film Festival. “Colombia has become a production destination for major companies due to its tax benefits, which has led to growth, experience, and job opportunities within the sector,” Gallego told Variety. “However, members of PI view with particular concern the need for attention, updates, and the evolution of national and departmental policies that support the continued production of Colombian cinema, its voices, its artists, and its filmmakers,” said Gallego who will preside over the association along with director-producer Franco Lolli (“Gente de Bien”) as vice president while Diana María Bustamante (“Memoria,” “Land & Shade”) and Manuel Ruiz Montealegre (“Amparo”) serve as legal representatives.

Anna Marie de la Fuente Prime Video Latin America has snapped up streaming rights to Katina Medina Mora’s latest film “Latido” (“Heartbeat”), starring Oscar-nominated Marina de Tavira (“Roma”). This is the third feature from Medina Mora, whose credits include episodes of Netflix hit “Emily in Paris,” Apple TV+’s “Swagger” and romantic drama, “LuTo,” her debut feature picked up by Netflix. Its trailer debuts exclusively on Variety. “Latido,” which has its world premiere at the Mill Valley Film Festival and its Mexican premiere at the Morelia Film Festival, turns on 45-year-old Leonor, played by De Tavira, who works for an NGO that supports young athletes.

Anna Marie de la Fuente Canary Islands-based filmmaker Paula Bilbao, whose debut documentary “Inshallah,” about the Las Raíces migrant camp in Tenerife, won the Audience Award at the MiradasDoc festival this year, is turning to fiction in her upcoming dramedy “A Supermarket in Tigaday.” Among the projects in the development showcase at MIA’s Spanish Screenings on Tour, “A Supermarket in Tigaday” focuses on Fer, a frustrated musician, who returns home after a 20-year absence to bury his estranged father. He turns to the music of his past to deal with his grief but to his great surprise, he finds that his father is still alive and that he must prove himself to earn his inheritance, a tiny supermarket in the town of Tigaday.

Anna Marie de la Fuente In what signals a new source of financing for Central Asia’s nascent film industry, Mountain View, California-based tech company inDrive, best known for its bid-based ride hailing service, is getting into the film business. The tech giant, founded by CEO Arsen Tomsky, has launched Alternativa Film Project, a global non-profit film initiative aimed at supporting emerging filmmakers from less developed film industries, starting with Central Asia this year.

Anna Marie de la Fuente Aya Films has snatched all U.K. and Ireland rights to the Dominican Republic’s “Ramona” from Paris-based film company Alief SAS ahead of its BFI London Film Fest premiere. The docu-fiction hybrid, which had its world premiere at the 2023 Berlinale’s Generation 14Plus sidebar, will have its U.S.

Anna Marie de la Fuente In the debut feature of Mexican filmmaker-siblings Mariana and Santiago Arriaga, revenge is indeed a dish best served cold. Competing at the Venice Film Festival’s Orizzonti sidebar, the coming-of-age road movie “A Cielo Abierto” turns on two teen brothers who are bent on avenging the death of their father in a road accident. They are joined by their new stepsister who, unaware of their intentions at first, later becomes a willing accomplice.

Anna Marie de la Fuente Work in Progress project “Patio de Chácales” (“A Yard of Jackals”) by Chilean editor-turned-director Diego Figueroa swept the 12thSanfic Industria awards Saturday where a slew of development prizes was doled out to multiple participants across the various sections of the forum. Equeco’s upcoming “Germain, the Black Angel” proved a big winner, grabbing three awards in the Santiago Lab – Fiction strand. Among the Santiago Lab – Documentary participants, “Mordaz” from Chile’s Cinespecie also took home three prizes.

Anna Marie de la Fuente Dusseldorf Germany-based Patra Spanou Film has snagged psychological suspense-thriller “Delirio” by Alexandra Latishev, a co-production between Chile’s Cyan Prods and Linterna Films of Costa Rica. Backed by Costa Rica’s El Fauno fund and the Ibermedia program, the drama turns on 11-year-old Masha who, with her mother Elisa, moves into her ailing grandmother’s house.

Anna Marie de la Fuente Sisterly love ruled at Chile’s 19th Santiago International Film Festival (Sanfic), which wrapped on Aug. 27 where female directors and actors clinched the top prizes. Israeli-Ukrainian drama “Valeria is Getting Married” by Michal Vinik and Kattia Zuñiga’s “Sister & Sister” snagged the preeminent Chilean festival’s best film plaudits, adding to their trove of accolades since their respective world premieres.

Anna Marie de la Fuente After a series of talks, upstart Madrid-based international sales agency Feel Sales has nabbed all worldwide rights, with the exception of Chile, to “Allanamiento” (“Breaking and Entering”), the investigative police thriller in official competition at the 19th Santiago Int’l Film Festival (Sanfic). Feel Sales Acquisitions head Yvette de los Santos closed the deal with producer Camila Rodó Carvallo of Pira Films. Directed by Tomás Gonzales Matos, the drama first participated at Sanfic’s Works in Progress section and was later presented at the Cannes Marché du Films last year.

Anna Marie de la Fuente Netflix is toasting Mexico’s National Day of Cinema on Aug. 15 with a slew of projects, many of them tapping the country’s wealth of literary classics and original storytellers. Working with some of the most prominent local filmmakers, the streaming giant is also reaffirming its $300 million commitment to Mexican cinema and series and its #QueMéxicoSeVea (“Let Mexico Be Seen”) initiative.