Lana Del-Rey: Last News

Lana Del Rey and Billie Eilish recently connected for an “in conversation”-style interview with each other, and at one point, bonded over their struggles as female artists who rose to popularity in their youth.The topic was broached around halfway into their chat – published yesterday (February 14) by Interview Magazine – when Eilish mentioned Del Rey’s recent surge in critical acclaim. “You are so romanticized online,” the former singer-songwriter observed, “specifically different eras of you and your music and your visuals.”Eilish went on to assure that Del Rey was “always the coolest of the cool in my world”, but asked her if “having older versions of yourself romanticized later in life” made her reflect on her early years in the industry, when she was often denigrated for being outspoken in her views and scoffed at for her aesthetic choices.

Billie Eilish opened up about feeling 'very hated and disliked' after watching a video with 'millions of likes' about her being a 'horrible person.' While describing how she navigates online hate to Lana Del Rey for an issue of Interview Magazine, the Bad Guy hitmaker, 21, admitted to having trouble battling the feeling that 'everyone hates' her.She then explained how in 'the world of TikTok and social media' that she is regularly exposed to mean comments and posts picking her apart for seemingly no reason.   As she recalled going on TikTok to 'be mindless for a second' and 'watch some funny videos,' the seven-time Grammy winner said she swiped to a 'video with millions of likes' about how she is 'horrible person.''And all these comments are like, 'I'm so glad that you guys are seeing through her.' And I'm like, 'Damn,' Eilish said.   A lot to handle: Billie Eilish opened up about feeling 'very hated and disliked' after watching a TikTok video with 'millions of likes' about her being a 'horrible person' (seen in 2022) Del Rey, 37, said that was 'hard for' to 'fathom' because the Ocean Eyes crooner is so 'nice.' 'I always felt like there's just such a warmth there between you and your family. It just made me feel like you've got that shield,' the Summertime Sadness singer replied. The performer then mused as she stated she 'never read anything crazy about' Eilish apart from 'anytime dating comes into the picture.''That's whenever things get crazy for me, but then it goes away,' Del Rey said.Eilish playfully responded: 'It's really true.

Lana Del Rey has released new song ‘A&W’, the second single from her forthcoming ninth album ‘Did You Know That There’s A Tunnel Under Ocean Blvd’ – listen to it below.The track, which runs at seven minutes and 13 seconds long, is co-written and co-produced by Bleachers‘ Jack Antonoff and follows the album’s title track, released back in December.“Call ’em up, come in to my bedroom / Ended up, we fuck on the hotel floor / It’s not about having someone to love me anymore / This is the experience of being an American whore,” she sings atop a climbing piano and string arrangement.The track intensifies in tempo and volume as it progresses, building to an erratic rhythm section with distorted vocals. “Jimmy Jimmy Coco Puff, Jimmy, Jimmy ride,” she sings.

Lana Del Rey has revealed that a song on her new album ‘Did You Know That There’s A Tunnel Under Ocean Blvd‘ called ‘Margaret’ is about Jack Antonoff’s fiancée.The singer’s forthcoming ninth album is due out March 24 – having been pushed back from its original March 10 release – and will feature collaborations with Father John Misty, Jack Antonoff’s Bleachers and Tommy Genesis. You can check out the artwork and full tracklist here.The singer has now revealed that track 13, ‘Margaret (feat. Bleachers)’, is dedicated to Antonoff’s fiancée, the actor Margaret Qualley.Del Rey revealed the dedication in a new cover feature with Interview Magazine, for which she was interviewed by Billie Eilish.When asked how long the new album had been finished for, Del Rey replied: “September 2022 was the very last song I wrote.

Lana Del Rey cut a casual figure in a black turtleneck and ripped jeans with massive holes in the knees as she left a late church service with a pal on Wednesday night.As she walked arm-in-arm with a friend, who wore a headset and held onto a walkie talkie, the Video Games singer, 37, looked relaxed as she carried a warm beverage in her right hand.For her casual laid-back outing, the New York native wore a pair of silver earrings, white sneakers and her brunette locks loose and free down back.

Lana Del Rey shared a post on her private Instagram account of a selfie of her and the singular billboard she had put up to promote her new album on Tuesday. The 37-year-old singer had the billboard for her ninth studio album put up in her ex's hometown of Tulsa, Oklahoma.  'It's. Personal,' was all the sultry singer wrote in her caption.

Lana Del Rey announced the release date for her ninth studio album on Wednesday and debuted its title track Did You Know That There's a Tunnel Under Ocean Blvd. The 37-year-old singer revealed the album will be released on March 10 and also shared the album's cover art.Del Rey wrote the title track with Mike Hermosa and she co-produced it with longtime collaborators Jack Antonoff, Drew Erickson and Zach Dawes. New album: Lana Del Rey, shown last month in Beverly Hills, California, announced the release date for her ninth studio album on Wednesday and debuted its title track Did You Know That There's a Tunnel Under Ocean BlvdThe album's cover art showed Del Rey in a black-and-white image resting her head in one hand with bows in her hair.Did You Know That There's a Tunnel Under Ocean Blvd includes songs featuring artists: Jon Batiste, Antonoff's Bleachers, Father John Misty, Judah Smith, Tommy Genesis and SYML.

Six-time Grammy nominee Lana Del Rey and Emmy nominee Jamie Lee Curtis followed the 'disco chic' dress code at the Women's Guild Cedars-Sinai Disco Ball in Beverly Hills on Wednesday.The 37-year-old sadcore singer - who was left devastated last month when private photos and songs leaked onto the web - sparkled in a red mini-dress and gold Gucci kitten heels as she posed beside gala advisor Gina Furth and Women's Guild president Lynne Taub Brookman.It was a rare red carpet appearance from Lana (born Elizabeth Grant), who kept her make-up minimal and wore her natural long brunette mane down. Bringing the sparkle! Six-time Grammy nominee Lana Del Rey (L) and Emmy nominee Jamie Lee Curtis (R) followed the 'disco chic' dress code at the Women's Guild Cedars-Sinai Disco Ball in Beverly Hills on Wednesday In October, Del Rey scored her biggest hit co-writing and being featured on 11-time Grammy winner Taylor Swift's song Snow on the Beach, which debuted at No.

A true Mastermind! It wouldn’t be a Taylor Swift album without a few surprises — and Midnights has more than its fair share. 

Lana Del Rey has alerted fans that her car was targeted by thieves for a second time this year, except instead of stealing the car altogether, they stole a backpack full of tech containing several of her forthcoming projects.In a message shared to followers of her private Instagram (but uploaded to YouTube by a fan), the artist explained that she had her car broken into when she’d “stepped away [from it] for a minute”, returning to see all of the windows broken and her backpack missing. “Inside of it was my computer and my three camcorders and my harddrives,” Del Rey said, noting that she was forced to remotely wipe her computer.In the process, Del Rey deleted the only known copy of a 200-page manuscript for her forthcoming poetry book, Behind The Iron Gates: Insights From An Institution, which she’d been working on for Simon & Schuster for more than two years.She told fans that the draft had not been backed up because “we do not have any cloud systems that we access”.

Grammy nominee Lana Del Rey has learned an important lesson: always back up your work.

Lenny Kravitz is listed as a co-writer on Swift’s “Midnights” song “Lavender Haze.”Swift, Jack Antonoff, Mark Anthony Spears, Jahaan Akil Sweet, and Sam Dew are also credited for the track.Some Twitter fan accounts claim that Kravitz also co-wrote “Karma,” but as of publication, she is not included in Apple Music’s list of songwriters for the tune. Swift co-wrote 11 of the album’s 13 songs with Antonoff.

Taylor Swift is gushing over her collaboration with Lana Del Rey on Midnights.

continues. Taylor Swift shared new details about another track on her upcoming album, out Oct. 21, this time opening up about the LP's lone feature from Lana Del Rey — «Snow on the Beach.» "'Snow on the Beach' featuring Lana Del Rey is track four on  and I cannot get through that sentence without grinning because I am such a massive fan of Lana Del Rey," Swift gushed, addressing their collaboration in an Instagram video post.She described the song as being «about falling in love with someone at the same time as they’re falling in love with you, sort of in this sort of cataclysmic, fated moment where you realize someone feels exactly the same way that you feel… at the same moment.» She compared it to a feeling of, "'Wait, is this real? Is this a dream? Is this for real? Is this happening? Is this really happening?' Kind of like it would be if you were to see snow falling on a beach.«The 32-year-old superstar promised to reveal more about working with Del Rey in the future, describing her as „one of the best musical artists ever.

Taylor Swift has shared more details about ‘Snow On The Beach’, her forthcoming collaboration with Lana Del Rey.As confirmed last week, the joint song will appear on Swift’s 10th studio album ‘Midnights’, which is due for release next Friday (October 21).In a new video on social media, the singer-songwriter said she is “such a massive fan of Lana Del Rey” and opened up about the meaning behind the pair’s team-up.“‘Snow On The Beach’ is about falling in love with someone at the same time as they’re falling in love with you,” Swift explained. “Sort of in this cataclysmic, fated moment moment where you realise someone feels exactly the same way that you feel at the same moment.“And you’re kind of looking around going, ‘Wait, is this real? Is this a dream? Is this really happening?’ Kind of like it would be if you were to see snow falling on a beach.”A post shared by Taylor Swift (@taylorswift)Swift went on to express her admiration for latest collaborator, saying: “Lana Del Rey, in my opinion, is one of the best musical artists ever.

Taylor Swift has revealed that Lana Del Rey features on her upcoming new song ‘Snow On The Beach’.Swift confirmed the collaboration during the final instalment of ‘Midnights Mayhem With Me’, the video series through which she’s been drip-feeding the track titles from her forthcoming album ‘Midnights’ (out October 21).“Our LAST EPISODE! The season finale of ‘Midnights Mayhem With Me’, with QUITE the twist of an ending…,” Swift captioned the clip.In the video, she told viewers: “Track four is called ‘Snow On The Beach’. Featuring… Lana Del Rey.”The star has now revealed all 13 song names from ‘Midnights’, including ‘Vigilante Shit’, ‘Midnight Rain’, ‘Anti-Hero’, ‘Bejeweled’ and ‘Mastermind’.

Chris Willman Senior Music Writer and Chief Music Critic Taylor Swift kept the “Midnights” oil burning later than usual late Thursday night and early Friday morning, revealing not just the name of one song at midnight, as has been her custom in the buildup to the Oct. 21 album release, but all five of the remaining mystery track titles, one per hour, until she finally reached a grand finale at 4 a.m. ET. And that final track reveal had — as she promised — “QUITE the twist of an ending,” with Lana Del Rey being revealed as making the only featured appearance by a guest on the album. Del Rey will make her cameo on a song titled “Snow on the Beach,” which will be track 4 on “Midnights.” The other four tracks whose titles were revealed over the course of the wee hours were “Lavender Haze,” set to be the first track on the album; “You’re on Your Own,” track 5; “Labyrinth,” track 10; and “Sweet Nothing,” track 12.

Ella Kemp Guest Contributor Baz Luhrmann has lifted the curtain on his musical process, recalling one key artist who could have changed his 2013 adaptation of “The Great Gatsby” entirely. The filmmaker, who recently wrote, produced and directed the glittering musical biopic “Elvis,” starring Austin Butler, opened up about his long-standing love affair with pop music at BAFTA’s Life In Pictures event in London on Friday. The evening welcomed Luhrmann back to London following his worldwide box office success with “Elvis”, which both honors the rock’n’roll musician’s back catalogue and offers contemporary reworking of songs of the era, such as Doja Cat’s new track “Vegas,” which samples and reworks the 1953 blues song “Hound Dog” by Big Mama Thornton.

Bad Bunny.New York University’s Clive David institute will launch a new class next month, focused on the study of Lana’s songwriting, in relation to social justice, musical influence and unique sound, that “has changed the parameters of baroque pop.”“Del Rey provided a new platform for artists of all genders to create ‘anti-pop’ works of substance that could live in a mainstream once categorized as bubblegum,” says author Kathy Iandoli. “The six-time Grammy nominated artist has reinvented the sound (and mood) of mainstream music beyond the 2010s.”San Diego State University will explore Bad Bunny’s impact on Latin culture, as he has been able to show a different side of reggaetón.

Lana Del Rey fans attending NYU next semester will be able to put their standom to the test with a course focused on the singer. Topics in Recorded Music: Lana Del Rey will be taught at New York University’s Clive Davis Institute of Recorded Music with journalist and author Kathy Iandoli helming the two-credit course.

Lana Del Rey on a new course that’s launching next month.The Grammy-winning artist is the subject of a new course titled ‘Topics in Recorded Music: Lana Del Rey’ at the University, which is set to run from October 20 to December 8 at the Clive Davis Institute and be taught by journalist and author Kathy Iandoli.A course description (via Variety) reads: “Over the course of eight critically-acclaimed albums, the six-time Grammy nominated artist has introduced a sad core, melancholic, and baroque version of dream pop that in turn helped shift and reinvent the sound (and mood) of mainstream music beyond the 2010s.“Through her arresting visuals and her thematic attention to mental health and tales of toxic, damaged love, Del Rey provided a new platform for artists of all genders to create ‘anti-pop’ works of substance that could live in a mainstream once categorised as bubblegum.”Earlier this year, the Clive Davis Institute also launched a new course on Taylor Swift.The course began at the Davis Institute, which is part of New York University’s Tisch School of the Arts, on January 26 and ran through to March 9.Taught by Rolling Stone’s Brittany Spanos, the course covered “Swift’s evolution as a creative music entrepreneur, the legacy of pop and country songwriters, discourses of youth and girlhood, and the politics of race in contemporary popular music” (via Variety).“This course proposes to deconstruct both the appeal and aversions to Taylor Swift through close readings of her music and public discourse as it relates to her own growth as an artist and a celebrity,” a description adds.“Through readings, lectures and more, the class delves into analyses of the culture and politics of teen girlhood in pop music, fandom, media