Harriet Tubman: Last News

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A Strange Loop’s Michael R Jackson: ‘I wrote this show as a little lifeboat at a very uncertain time’

American musical, and Jackson has been hailed as a genius. The writer speaks to me from the remote Irish island of Inisheer, where he is taking a few weeks’ rest. It follows a frenetic few years in which A Strange Loop first opened Off-Broadway in 2019, before moving to Broadway two years later and started hoovering up awards.
msn.com

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variety.com
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‘Till’ Review: Chinonye Chukwu Re-Centers the Story of a Hate-Crime Victim on the Mother Who Made History
Peter Debruge Chief Film Critic Growing up in Texas toward the tail end of the 20th century, I was not taught about Emmett Till. I’ve learned about him since, of course. Till’s name adorns this year’s overdue federal antilynching act, and his tragic fate has inspired plays and films, including 2018’s Oscar-nominated short, “My Nephew Emmett,” and now a powerful new feature from Chinonye Chukwu, who gave Alfre Woodard one of her greatest roles in 2019 Sundance winner “Clemency.” Till’s story — that of a 14-year-old Black boy from Chicago who was kidnapped in the middle of the night and lynched while visiting his family in Mississippi — may have been omitted from my Southern schooling for racist reasons, though I suspect it had as much to do with Western culture’s “great man” bias. History, as a field of study, celebrates the achievements of heroic individuals. Nat Turner, Harriet Tubman, Rosa Parks. Those names were all taught. But Emmett Till was a kid whose murder galvanized the American civil rights movement, and it has taken a different kind of thinking — à la “Say Their Names” campaign or Ryan Coogler’s “Fruitvale Station” — to position victims in the public’s mind.
express.co.uk
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Hillary Clinton: Hidden meaning behind the former First Lady's Met Gala gown
Hillary Clinton stunned as she graced the Met Gala last night following a 21 year absence.The former United States Secretary of State, 74, dazzled in a deep burgundy number which was embroidered with the names of historical women that she admires.Taking to the red carpet, the former first lady stunned in the evening gown which perfectly fit the Gilded Glamour and White Tie theme of the event.The dark red number featured long sleeves and a straight neckline which flashed Hillary's shoulders.Nipping her in at the waist, the garment fanned out in a beautiful A-line shape, leaving the wife of former resident Bill Clinton to pick up the fabric as it skimmed the floor.The intricate number was custom made by Joseph Altuzarra who had sewn over 60 names onto the garment, including that of Madeline Albright, Abigail Adams, Harriet Tubman, Rosa Parks, Lady Bird Johnson, and Hillary's mother, Dorothy Rodham.The dress's designer told Vogue magazine that it was important to create a dress of "significance" for the political figure.Altuzarra said: "I knew that I wanted the dress to have a personal component for her.“When someone like Hillary goes to the Met, it’s not just like, ‘there’s Hillary at the Met and she’s wearing a dress.’ It has a lot of significance.“I felt like I had to be very thoughtful about what the dress would mean to the theme and to the occasion.”
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