Chris Willman-Senior: Last News

Chris Willman Senior Music Writer and Chief Music Critic Jeffrey Foskett, a musician familiar to Beach Boys fans for more than four decades as a presence in the touring bands led by both Brian Wilson and Mike Love, died Monday at age 67. He had been battling anaplastic thyroid cancer. Foskett, who was deemed the “vice principal of the Beach Boys” by its core members, was the rare musician who found favor in all of that group’s sometimes competing camps over the decades.

Chris Willman Senior Music Writer and Chief Music Critic Laufey (pronounced Lay-vay) is captivating Gen Z by writing and singing music that almost sounds like it could be from Gen WWII. Go figure, and go marvel. But the 24-year-old has always instinctively known that a box is no place to be: She hails from Iceland, is of Asian heritage, and is in many ways a quintessentially all-American girl.

Chris Willman Senior Music Writer and Chief Music Critic Before talking about the meat of Peter Gabriel’s new album, “i/o,” which stands for “input/output,” it is inevitable that initial discussion will focus on the level of output (or the lack of it) he’s had prior to this year. It’s his first studio album of original songs in 21 years (and only the second in 31 years).

Chris Willman Senior Music Writer and Chief Music Critic Hello, beautiful. That’s what some Barbra Streisand fans have been murmuring to their physical editions of “My Name Is Barbra,” her memoir, since it came out one month ago, and over that time has become a nightly bedtime companion (its 970-page length not quite built for bingeing), as well as a sort of objet d’art, and objet d’heft.

Chris Willman Senior Music Writer and Chief Music Critic It’s hard to quite think of someone who was as big a veritable child star as Brenda Lee was in the late ’50s and early ’60s a “late bloomer.” Nor can “Rockin’ Around the Christmas Tree” really be considered an underdog song, after its accrual of quintuple-platinum sales over the decades. And yet it’s spent the last several years peaking at No. 2 each December, after spending most of its lifetime not annually charting at all.

Chris Willman Senior Music Writer and Chief Music Critic Country music hasn’t had a huge presence in the mainstream top 10 since Florida Georgia Line provided a couple of big crossover blips in 2014 and 2017 with “Cruise” and “Meant to Be.” But that changed in triplicate in 2023 with three Nashville exports— the well-established Morgan Wallen and Luke Combs, plus a blazing-hot newcomer, Zimmerman. His first three singles all hit No.

Chris Willman Senior Music Writer and Chief Music Critic Billie Eilish remembers being aware there were some puzzled — or just wary — reactions when a song she and Finneas co-wrote, “What Was I Made For?,” was one of the last tracks announced for the “Barbie” soundtrack. “I remember everybody being like, ‘What the hell? It’s gonna be a fun, cute, girly, pink movie for the summer and we’re all going to be laughing.

Chris Willman Senior Music Writer and Chief Music Critic Who should be counted as country music’s currently most successful songwriter? You’d be hard-pressed to find anyone who could come up with a metric where the end result is not clearly Ashley Gorley, who’s being honored as Songwriter of the Year at Variety‘s annual Hitmakers event. He has been a co-writer on five of the last six Morgan Wallen singles, all of which inevitably topped the country chart — with “Last Night” also going top 5 at pop radio, no small factor in the song spending a near-record 16 weeks at No. 1 on the Billboard Hot 100.

Chris Willman Senior Music Writer and Chief Music Critic The latest episode of Variety‘s “Strictly Business” podcast features Aaron Dessner — the man Swifties are indebted to for collaborating on big chunks of “Folklore” and “Evermore,” but who more than earned his keep for a quarter-century prior to that as a member of the exalted-in-their-own-right band the National. Dessner’s Grammy-winning group has been one of the mainstays of rock ’n roll since the late ’90s.

Chris Willman Senior Music Writer and Chief Music Critic What part of fast in “Fast Car” did anyone not understand? Country superstar Luke Combs’ cover of the 1988 Tracy Chapman classic proved to be as turbocharged as anything acoustically based in this world can be, with unexpected multi-format success: It was No. 1 at adult pop and country for two weeks each; a healthy No. 6 at Top 40 radio; No.

Chris Willman Senior Music Writer and Chief Music Critic Elizabeth Chan continues to be the most prolific recording artist in the Christmas music space, and certainly the only singer of any notoriety doing a new release each year, having just released her 13th consecutive holiday album, “Songs From Noelle.” Variety is already on record as calling the singer-songwriter “Christmas’ one-woman Brill Building.” But if a new holiday collection from Chan seems inevitable every fall, there was nothing clockwork-like about this one’s making — since for Chan, unlike Taylor Swift, the number 13 actually seemed unlucky in 2023. The title “Songs From Noelle” refers to Chan’s 6-year-old daughter, who co-sang and even co-wrote a few songs on the album.

Chris Willman Senior Music Writer and Chief Music Critic “Summer’s lease hath all too short a date,” wrote William Shakespeare in one of his sonnets. Well, Bill, you might be enchanted to meet Taylor Swift, who has been busy proving just how long a summer can last: four years and counting, in the case of “Cruel Summer.” The song was released in 2019 but didn’t become a smash until 2023, when by popular acclamation her quasi-oldie was all but officially declared the song of summer.

Chris Willman Senior Music Writer and Chief Music Critic Taylor Swift announced Monday morning that her “Eras Tour” film will be released for streaming on her birthday, Dec. 13 — and that, as hoped by fans, it will include songs from the tour not included in the movie’s theatrical release.

Chris Willman Senior Music Writer and Chief Music Critic Love hurts, and so, if you’re a Gram Parsons fan, does the idea that the world has had to do without him for 50 years, as of September of this year. Imagining how his style might have changed over the subsequent half-century is never-ending, as is conjecturing how he might have simply have brought the world closer to his own fearless hybrid of country and rock, with more years to grow his audience after what amounted to a mere five-year heyday.

Chris Willman Senior Music Writer and Chief Music Critic The mystery of why Daryl Hall obtained a restraining order against John Oates has been solved, at least in part, now that part of the case has been unsealed by a Tennessee judge who previously ordered all details to be kept under wraps. It’s now been revealed that Hall is attempting to block his longtime musical partner from selling his share in their joint venture to Primary Wave Music. On Friday afternoon, the Associated Press was first to report the actual reason for the restraining order, after the judge quietly unsealed some — but not nearly all — of the case two days earlier, on Thanksgiving eve.

Chris Willman Senior Music Writer and Chief Music Critic “Brutal out there” may be a good description for how Record Store Day Black Friday will feel for those customers who have their appetites set only on the limited-edition piece that Olivia Rodrigo has coming out for the occasion. Rodrigo is essentially playing the role of Taylor Swift this time around, in drawing the attention of consumers who might otherwise be fine leaving a Record Store Day event alone with a special release that will be noted for its immediate scarcity — in this case, “Guts: The Secret Tracks,” a four-song EP that has not been pressed in anything near the quantity to meet the demand.

Chris Willman Senior Music Writer and Chief Music Critic You won’t even have to already love Wilco to find joy in the experience of reading Jeff Tweedy’s new book, “World Within a Song: Music That Changed My Life and Life That Changed My Music” — although nothing about coming in as a fan will exactly hurt. His tales about how dozens of pieces of (mostly) pop and rock music have hit him in a personal way over the decades is full of anecdotal pleasures that get at more universal truths about how we’re shaped by art… or, alternately, just illustrate a funny story Tweedy neglected to include in his previous books, the music memoir “Let’s Go (So We Can Get Back)” and the instructional “How to Write One Song.” The book includes his thoughts on youthful favorites he remains unabashed about into his adulthood, like “Smoke on the Water,” “Takin’ Care of Business” and “My Sharona,” adult fare that rewarded more mature readings, like Randy Newman’s “In Germany Before the War,” and songs as disparate as the Replacements’ “God Damn Job,” Wings’ “Mull of Kintyre,” Rosalia’s “Bizcochito” and “You Are My Sunshine.” Variety caught up with Tweedy on the road between stops on Wilco’s fall tour supporting the band’s recent “Cousin” album, following a solo tour in the summer of 2023.

Chris Willman Senior Music Writer and Chief Music Critic Was there anyone who didn’t have an opinion — and the strong need to express it — when the Beatles‘ “last single,” “Now and Then,” came out earlier this month? The surviving members’ long-aborning completion of a 1970s John Lennon demo profoundly moved millions of fans, and put off some others, but no one in practically any demographic — not boomers or even Gen-Z-ers and millennials — wanted to hold their tongue about it. And that’s the kind of marketing that money and promotion can’t buy.

Chris Willman Senior Music Writer and Chief Music Critic Mars Williams, a saxophone player known for his work as a member of the Waitresses and later the Psychedelic Furs, died Monday at age 68. His hometown newspaper the Chicago Tribune first confirmed Williams’ passing and reported that the cause of death was ampullary cancer.

Chris Willman Senior Music Writer and Chief Music Critic Taylor Swift did not offer an introduction to “Bigger Than the Whole Sky” when she performed it as a surprise song at her concert Sunday night in Rio de Janeiro. But she didn’t have to — fans implicitly understood her live premiere of the number, arguably the most wrenchingly emotional song in her catalog, as a tribute to Ana Clara Benevides Machado, who died after attending Swift’s previous show at the stadium.Full video of Taylor performing Biggen Than The Whole Sky (right in front of my face like wow) #RioTSTheErasTour pic.twitter.com/q5rNYixG1z Swift had previously expressed her sorrow over the fan’s death in a social media post, and had written that “I’m not going to be able to speak about this from stage because I feel overwhelmed by grief when I even try to talk about it.” But, clearly, she wanted to sing about that which she could not talk about.

Chris Willman Senior Music Writer and Chief Music Critic Liz Phair remains larger than life, in a way — even taller than 6’1”, if you will — as a result of her utterly down-to-earth yet myth-making first album, “Exile in Guyville,” in 1993. Thirty years after it changed the course of rock ‘n’ roll, that debut is being celebrated on a cross-country tour in which Phair is playing the entirety of the album for the main part of her set, delighting houses full of Gen-Xers, and not a few boomers or Gen-Z-ers who also recognize the record as one of the all-time great freshman efforts.